Wow.   This set is beyond amazing.  Thank you. 

For this edition of The Bunker Podcast we're releasing @otodojo's live set from their album release party at The Bunker in April.

artist video explanation accompaniment:
https://youtu.be/h-xMUetPiTg?si=9qj-4DNHj2dHUBtT

artist statement:

In February 2023 I focused on developing a new live set for my debut with @thebunkerny for an album release, named one of the best releases of 2023 by @mixmag-1. I trained the set with performances at Bossa Nova Civic Club with Perfect Party Look Book and at Forest City Lodge with Microtones in Ithaca.

Maybe describing this can help you process some live set ideas.

My previous approach to delivering this material live (originally at The Long Count Cycle, then at Technically Yeah) was using stems as a bedrock and improvisation on top. Even though this worked fine, it got a bit stale for me and I wanted to be as satisfied as a listener when a groove sets in. So I decided to go fully based on MIDI information and instruments, with an added challenge that my CPU can’t take too much of a load, so I needed to make sure I disabled certain instruments before bringing others in. A disclaimer is that I am not fully endorsing all of the equipment in this list, there are some caveats that I’m happy to discuss.

In Ableton I created custom instruments through stock plugins like operator, collision, wavetable - these instruments are divided into ones I cycle through and ones that are constant throughout the set.

The constant ones exist in instrument racks and are freely interchangeable through chains - all of the parameters are mapped to the same knobs on my Novation Launch Control XL enabling me to wash through several instruments running varying sounds. I also have stored macro variations for those instruments in case I need some sound immediately without menu diving (like 1/16 note hi hats).

The cycled instruments instruments are mostly from my tracks in Amphibious / Aural Spirits that are all controlled by four channels on my Xone K1. Initially I tried using Tip by K-Devices and Map-8 to disable a swath of devices (thanks One Child Policy for the tip!). Yet I found that the CPU load was comparable with just leaving the devices on and simply stopping clips. This made for a much better workflow.

I slowly progress through the cycled instruments while improvising with the constant instruments and the main drums / accenting discussed below.

My iPad is running Werkbench by Karl Scholz @karlalamusic, a sequencer sampler app that can easily form interesting polyrhythms and is great for anything sample-related, like live accenting, bass lines, drums, etc.

For the main drums I didn’t want to be too focused on sequencing as it takes up a lot of time, so I just wanted to scroll through patterns that I generate beforehand. I opted to use a modified version of Instant Haus by @alexkid which stores drum patterns for four-five instruments. Modifying this was a bit challenging as it is difficult to determine what kind of patterns I think can stay interesting over an hour time period. This is playing Smackos 808 Simulator by @legowelt-official as well as other custom drum instruments.

For acid lines I am using a Roland TB03 on lend from Indy Nyles and sequencing the 303 with Sting by Iftah Gabbai  as well as his Microtuner device coupled with note echos (I believe this is the most CPU intensive part of the set).I am using Ableton Push as a means to do miscellaneous control and Jaw Harp / Mic for some added organic-ness.

I am running all of this through an Apollo Twin Duo and Allen & Heath Xone 96 at the club.

The Bunker Podcast 227

The Bunker Podcast 227: Otodojo

RAWAX welcomes Lauren Flax to the artist family!
We are very happy to present you Lauren's upcoming debut on CHIWAX, 
including a huge remix by our dear Lis Sarroca!
Highly recommended!

Direct order: https://dbh-music.com/shop/release_view/15606
Teaser:

Artist: Lauren Flax
Title: D-Troit
Additional remix by Lis Sarroca
Label: CHIWAX
Format: 12"
Cat: CTX015
Genre: House/ Electro
Release date: 08.01.2024
Tracklisting:
A1. Jack The Haus
A2. The Cheeky Whistle Song
B1. D-Troit
B2. D-Troit (Lis Sarroca Remix)


Worldwide exclusive distributed by www.dbh-music.com; info@dbh-music.com; info@dbh-music.com

CTX015 - Lauren Flax - D - Troit (incl. Lis Sarroca RMX) CHIWAX

"Cargo" is one of five downtempo beauties to feature on Sean La'Brooy's Merchant E.P. which is due out tomorrow on Scissor & Thread. It's an expansive, seven-minute journey that's both cerebral and somewhat moving. More than you could probably say about most modern electronica which tends to desperately fit inside a box. 

Here's how Sean explains the E.P. as whole:

“the purpose of this record was to create five tracks that each feel unique and distinctive from each other while still maintaining a common thread that connects them all to the same place. All my favorite records have a certain distinctiveness across each track that ties them together to create a sort of family of works. I think if you can achieve that cohesion, you’ve made a great album. With Merchant, I’ve tried my hardest to establish a unique identity while featuring 5 tracks that feel totally different at the same time. Different concepts, genres, tempos, instrumentation, still with a red thread to connect them all. In my mind, those commonalities are defined by a particular mood or sentiment, the use of playful melodies, and a reliance on acoustic rhythms throughout”.

