At the start of the COVID-19 pandemic in 2020, VR and AR artist Marc-O-Matic began exploring the Crypto Art and NFT space, expanding his work into blockchain and metaverse platforms and eventually creating virtual worlds, animated artworks and digital wearables for an emerging decentralised economy. Two years on his work has earned over $1 million USD from NFTs – Non-Fungible Tokens – and is featured across some of the most notable NFT marketplaces including Super Rare, Makers Place, Decentraland, and festivals in the US like Art Basel Miami and NFT NYC.

In our first Inside ACMI X podcast, Marc-O-Matic talks about his practice and his own beginnings in this emerging space and offers practical advice for artists looking to make a living on the blockchain.

Inside ACMI X
https://www.acmi.net.au/whats-on/inside-acmi-x-pocast

ACMI X
Website: https://www.acmi.net.au/acmi-x/
Twitter: https://twitter.com/acmiXstudio

Marc-O-Matic
Website: https://www.marcomatic.com/
Twitter: https://twitter.com/marc0matic
Facebook: https://www.facebook.com/mr.marcomatic
Instagram: https://www.instagram.com/marcomatic/

Inside ACMI X podcast

Making and selling NFTs with artist Marc-O-Matic

In this episode, we invited filmmaker, author and co-founder of Lean Filmmaking Kylie Eddy to discuss how she has re-imagined the development, production and distribution of independent films – and how she is challenging conventional wisdom with new ways of working.

Last year, Kylie and her collaborator and brother David Eddy released their new book, 'The Art of Lean Filmmaking: An unconventional guide to creating feature films'. In November 2021, they wrapped up a six-week online Lean Filmmaking academy.

Re-imagining Independent Filmmaking with Kylie Eddy

This week on Inside ACMI X, we’re talking to Emma Parker and Chris Leaver from experiential training company Isonomic, to explore how they’re using Mixed Reality technologies to upskill the Australian workforce.

Isonomic is a cutting edge immersive Augmented, Virtual and Mixed Reality company made up of talented developers, game designers and 3D artists who transform complex training into state-of-the-art immersive training in Microsoft’s HoloLens.

Emma is Isonomic’s founder and CEO, and she has worked as a transformation and change expert for over 20 years, consulting in major blue-chip environments. Chris handles production and delivery. He is a visual effects artist, producer and sculptor.

Upskilling the Australian Workforce Using Mixed Reality with Emma Parker and Chris Leaver

Writer, director and star of 'The Drover's Wife: The Legend of MollyJohnson', Leah Purcell, spoke to us about her thoroughly researched, Blak feminist retelling of Henry Lawson's classic text.

Read the full transcript of the talk and an introduction to the film by Bryan Andy
https://www.acmi.net.au/stories-and-ideas/leah-purcell-on-reclaiming-the-drovers-wife-with-the-legend-of-molly-johnson/

The Drover's Wife: The Legend of Molly Johnson – Leah Purcell in conversation with Bryan Andy

This episode is for creatives juggling multiple passions.
Meet our next guest on Inside ACMI X, Jacob Leaney, who has found a way to make music and games by combining the two.

Jacob is the founder of Things for Humans, the pop-music video game studio behind Video World. In this episode, Jacob shares his experience as a game developer, songwriter and producer. He is currently working on Halloween’s Valentine, the sequel to Video World.

Video World was showcased for Big Games Night In as part of Melbourne International Games Week (2–10 Oct 2021). Watch Jacob's introduction to the game: https://youtu.be/oge6sV1zzkM

Making music and games with Jake Leaney

Making music and games with Jacob Leaney (Things for Humans)

For our season finale, we interview new-media artist, PHD candidate and Lecturer at RMIT University, Tyler Payne.

Tyler's work focuses on the genre of self-portraiture in photography and video to investigate womens' embodiment through the lens of gendered advertising. She interrogates the impact that social media platforms such as Instagram have on women and their ability to visualise and share images of themselves.

Using a combination of video, still photography and electro-bricolage, Tyler investigates "the oppressive nature of the platform and the damages inherent in fitness and celebrity culture".

