those acid "wub wub" things are brilliant ; )

Releases

A1 J. Anderson - She is Afraid [clip]

https://acidtestrecords.bandcamp.com/album/in-the-afterworld

Om Unit and TM404 have both been researching production and compositional elements in the crosshairs of dub and acid for the last few years - Om Unit most notably with his Acid Dub Studies 1 & 2, and TM404 with his Acidub album in particular.

Om Unit has been a longtime fan of TM404’s use of the TB-303 and the deconstructed space he brings to the house and techno template. Meanwhile Om Unit’s own leaning towards breaks and reggae instrumentation has offered a different approach to the acid sound they both love so much. So an LP with Acid Test seemed the perfect opportunity to combine those approaches and see what kind of mutations could be discovered. The result is a primordial soup that is in parts acid, dub, breaks and ambient, full of spaced-out synths and psychedelic bass, where the pair enjoyed building tracks with a feel for where the music wanted to go, irrespective of stylistic constraints.

Rolling opener Motorway Acid sets the pace high and strong, conjuring both wide open spaces and fast-paced travel at the same time, with weightless pads, stroboscopic breaks and a mighty 303 riff that can teleport you to the middle of a foggy dancefloor. Microdose Mondays on the other hand, slows the tempo down and veers into cosmic territory, with perfectly dubbed drum rolls and burbling squelch. But it’s London Stock that kicks the album into hyperspace, finding its futuristic steppers groove somewhere in the answer to the hypothetical question ‘what if Shaka had produced Stingray?’

Speaking of underwater electronics, Meanwhile In The Smoking Area delves deep into submarine territory, delivering the kind of bass weight and sonar acid signals you’d need a diver’s suit for. It’s a vibe that’s continued on the tracks Thursday and Refracted, and speaks to the record's title - otherworldly, dreamy bass meditations that aren’t of this realm. The album closes out with Praha, a pacey yet ambient vista of warm wide synths, layers of 303, and dub echoes that sound like the machines are slowly coming to life.

It’s in this altered state that the album resides, somewhere between worlds and styles, emerging out of the space around the TB-303 that Om Unit and TM404 have created, with their open-minded approach to the music and to this collaboration. Free the 303!

B1. Meanwhile    In The Smoking Area

A3 London Stock

A2 Microdose Mondays

A1. Motorway Acid

https://tinmanofficial.bandcamp.com/album/hidden-acid

Vienna-based producer and 303 maestro Tin Man returns to Acid Test for his first solo EP for label in over 5 years. It's another impeccable outing of romantic acid variations, especially tailored for unforgettable dancefloor revelations.

Tin Man has been setting the pace for forward-looking acid lovers for close to two decades now, and on his 15th Acid Test appearance he takes the vibe back to early and proto-house roots, stripping back the musical elements while layering in the euphoria with four perfectly crafted slices of feelgood 303.

Opening track Hidden Acid already sounds like a long lost classic, with strings draped over bouncy acid and motorik drums, stretching out over nearly nine minutes, and beautifully capturing the feel of house music circa 1991. Swaying Acid comes in all propulsive, toms and congas setting the foundation for melodic acid lines to weave through your heart strings.

On the B Side, Running Acid is fully optimized for the autobahn fast lane - a gradual, slow-filtered acid meltdown that builds and releases in tandem with driving hats and vaporous pads that hang over the track like early morning mists. Wrapped Up Acid brings the EP to a fitting close, slowing the tempo for a low-key easy dance excursion par excellence - smooth yet spikey 303 riffs punctuate the chords that drift through with a hint of Badalamenti in the progression.

With the Hidden Acid EP Tin Man might hark back to more vintage times, but the emotive power is as strong as ever. The naivety of the ‘90s is instead replaced with a conviction behind the musical choices that brings even more weight to the heartwarming vibes. This is acid in some of the best shape it's ever been, enhanced and upgraded specifically for the dance.

B2. Wrapped Up Acid

B1. Running Acid

A2. Swaying Acid

A1. Hidden Acid

A - 1 My Cassettes - Joey Anderson

TANSTAAFL PLANETS 005.
OUT NOVEMBER 10th 2014

Distributed via Clone.

Tears Can't Bring You Near (preview)

Joey Anderson - 1974 - DKMNTL024
a1.	Joey Anderson - 1974
b1.	Joey Anderson - Under Water
b2.	Joey Anderson - Back Draft

Digital: https://joeyandersondekmantel.bandcamp.com/album/1974

The art of omission is a craft New Jersey native Joey Anderson masters like few others. After releasing an acclaimed debut album in 2014, Anderson returns to the Dekmantel label serving up the signature sound we love him for. With the 1974 EP, he continues his modern day techno odyssey investigating the outskirts of the genre, while focusing on details and unexpected twists. Serving up dense melodic structures, intense chord progressions and unique but relentless drum programming and sounds, Anderson shows that the future of techno is bright, original and full of energy.

DKMNTL023 // Joey Anderson - 1974

Acid Worlds Part One marks the beginning of Tin Man’s new series exploring the dimensions of collaborative acid. The EP features contributions from Susi Saisa (w/ Jussi-Pekka), John Tejada & Tin Man, Romans (w/ Gunnar Haslam), and Rolling Ones.

https://tinmanofficial.bandcamp.com/album/acid-worlds-part-one


B1. Romans - Aleria (preview)

DKMNTL029 // Joey Anderson - Invisible Switch

a1.	Joey Anderson - Invisible Switch
a2.	Joey Anderson - Organ To Dust
a3.	Joey Anderson - Reset
b1.	Joey Anderson - Tell Us Where
b2.	Joey Anderson - Amarna
c1.	Joey Anderson - Nabta Playa
c2.	Joey Anderson - 18 Arms
d1.	Joey Anderson - Beige Mantis
d2.	Joey Anderson - Blind Light

http://shop.dekmantel.com/release/4879/invisible-switch

The art of omission is a craft New Jersey native Joey Anderson masters like few others. After releasing his acclaimed debut album After Forever in 2014 and the 1974 EP earlier this year, Anderson returns to the Dekmantel label serving up the signature sound we love him for. Invisible Switch is the perfect example of what Anderson can do with very little, catapulting him to one of the finest and most original techno and house producers to date. 

DKMNTL029 // Joey Anderson - Invisible Switch

Joey Anderson – Above The Cherry Moon w/ Vakula remix

Artist : Joey Anderson
Album Title : Above The Cherry Moon 
Release Date : June 17th 2013
Label : Avenue 66 / AVE66-01
Format : 12” 

A1 – Above The Cherry Moon
B1 – Above The Cherry Moon – Vakula remix
B2 – Auset

Next month see’s the launch of the Avenue 66, the new imprint from the Acid Test camp.  Joey Anderson is at the helm with an EP entitled “Above The Cherry Moon”.  The title track features vocals by Ebony Ugo and a remix from Ukrainian producer Vakula.


A1 - Joey Anderson - Above The Cherry Moon

Acid Test featuring artists: Tin Man, Donato Dozzy, John Frusciante, Recondite, Pepe Bradock, Achterbahn D'Amour aka Iron Curtis & Jool....

Avenue 66 featuring artists: Joey Anderson, Lowtec, Trux, Relaxer, SW. Trickfinger

Label owner of Inimeg Records https://joeyanderson.bandcamp.com/album/r-u-me

https://on.soundcloud.com/VFR4djgxnEUTasmE6

A1 - Joey Anderson - Above The Cherry Moon

Acid Test

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Культура сомнения

Microphunk

Attack Phase

Beyond The Dance

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