this submersive sonification is like a cogent paradigm wedged into a good example!

Analyse Erronnée

Beautiful souls are made whole - by rocknroll!

Beautiful Souls Rock'n'Roll

Favourite Collaborations

Squarepusher - MIDI SANS FRONTIERES

Well, my body was aching, all the time
Well, my body was shaking, all down the line
The desert heat was burning me up
The rattle snakes were fine
So it comes to this 
Every single time

Will you be mine?
Or are you fine?

Is your life sublime?
Or is it time?

The train comes chugging past
It's never on time
The rain never lasts
The soil is dying
Just like our relationship
But not for want of trying
Never underestimate
Your other half's lying


355. will you be mine (harding).mp3

tea on pluto

Outside

midnight rendezvous

naviarhaiku530 – taking it easy
February 28, 2024

taking it easy
the mouse sleeps too...
spring rain

by: Kobayashi Issa

Among the four great masters of Japanese haiku, Kobayashi Issa was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun. If you want to find out more about this prolific author I suggest you check out this database of his haiku.

Ellocsul Bru - naviarhaiku530 - taking it easy

Yachtsaz Clutchedat

Drance nu

guitar op.1 nº3

https://linktr.ee/yellowsalamandr

Yellow Salamand'rs shelter
UNDERGROUND, they feed off the COUNTER-CULTURE, their minds have vast experi-MENTAL capacity, they search through the AVANT GARDEn, they DAMn the MAINSTREAM, and live the SURreal life. They are the “Dunning-Kruger” of their coterie. They are Illusional Engineers, Dystopian Spelunkers, Desolation Cartographers, Misanthropic Therapists, Pragmatic Escapists, Clinical Obscurists, Oxymoronic Magistrates, Elaborate Equivicators, Elevator Operators, Hallucinogenic Fungi Analysts, and Restroom Attendants, to name but a few prestigious occupations. Never underestimate the Yellow Salamand’r.

(Started making experimental music in ‘81 at 18 years old with circuit bent devices. 
Did some underground tape trading. Also made field recordings when working in a steel mill at night. (Lost all cassettes from that era.) Domestic life halted almost all artistic endeavours for many years. Along came 2013, and my world and technology had changed drastically. I started back into music using an iPhone and various technological detritus. I had shifted from lo-fi analog, to lo-fi digital. This is where I am still at nowadays. I can create unique experimental music, and yet still be satisfied with the outcome. I truly enjoy working with minimal equipment allowing me to be challenged by the limitations. (Inability is often the mother of restriction, and restriction is the great mother of inventive performance. - Holger Czukay) Even my visual art has gone from analog (painting, drawing) to digital collage. I don’t use AI and even though I think it will one day have it’s place in the art world, it just doesn’t align with my personal principles. If you enjoy esoteric, obscure, experimental sounds, I hope you enjoy some of the material provided here. If you do like my works, and are curious to discover more, go to the link at the top of this bio. It can take you in many different directions. Cheers)

Squarepusher - MIDI SANS FRONTIERES

Yellow Salamand'r

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