During our talk we discuss her primary research subject, Kim Kardashian.

Inside ACMI X

How many hours does it take to be a woman? with Tyler Payne

This episode is for those interested in creating visual art for games.

Our next guest on Inside ACMI X is concept Artist Zahraa Al Zubaydi who is currently working on Pixellated The Game, about a cyborg child who finds a way to connect to two opposing worlds she belongs with, in a universe of different dimensions drawn in different styles. We spoke to Zahraa about her pathway into videogames, and the development of and inspirations behind Pixellated The Game.

Creating art for videogames with Zahraa Al Zubaydi

We explore how music can inspire the filmmaking process.
This episode's guest is Eva Otsing, an Estonian born and raised visual artist and filmmaker. Eva spoke to us about her path into filmmaking and how music greatly inspires her work. We chat about her recent documentary CONFLUENCE which she directed, shot and edited, which takes an intimate look into the world of the Kiwi artist Charlotte Watson. We also discussed her new art documentary in development.
This episode features music from Eva's documentary CONFLUENCE, composed by Ji Yoon Lee, and 'City Lament' composed by YL Hooi.

Making art documentaries with Eva Otsing

Have you considered what form is best for your story?

In this episode, we talk about Jason's path into the industry and strategy for storytelling; finding a personal connection and considering the perfect form.

Jason Christou is a creator/writer/director who tells stories infused by his Greek-Cypriot and Austrian/Slovenian descent across film, TV, documentary, interactive and games. His feature projects have been a finalist for the Sundance Screenwriters Lab, Francis Ford Coppola's American Zoetrope Screenplay Contest, and selected to Warner Bros & The Blacklist’s “Aussie List”. He was a writer on ABC/Matchbox Pictures’ tv series NOWHERE BOYS, and a director’s apprentice on Sony/AMC’s PREACHER, and is a current Creative Victoria Creators Fund recipient for his interactive series/game WE THE JURY and a 2022 alumni and production funding recpient of the AFTRS National Documentary Talent Camp for SKINNY.

Choosing the right form for story with Jason Christou

Since 2016, artist Anthony Tan has been working on Way To The Woods, a third person adventure game where a deer and a fawn must embark on a journey through an abandoned world to get home. Anthony joined ACMI X as resident in 2022 to put the finishing touches on his highly anticipated game, which has received global attention for its gorgeous art style, mechanics and soundtrack.
In this episode of Inside ACMI X, Anthony spoke to us about the highs and lows he experienced making Way To The Woods and navigating the expectations of the game’s fanbase through to its completion.
Throughout this episode you will hear snippets of music from the game composed by Aivi & Surasshu, the electronic music duo behind the soundtrack to the animated show Steven Universe

Managing expectations as a solo game developer with Anthony Tan

Greta Nash's most recent short film, Heart Throb (2023), is about an 18-year-old, Gray (Gabriel Cali), whose love for his best friend Angelo is complicated by his desire for TikTok stardom. 

Last year, Greta underwent a Director's Attachment on Run Rabbit Run, funded by Screen Australia, and in the year prior, they wrote a polished draft of their first feature, School Camp, funded by Screen Tasmania.

Greta wrote and directed the winning Tropfest film Two Piece in 2018, and their previous short film Locker Room premiered at the 2017 Melbourne International Film Festival and has since had over 9 million views online.

Making Short Films with Writer/Director Greta Nash

This special episode of the Mirring Yalingwa Podcast, hosted by Wurundjeri and Ngurai-Illum-Wurrung man Jasper Cohen-Hunter, was recorded at ACMI to kick off NAIDOC Week for 2023. Produced by Jasper, the podcast focuses on Australian cinema and First Nations-led cinema productions.

Jasper Cohen-Hunter: "Across every generation, our Elders have played, and continue to play, an important role and a prominent place in our communities and families. They are cultural knowledge-holders, trailblazers, nurturers, advocates, teachers, survivors, leaders, hard workers and our loved ones.