Until tomorrow, enjoy our exclusive stream of "Cargo:"

Merchant

Premiere: "Cargo" by Sean La'Brooy (Scissor & Thread)

Acid Camp x Bean Radio Mix 068: Ms. Ed

Acid Camp x Bean Radio Mix 069: Colored Craig

Sound practitioner, synth player, and Tonal Fiction conductor @echiverri takes pause from a busy tour schedule (as apart of LCD Soundsystem or as one of North America’s best disc jockeys) to bless Moods with a poignant work of art. Go for a walk and ponder on the meaning of life itself while listening. To read the full interview, head to our Substack: https://moods.substack.com

Moods is community-curated and community-supported. By helping us out, you're directly supporting artist commissions, curator fees, merchandise, and materials for parties. Consider subscribing to our Substack (https://moods.substack.com/) or give us a buck, four, or more a month directly: danielsharp.cargo.site/Moods

We paired Abby’s mix with a ghost print by Edgar Heap of Birds; a monoprint from his recent collection of single prints is what he calls a "ghost" print (he paints the plate, lays paper on and pulls ink for the first print, then repeats the process with whatever ink's left -- the "ghost" from the first pull).

For more on Abby, keep up on her Soundcloud: @echiverri

Moods 65: Abby Echiverri

Hi, we are back, let's not make a big thing of it! It's an honor to have GBD on the series.

“Long live the intifada! Free Palestine. Blessings to the Martyrs. This mix is raw output from a fragmented mind. Residues of insurgency across genres and decades.”

Gianpaolo Dieli (AKA gbd, PKA Savile) is a non-binary dj and producer who has been an integral player in the American dance music underground for over a decade. A Michigan native who began their career in Chicago with a residency at hallowed Smart Bar, gbd has built their practice around an effort to create equitable environments, imaginative visions, and disruptive programming.

Since their international debut at Berghain/Panorama Bar in 2016, Dieli has toured 10+ countries and 30+ cities across North and South America, Asia, and Europe, spreading their raw sound and unbridled energy with an open heart. In the intervening years, they’ve received support from some of the most notable publications and outlets across dance music and culture; the likes of BBC Radio 1, Red Bull Radio, Resident Advisor, i-D mag, Beats in Space, Ghostly, RinseFM, NTS, Truants, DJ Mag, Mixmag, and Groove Magazine.

Called “one of the most exciting secrets in US club culture” by Boiler Room, Gianpaolo currently works and resides in Brooklyn, New York, and holds a residency at Public Records. In 2023 they changed their artist name from Savile to gbd - marking a new beginning in their artistic journey and a continued commitment to unearthing dance musics' deepest sounds.

As always, thanks for listening.

Somersault 294 (Gbd) “Let Gaza Live”

A six hours closing set recorded at .TAG in Chengdu on a Sunday morning in March 2024.

.TAG 10 Years. 04:30 - 10:30

*** You can buy the CD mix at my bandcamp ***
https://octoocta.bandcamp.com/merch/groovy-girl-bang-the-drum-cd-mix

Hiii, Octo Octa here! I'm sharing a new mix series I'm doing under the name "Groovy Girl" and the first entry is "Bang The Drum" <3 

It is a house and acid percussive groover of a mix that will hopefully have you raving where ever you are. Mixed on two Technics 1210 M5Gs and a Pioneer A9 Mixer, plus some overdubs on the recording. 

This release is a Mix CD tracked so you can jump back over and over to your favorite part. The CD insert has photos of all of the records I used for the mix in order.

I hope you enjoy this as much as I enjoyed making it. Can't wait to get started on the next in the series!!

*** You can buy a digital version of the mix on Nina ***
https://www.ninaprotocol.com/releases/groovy-girl-bang-the-drum

xoxo Maya

Groovy Girl - Bang The Drum Mix

Pre-order: https://acidcamp.bandcamp.com/album/acid-camp-10-year-anniversary

@acidcamp unveils a new compilation album celebrating the label’s 10-year anniversary with 35 artists — including a stand-out track from LA's @one-child-policy.

The release spans dancefloor-forward acid house and techno to ambient, downtempo, and funk selections, with lyrics cut and collaged; synths squelched; grooves grooved.

More exclusive music

Premiere: One Child Policy 'Machine User (机器用户)'

Gem and Atsuko Satori, are a unit of two female DJs called PALM BABYS from Tokyo's underground music scene since the summer of 2015. Gem combines a groovy mix between house and disco.  Atsuko combines a funky sound of deep house and techno. Their original sound has no genre, and their love for vinyl keeps them rocking the floors of Tokyo. PBS debut their America tour in California, where they played in LA at Dublub Radio,  pool parties in Hollywood, and made club appearances around town. In San Fransisco, the duo performed at a party called "Night Life" at the California Science of Academy San Fransisco. They have continued to play since being back in Tokyo at NTS Radio and the Red Bull Studio where they will progress and pursue music and DJing. PBS will keep evolving within the Tokyo DJ scene and internationally.

Follow: https://www.mixcloud.com/PALMBABYS/

Acid Camp Vol. 84 — Palm Babys

Searching for Paradise on the Dance Floor.
Est 2013.
Visit our shop: www.acid.camp

Acid Camp Vol. 84 — Palm Babys

Acid Camp

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