eternal sunshine

Dreamy, slowed, and echoing with the weight of loneliness.

I just wanna be loved (Dreamy + Extra Slowed)

An ambient, calming instrumental track about seasonal changes

Fall Leaves

∘
Exotic Goods are available for purchase on Bandcamp:
https://enilylbmessa.bandcamp.com/album/exotic-goods
This is a charity release - all profits will be donated to organizations that support the Amazon rainforest.


cover art by Jem Doktor
( https://instagram.com/tjhhem_ddocktor?igshid=1dzzur75vswl2 )

mastering by Avum ( @avum1 )

tracks by:
@poztman
@datacode23
@madblaxer
@llun
@haera_bas
@ninetimese
@andmedpin
@dilmeier
@whertywhere

Buy on Bandcamp

poztman - as without, so within

Birds on Fire - [ 2018 ]

Hyperglitch is an emerging genre that is informed by glitch, idm and experimental music that came before it, but is distinct from them. It uses new techniques, explores new concepts, and has a new aesthetic. “Hyper” in this sense doesn’t mean more, or faster, or louder, it’s meant in the “hypertext” way; as in: deeper and more interconnected. Hyperglitch is the evolution of glitch. It’s what happens when a generation of artists grow up surrounded by glitch, entrenched in the digital world. Their fluency and usage/exploitation of glitch has deeper roots and is more natural and nuanced than someone born outside of this environment. 

My hope is that by helping to define the genre through this series, it will help other artists within the subgenre to find each other, and help us all develop our work and leave the past behind (or at least the parts that are holding us back). I also hope that by casting a wide net it will dissuade others from creating a formula for the genre and freezing it in time (although I’m sure some of that is inevitable). I also want to stress that Hyperglitch is new. Some of the ideas have been circulating for years, some even as far back as the early 2000’s, but their current formulation and the combinations employed by these artists are something I have never heard before (even though I have been imagining the emergence of something similar for a long time). I hope this series will illuminate the thread that I think connects these artists, and will hopefully inspire other artists to join in and create their own Hyperglitch music. 

The first album in the series is Reason by Seskamol. It is an incredibly cinematic album that intercuts dissociative ambiences with harsh, fast and hyper-detailed percussive sections. Seskamol’s understanding of rhythm and percussion seems to have moved past the need for any groove or pulse, but instead of using the pallets of electro-acoustic music, or breakcore, he mangles the two with new and more refined techniques. Similar to the raw expressions of noise music or blast beats, but reinventing them through the drum programming of breakcore with modern sound design. The result is what I imagine it would be like to wake up in a post apocalyptic wasteland, an eerie calm and then the blasts of music from an aggressive and violent time before the collapse bombarding you from a radio passing through stations, or the blasting stereo system of a renegade gang vehicle passing you. The album oscillates through feelings of desperate anger and the disabling apathy of a particularly strong depression. By passing through it with Seskamol, we know we aren’t alone. 

- Woulg ( www.woulg.com )
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seskamol - destiny - [audio.visual.music.video.] - [2020] 
4K - youtu.be/rTgDlQe1_NM 

www.seskamol.com 
soundcloud.com/seskamol/ 
youtube.com/seskamol/ 
instagram.com/seskamol/ 
vimeo.com/seskamol/ 
patreon.com/seskamol/ 

www.glitch.cool

Epic

Empty

Unsuccessful

Intro

A new transmission has reached us from the Woodpecking Mantis galaxy.

It seems our favorite alien insects is a little bit less angry than when we first encoutered him, but he still has some weird things to say. It also decided to speak to us for longer than last time and divided his synthesized speech in no less than eight time frames.

We can hear that our galactic friend is getting used to this musical language of ours. Heavily tortured breakbeats and analog drum machines are his main way of talking but FM sparkles and acid drips are never too far.

We are happy to deliver this message to you !
crédits
Out 6 novembre 2020

Music by Woodpecking Mantis
Mastering by Julien "Stazma" Guillot at Electric Voyage Studio:
stazmathejunglechrist.com/studio
Artwork by Ohmwerk

Brainlores Vol.2

CC021 - Woodpecking Mantis - Brainlores Vol.2 - Promomix

Out now!!! on Concrete Collage on Cassette and Digital!
https://fxbip.bandcamp.com/album/choke-2

released February 24, 2021

Music and artwork by fxbip
Mastering by Julien "Stazma" Guillot at Electric Voyage Studio
Cassette layout by Ohmwerk

Choke

Choke 4

'When non-frequency-politics listens to the clock, it does not hear the uniform tic tic, tic, but it hears tic - toc - fuck the clock.'

Intro

Force Inc. / mille plateaux

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