That's why this NAIDOC Week 2023, I want to acknowledge Aunty Essie Coffey and Uncle Norm Hunter. Essie Coffey was a Murawarri activist, advocate and filmmaker concerned about the influence of white culture and education on Indigenous children. She was the first Indigenous woman to direct a documentary feature My Survival as an Aboriginal (1979). Uncle Norm Hunter was an advocate for education, he was instrumental in establishing the Gunung-Willam-Balluk Learning Centre, a part of the Kangan Institute. He was a proud Wurundjeri Elder who documented the stories of his mum, Nanna Jessie Hunter, the last girl born on Coranderrk Aboriginal Mission. Together they created a set of tapes to permanently tell her story, so that it was never lost to time."

Episode 2 of the Mirring Yalingwa Podcast was recorded in collaboration with ACMI this NAIDOC Week, and I want to personally thank them for facilitating Culture, Language and Lore during such an important time for Mob.

Subscribe to the Mirring Yalingwa Podcast here: https://open.spotify.com/show/4F1Z0v1arDmaLtNtuU58gy

Honouring Essie Coffey and Uncle Norm Hunter(NAIDOC 2023: For Our Elders)

As an artist collective, Marshmallow Laser Feast seeks to find emotional resonance in scientific stories – stories that connect us to the more-than-human world. When coupled with emerging technologies, these stories deepen our understanding of what it is to be something other than human.

While developing their artworks, Marshmallow Laser Feast conducted a series of interviews with the foremost thinkers on nature, life and the more-than-human world. These include internationally renowned cultural ecologist and geophilosopher Dr David Abram, Professor of Plant-Soil-Processes at the University of Sheffield Katie J Field, author and founder of Schumacher College Dr Stephan Harding, and biologist and bestselling author Dr Merlin Sheldrake. 

In this episode, they question – since everything is connected (according to science) – can anything ever really die?

Works of Nature Soundscape: Death

As an artist collective, Marshmallow Laser Feast seeks to find emotional resonance in scientific stories – stories that connect us to the more-than-human world. When coupled with emerging technologies, these stories deepen our understanding of what it is to be something other than human.
While developing their artworks, Marshmallow Laser Feast conducted a series of interviews with the foremost thinkers on nature, life and the more-than-human world. These include internationally renowned cultural ecologist and geophilosopher Dr David Abram, Professor of Plant-Soil-Processes at the University of Sheffield Katie J Field, author and founder of Schumacher College Dr Stephan Harding, and biologist and bestselling author Dr Merlin Sheldrake.

In this episode, they discuss the interconnectedness of different organisms from different species - including us.

Works of Nature Soundscape: Collectivity

As an artist collective, Marshmallow Laser Feast seeks to find emotional resonance in scientific stories – stories that connect us to the more-than-human world. When coupled with emerging technologies, these stories deepen our understanding of what it is to be something other than human.
While developing their artworks, Marshmallow Laser Feast conducted a series of interviews with the foremost thinkers on nature, life and the more-than-human world. These include internationally renowned cultural ecologist and geophilosopher Dr David Abram, Professor of Plant-Soil-Processes at the University of Sheffield Katie J Field, author and founder of Schumacher College Dr Stephan Harding, and biologist and bestselling author Dr Merlin Sheldrake.

In this episode, they discuss individuality, consciousness and Gaia, the earth mother.

Works of Nature Soundscape: Care

As an artist collective, Marshmallow Laser Feast seeks to find emotional resonance in scientific stories – stories that connect us to the more-than-human world. When coupled with emerging technologies, these stories deepen our understanding of what it is to be something other than human.

While developing their artworks, Marshmallow Laser Feast conducted a series of interviews with the foremost thinkers on nature, life and the more-than-human world. These include internationally renowned cultural ecologist and geophilosopher Dr David Abram, Professor of Plant-Soil-Processes at the University of Sheffield Katie J Field, author and founder of Schumacher College Dr Stephan Harding, and biologist and bestselling author Dr Merlin Sheldrake. 

In this episode, they discuss the fundamental rhythm that underpins not only the exhibition but all life on earth - breath.

