@bombstrikes' Funk N' Beats series makes a welcome return and as expected delivers another awesome collection of impeccably curated music. Bristol-based DJ and Beat Smith @xraybreaks is handed the curation duties for this, the eighth volume in the series. A sure-fire choice to dig deep in the crates and pull together his collection for this much-loved series.

Find more: https://www.junodownload.com/funk-n-beats-vol-8-bomb-strikes-takeover/?utm_source=soundcloud&utm_medium=findmore&utm_campaign=guest-mix&utm_content=fnb-vol8

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Juno Download Guest Mix - X-Ray Ted (Bomb Strikes)

Release Date (12inch Single on White-Colored Vinyl): 02/24/2015

iTunes: http://bit.ly/1CbS8wv
Amazon: http://amzn.to/17EuXlu
Bandcamp: http://bit.ly/1IJwrbw
Ubiquity: http://bit.ly/1Icy5p9
Spotify: http://spoti.fi/1SUh5qy

Bosq returns with none other than songstress extraordinaire Nicole Willis on the single “Bad For Me” with a killer house remix on the flip by the infamous Soul Clap crew.

Tracklist
A1. Bad For Me
A2. Bad For Me (Late Night Dub)
B1. Bad For Me (Soul Clap Remix)

BOSQ FT. NICOLE WILLIS "Bad For Me"

heard even steven’s is doing a reboot and looking for a new theme song…. well here ya go

cool cats cleaning up space

The Brand New Heavies - Sweet Freek (Classic mix)

Join our Patreon Family and we’ll send you over 30 edits exclusively for our subscribers, check the full list of tracks here :-
https://shakalovesyou.com/discography/subscriber-edits/

Here's our latest EP  OUT NOW on Goodgroove Records.

Grab the release here ----> http://bit.ly/2n85nhP

Check the video for Ridin' High' here  ----> http://bit.ly/2nhd3ws

"Just over a year ago, Glaswegian party-starters Shaka Loves You joined forces with festival-friendly funk breaks imprint Goodgroove to launch the Disco Series. This belated follow-up is as on-point as its predecessor and contains four-more chunks of fun-time, disco influenced workouts smothered in live instrumentation. We're particularly enjoying the hard-wired funk guitars, rising horns and insatiable vocals of "Dance, Dance, Dance", though throaty edit-not-edit "Ridin' High" - all hard-wired synth bass, shuffling house beats and P-funk flourishes - is also superb. The bouncy, dance-until-you-drop craziness of "In My Soul" (a largely instrumental edit of a well loved early '80s disco smasher) and jaunty opener "My Love" complete a fine package.”
- JUNO DOWNLOAD

 Bookings: cris@fingerlickin.co.uk

⭐️  ALL THE LINKS ⭐️

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In My Soul

Available on the flipside of The Impellers newest 45 'The Knock Knock' on Mocambos Records.  Released on 26th March.

The Impellers - I Predict A Riot

Taken from the forthcoming album Television Themes.

Matt Berry - Are You Being Served?

Lucas High

Gimme Some More Of That (feat. Kelly Finnigan & Kendra Morris)

Taken from the forthcoming AJX500 compilation which is celebrating the labels 500th release.

Pre-order here > http://hyperurl.co/AJX500

Lightning Orchestra - Theme

Smoove’s ‘Jalapeno Records: Two Decades of Funk Fire’ DJ Mix for Jalapeno Records 20th anniversary.

TRACKLIST:
@kraaksmaak - Just Wanna Be Loved (feat. Joi Cardwell) (@blende Remix)
@izo-fitzroy - I Want Magic (Dimitri From Paris @dfp Vs. Cotonete 12" Version)
Kraak & Smaak - Squeeze Me (feat. Ben Westbeech)
Dr @rubberfunk - How Beautiful
@smoove-and-turrell – Slow Down
Radio Trip - Computers Singing
@maxsedge - Something Special
Quasamodo & The Q Orchestra - Can't Hold Me Down (feat. Thaliah)
@theallergies - Run It Back (feat. Andy Cooper) (Smoove Remix)
Smoove & Turrell - I'm A Man

@jalapeno-records
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@stevenmoove
https://www.facebook.com/smooveuk/

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More @ Juno Download

Juno Download Guest Mix - Smoove (Jalapeno Records)

www.acidjazz.co.uk

Formed back in the heady days of 1987 at the start of the ‘acieed’ explosion, Acid Jazz was the first of the groundbreaking new indie labels and paved the way for the likes of Mo Wax, Wall Of Sound and Talkin' Loud…

Initially a simple bedroom operation established by Eddie Piller and Gilles Peterson, within three months of the first 45 release (Galliano’s Frederic Lies Still), the label had grown rapidly, acquired premises in London’s east end and laid out a unique manifesto of alternative club sounds – jazz, street-soul, funk, latin, reggae and jazz poetry all put in an early appearance. Galliano, Chris Bangs, The Night Trains, The Last Poets, A Man Called Adam and Snowboy & The Latin Section were amongst the first wave of label signings and they all appeared live at groundbreaking jazz themed nights at London clubs like the WAG in Soho and Camden’s legendary Dingwalls.





By ’89, Peterson had left the label to establish his own Talking Loud imprint and Piller soon moved the operation to Denmark Street, London’s original Tin Pan Alley, into the former EMI music office. The next wave of signings included D Influence, Jamiroquai and The Brand New Heavies. Chart success quickly followed as the label spread its numerous tentacles around the world. The sound of the label became the name of choice for the scene that had established in its wake and by the early ’90s, Acid Jazz was booming out of a succession of speakers from Sweden to Singapore, Hamburg to Hobart, Shibuya to Sheffield and everywhere in between. International tours followed as the label expanded through the 90′s, gradually increasing their musical influences to include daisy-age hip hop, garage psyche and trip hop.





By the mid-90′s Acid Jazz had revived the careers of legends like Terry Callier, Brian Auger and Gregory Isaacs, established three subsidiaries (Focus, All Seeing Eye and Roots to cater for progressive indie, drum and bass and roots and culture respectively) and signed yet another wave of successful independent artists which included the likes of Corduroy, Mother Earth, The Humble Souls, Goldbug and a dozen more.





In 1994, the label took the plunge and opened the first ‘non-house’ based night club in London. Based on the site of the Bass Clef, a down-at-heel and eventually semi-derelict jazz club in Hoxton – perched precariously amidst the second world war bomb sites, derelict buildings and culture-free zone, the club was credited with paving the way for the whole Hoxton/Shoreditch explosion of the late nineties. Indeed, the club was rarely less than full seven nights a week hosting events from the likes of Goldie’s Metalheads, Talvin Singh, Coldcut, Ab-ashanti, Athletico and the label’s own Magic Bus. The Blue Note closed its doors at the end of the decade and Acid Jazz went back to what they do best: releasing records.

Jumping forward to 2014 and we find the label firmly ensconced in their office at the top of Brick Lane and after celebrating their 25th Anniversary the label is as vibrant and vital as ever. The current roster includes the critically acclaimed, prog folk fusions of Matt Berry, new indie hopefuls Dexters, the soul meet the Streets stylings of New Street Adventure and ex Bluetones lead singer Mark Morriss, whilst the highly acclaimed Rare Mod series has discovered and released previously unknown works by everyone from The Riot Squad featuring David Bowie to the Small Faces Steve Marriott.

In short after over a quarter of a century Acid Jazz remains one of the UK’s most important independent labels.


Lightning Orchestra - Theme

Acid Jazz Records

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