The Brand New Heavies - Sweet Freek (Classic mix)

Join our Patreon Family and we’ll send you over 30 edits exclusively for our subscribers, check the full list of tracks here :-
https://shakalovesyou.com/discography/subscriber-edits/

Here's our latest EP  OUT NOW on Goodgroove Records.

Grab the release here ----> http://bit.ly/2n85nhP

Check the video for Ridin' High' here  ----> http://bit.ly/2nhd3ws

"Just over a year ago, Glaswegian party-starters Shaka Loves You joined forces with festival-friendly funk breaks imprint Goodgroove to launch the Disco Series. This belated follow-up is as on-point as its predecessor and contains four-more chunks of fun-time, disco influenced workouts smothered in live instrumentation. We're particularly enjoying the hard-wired funk guitars, rising horns and insatiable vocals of "Dance, Dance, Dance", though throaty edit-not-edit "Ridin' High" - all hard-wired synth bass, shuffling house beats and P-funk flourishes - is also superb. The bouncy, dance-until-you-drop craziness of "In My Soul" (a largely instrumental edit of a well loved early '80s disco smasher) and jaunty opener "My Love" complete a fine package.”
- JUNO DOWNLOAD

 Bookings: cris@fingerlickin.co.uk

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In My Soul

Free Download by Wiska | https://soundcloud.com/wiskarito

Free Download

Johnny Pate - Shaft In Africa (Wiska Edit)

Hello everyone, herein lie our first recordings. Have a listen, shake your moneymaker etc.

Another Part Of Me

Available on the flipside of The Impellers newest 45 'The Knock Knock' on Mocambos Records.  Released on 26th March.

The Impellers - I Predict A Riot

San Fransisco late 1960, two of the biggest groups to emerge from this scene were Santana and Sly and The Family Stone. For a while they were two of the biggest acts in the US and scores of local bands tried to follow in their footsteps. They were hard acts to follow and very few got to the stage of making a 45, never mind a whole LP.

One of the best to do just that were Leon’s Creation, whose debut LP “This Is The Beginning” Acid Jazz are reissuing here. A native of San Francisco Leon Patillo led the group, whose multi racial line-up echoed that of his heroes on the local scene. Self contained and gigging locally they made their debut album at the tiny Studio 10 who also custom pressed the album in extremely limited numbers

Released on Acid Jazz licensed directly from Leon Patillo, the package comes with in depth sleeve notes and is beautifully illustrated in both LP and CD formats. Release 09/03/2018
Pre-order here - http://bit.ly/2Epwxf7

Leon's Creation - This Is The Beginning

Lucas High

Gimme Some More Of That (feat. Kelly Finnigan & Kendra Morris)

Laville - The City (Ashley Beedle Remix)

Taken from the forthcoming AJX500 compilation which is celebrating the labels 500th release.

Pre-order here > http://hyperurl.co/AJX500

Lightning Orchestra - Theme

DEAD ON IT (SCOTT M RE-RUB)

Shaka Loves You Joints n' Jams Vol. 1 

Stream/Download: https://fanlink.to/JnJ1

Released 27th November 2020
Special Mini Mix of the album by the curators, Shaka Loves You.

Full album features music from DJ Nu-Mark & Quantic, Kraak & Smaak, The Nextmen & Kiko Bun, Izo FitzRoy, Chali 2NA & Krafty Kuts, Andy Cooper, The Allergies , Fort Knox Five, Hobbs & Ron Mexico, Birdee & Andre Espertue, Afriquoi, Art of Tones and Shaka Loves You themselves.

Stream/Download

Joints n' Jams Vol. 1: Shaka Loves You Mini Mix

www.acidjazz.co.uk

Formed back in the heady days of 1987 at the start of the ‘acieed’ explosion, Acid Jazz was the first of the groundbreaking new indie labels and paved the way for the likes of Mo Wax, Wall Of Sound and Talkin' Loud…

Initially a simple bedroom operation established by Eddie Piller and Gilles Peterson, within three months of the first 45 release (Galliano’s Frederic Lies Still), the label had grown rapidly, acquired premises in London’s east end and laid out a unique manifesto of alternative club sounds – jazz, street-soul, funk, latin, reggae and jazz poetry all put in an early appearance. Galliano, Chris Bangs, The Night Trains, The Last Poets, A Man Called Adam and Snowboy & The Latin Section were amongst the first wave of label signings and they all appeared live at groundbreaking jazz themed nights at London clubs like the WAG in Soho and Camden’s legendary Dingwalls.





By ’89, Peterson had left the label to establish his own Talking Loud imprint and Piller soon moved the operation to Denmark Street, London’s original Tin Pan Alley, into the former EMI music office. The next wave of signings included D Influence, Jamiroquai and The Brand New Heavies. Chart success quickly followed as the label spread its numerous tentacles around the world. The sound of the label became the name of choice for the scene that had established in its wake and by the early ’90s, Acid Jazz was booming out of a succession of speakers from Sweden to Singapore, Hamburg to Hobart, Shibuya to Sheffield and everywhere in between. International tours followed as the label expanded through the 90′s, gradually increasing their musical influences to include daisy-age hip hop, garage psyche and trip hop.





By the mid-90′s Acid Jazz had revived the careers of legends like Terry Callier, Brian Auger and Gregory Isaacs, established three subsidiaries (Focus, All Seeing Eye and Roots to cater for progressive indie, drum and bass and roots and culture respectively) and signed yet another wave of successful independent artists which included the likes of Corduroy, Mother Earth, The Humble Souls, Goldbug and a dozen more.





In 1994, the label took the plunge and opened the first ‘non-house’ based night club in London. Based on the site of the Bass Clef, a down-at-heel and eventually semi-derelict jazz club in Hoxton – perched precariously amidst the second world war bomb sites, derelict buildings and culture-free zone, the club was credited with paving the way for the whole Hoxton/Shoreditch explosion of the late nineties. Indeed, the club was rarely less than full seven nights a week hosting events from the likes of Goldie’s Metalheads, Talvin Singh, Coldcut, Ab-ashanti, Athletico and the label’s own Magic Bus. The Blue Note closed its doors at the end of the decade and Acid Jazz went back to what they do best: releasing records.

Jumping forward to 2014 and we find the label firmly ensconced in their office at the top of Brick Lane and after celebrating their 25th Anniversary the label is as vibrant and vital as ever. The current roster includes the critically acclaimed, prog folk fusions of Matt Berry, new indie hopefuls Dexters, the soul meet the Streets stylings of New Street Adventure and ex Bluetones lead singer Mark Morriss, whilst the highly acclaimed Rare Mod series has discovered and released previously unknown works by everyone from The Riot Squad featuring David Bowie to the Small Faces Steve Marriott.

In short after over a quarter of a century Acid Jazz remains one of the UK’s most important independent labels.


Leon's Creation - This Is The Beginning

Acid Jazz Records

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