Works of Nature Soundscape: Breath

For two decades, Universal Everything's Creative Director, Matt Pyke, has been working with teams of curious and creative beings worldwide to create large-scale, life-affirming digital artworks with the world's most iconic artists, institutions and brands – all while staying "small", artistically-driven and saying "no" to things they simply don't want to do. 

To unpack how they manage to do this, one of UE's longtime collaborators, Keri Elmsly, (our Executive Director of Programming) caught up with Matt Pyke to reflect on the collective's roots and key projects, and to find out where UE are heading next.

Learn more about the 'Beings' exhibition at ACMI: acmi.net.au/beings

The soundtrack for Beings, Music for Beings by Simon Pyke is now available on all digital platforms including Spotify, Apple Music and Bandcamp.

Music for Beings

The story of Universal Everything – Matt Pyke

One of the most curious chapters in Australia's cinematic history began in 1948 when petroleum group Shell Company of Australia formed its own film production unit.

'Shell Film Unit Australia' produced hundreds of promotional and educational films about mining, roads, infrastructure, sports and motoring and other similar topics. While films like The Back of Beyond (1954), which won the Grand Prix Absolute at the Venice Film Festival, provided a fascinating snapshot of 'remote' mid century Australia, its depictions of life in the Red Centre and the First Nations people who lived there, were often clouded with desires to further the colonial project – and oil.

With her three-channel artwork Beneath Roads, ACMI Curator Jenna Rain Warwick has produced a poetic response to these works, intercutting archival government films, iconic Australian road movies and newly captured footage of the Aboriginal motorcycle club The Southern Warriors, to reinsert First Peoples knowledge legacies and representation into our cinematic canon and recontextualise our relationship to history, culture and Country.

Jenna was joined by Art Gallery of New South Wales' curator of Film, Ruby Arrowsmith-Todd to discuss the Shell Film Unit and the nature of its travelogues, and the making of Beneath Roads, in a recorded conversation that took place at ACMI in July 2024.

What lies beneath Australia's roads?

Fairy Tales Re-imagined: Writer and director Sarah Gibson and producer Sue Maslin discuss this immersive project.

Recorded: 10 Mar 2011

Re-enchantment: The Hidden World of Fairy Tales for Adults

Mel Campbell, Peter Mattessi, Karen Pickering and Debi Enker explore the world of Downton Abbey. 

Recorded: 28 June 2012

Upstairs/Downstairs: The World of Downton Abbey

Telecomputation (the transfer of information across a network) holds many ramifications for art, and various artists and curators have embraced or resisted its influence. 

Curator Mohammad Salemy examines the rise of data transference in curatorial practice and the consequences of cultural automation in contemporary and future art.

Recorded: 14 February 2015

The Art of VFX: Art After Machines

Join Hong Kong-based curator, researcher, teacher, writer and critic Sam Ho as he explores the history of Hong Kong cinema, outlining the historical, cultural and economic factors that coalesced into an exceptional aesthetics enjoyed and celebrated all over the world.

Hong Kong has a unique cinematic history. A tiny city and never a sovereign state, it managed to fashion a film industry comparable to any national cinema, with a long and rich history and a distinctive aesthetics all its own. At once very Chinese and very westernized, Hong Kong’s highly eventful and sometimes traumatic past converges on film to generate a glorious cinema, inspiring films of intensely dramatic stories and grippingly compelling characters.

Sam Ho is a curator, researcher, teacher, writer and critic. Based in Hong Kong and the United States, Ho specializes in the study of Hong Kong cinema but had also written extensively and curated programs on various aspects of cinema, including films from China, the United States, Europe and other parts of Asia. His writing had appeared in books, academic journals, newspapers, magazines and on the internet. His work had been translated into many different languages, including Chinese, English, French, Italian, Spanish, Japanese and Korean.

Ho has given many lectures on films across the globe, and has served as juror, media panelist or advisor for many international film festivals and award organizations, including the Pacific Meridian International Film Festival in Vladivostok, Russia; the Asian Film Festival in Vesoul, France; the Hong Kong International Film Festival; the Hong Kong Film Awards; the Best Chinese Films of the Year Award, Beijing, China; and the China Times Express Bests Films of the Year Awards, Taiwan.


A Brief History of Hong Kong Cinema with Sam Ho

Join us for a keynote lecture by artist Julian Rosefeldt as he discusses his practice and pays homage to the beauty of artists’ manifestos, the basis of his new work 'Manifesto', featuring Cate Blanchett.

Julian Rosefeldt’s work reflects the artist’s fascination with day-to-day reality and the stereotypes, clichés and mindless repetitions that suffuse popular culture.

Rosefeldt is renowned for his visually opulent and meticulously choreographed moving image artworks. Inspired equally by film, art and pop-culture histories, Rosefeldt creates complex and compelling experiences that combine narrative and non-linear film installations.

With works that are often projected simultaneously onto several screens, Rosefeldt carries viewers into surreal, theatrical realms, where the inhabitants are absorbed by the rituals of everyday life. Within these episodic arrangements, Rosefeldt uses familiar cinematic tropes and devices to explore themes of dislocation, alienation, and social and psychological disruption.

Julian Rosefeldt Keynote Lecture

Celebrate the SCORSESE exhibition and join one of the master filmmaker’s long time collaborators, BAFTA and Oscar winning designer Sandy Powell OBE, as she delivers a masterclass on costume design and gives a fascinating insight into her extraordinary career.

From working closely with Scorsese on films including The Aviator, Gangs of New York and Wolf of Wall Street, to the collaborative process of designing costume for celebrated films such as Carol and Cinderella, the acclaimed designer will appear at ACMI for a special night of conversation hosted by Associate Professor Jessica Bugg (School of Fashion and Textiles, RMIT) to explore her iconic work, her influences, and her creative partnerships with Scorsese and a range of legendary filmmakers.

Powell, who has won the Academy Award for Costume Design three times for Shakespeare in Love (1998), The Aviator (2004), and The Young Victoria (2009), and has been nominated a total of twelve times, is renowned for her ability to form long lasting, creative collaborations with a diverse range of auteurs. Across a career spanning over 3 decades, Powell has helped shape the celebrated films of Derek Jarman (Caravaggio, The Last of England), Neil Jordan (The Crying Game, Michael Collins, The Butcher Boy), Todd Hayes (Velvet Goldmine, Far From Heaven, Carol) and of course, Martin Scorsese.

When it comes to working with Scorsese – with whom she has worked with on six films to date – Powell says there is always serious attention to detail. "When an actor comes onto the set wearing a costume for the first time, he'll actually go and touch them and touch the cloth," she states. "He's always very interested."

Providing a rare insight into her interconnected work with such celebrated directors, Powell will explore her own creative processes and will look back over a body of work that has positioned her as one of the most highly acclaimed designers in the film industry in this very special masterclass event.

Sandy Powell: Masterclass in Costume Design

Presented as part of Hey Girl, this panel discussion, hosted by comedian Judith Lucy, will look at girls on screen in a special evening dedicated to dissecting some of the funniest and fetchest pop-culture favourites.

Featuring Mel Campbell, Jessica Knight, Billie Tumarkin and Candy Bowers this conversation is suited to girls, anyone who was once a girl and anybody who knows a girl.

It’s hard to know whether to cheer or groan at the success of Lena Dunham’s hit TV show Girls. On one hand, it’s encouraging to see real, imperfect female bodies on screen. On the other hand, it’s depressing that such images are still revolutionary. ‘There's people who don't want to see bodies like mine, or bodies like their own bodies,’ Dunham has said.

Girls is just one show that has inspired some fiery debates about female representation and diversity in popular culture. Our panel – comprising some of the smartest young women we know – will also respond to clips from Broad City, Freaks & Geeks, The Katering Show, Puberty Blues and, of course, Mean Girls. Can we see ourselves in these characters? Who is left out in representations of girls on screen? What power do these representations hold over our imaginations? And could there ever be a show about girls as gross as The Inbetweeners?

YAS KWEEN: Girls on Screen Podcast

Working with leading filmmakers such as Danny Boyle and Roman Polanski, Nicolas Becker’s many credits include Gravity, Ex Machina, Wuthering Heights, and Andrea Arnold’s forthcoming American Honey.

Join us for a rare opportunity to gain insight into Becker’s unique working methods and multi-disciplinary approach, and learn about designing sound across a wide array of film and arts projects. Illustrated with clips, Becker will share details of his practice – devising a bespoke process to create original and distinctive soundscapes for each project – and explain the reasoning behind his artistic approach.

Designing Sound with Nicolas Becker

Yohji Yamamoto has been reinterpreting the rules of fashion for over four decades.

In light of the Australian premiere season of Yohji Yamamoto: Dressmaker screening exclusively as part of Melbourne  Fashion Week at ACMI, film programmer James Nolen will be joined by fashion experts, fashion historians and Yamamoto super fans, as they delve into the history of this celebrated Japanese designer.

We are delighted to have hosted Australian fashion legend Joe Saba, specialist retailers Thi Lam, Yahav Ron, Sebastian Supel and Octavius La Rosa and Yamamoto collector Dr Gene Sherman.

Enigmatic Genius - Unpicking Yohji Yamamoto

“We need to raise it up, we need to fight and to shout, but we also need to bring it down, to talk and to listen in order to make change”
Donald Betts Junior

Following the screening of I Am Not Your Negro, former Kansas State Senator Donald Betts Jr and American history professor Michael Ondaatje entered into a lively  conversation about race politics and resistance from the civil rights era to present day America.

Race, Politics and Identity

Robert Fernandez has been producing award-winning documentaries and commercials for over 25 years - yet he still loves getting his hands dirty on budget spreadsheets 'I love the numbers'. Working with Errol Morris since The Fog of War, Fernandez recently delivered their biggest project to-date: the Netflix series Wormwood. With no precedent for its hybrid format or production model, it took 1.5 years to develop and finance with Netflix, and 2.5 years to shoot. Fernandez is the master producer behind a master director, and the man that 'did the numbers' to produce the opus Wormwood, replete with a feature shoot's worth of drama and 10-camera interview setups.

AIDC 2018: Errol Morris' Wormwood ... like producing 3 films at once

Hunter Page-Lochard tells us about the person who is the conduit between the Dreaming and this world: The Cleverman.
Written by Ryan Griffen.
Republished with permission from Triple J & ABC.

Cleverman origin stories: The Cleverman

COLLECTIVE INTELLIGENCE
Is Australian press freedom an endangered species? What can be done to prevent the media being portrayed as the enemy of the people?

Australia has some of the most draconian anti-media laws of all Western countries. Police raids on journalists, national security laws that criminalise journalistic activities, attacks on whistleblowers, archaic defamation laws and restricted access to information have stifled the ability of journalists to hold power to account.

Investigative journalism is under threat globally and increasingly in countries where democracies have historically prevailed. At a time when attacks on press freedom around the world are on the rise, the risks faced by news, journalism and documentary are very real. But what can be done to stem the growing culture of secrecy and counter the epidemic of fake news, disinformation and manipulation that is eroding public discourse and democracy?

Join a distinguished panel of news, documentary and investigative journalists including ABC News’ Gaven Morris, filmmaker Yaara Bou Melhem and University of Queensland’s Professor Peter Greste to discuss the threat posed to press freedom. This session is a timely discussion of why public interest journalism should be protected and how the industry can help educate the public about their right to know before Australian journalists are labelled the enemy of the people.

AIDC2020 - The War on Press Freedom (and What to do About It)

CRAFT
Meet the key people behind hit ABC shows that have delivered real world impact, and find out what’s next in 2020.

Commissioning distinctive TV that has a real-world impact on Australians and their communities is a major goal of ABC’s Factual and Documentary teams. The ABC has been leading the way with this form of programming through acclaimed series such as Old People’s Home for 4 Year Old’s, Employable Me, Don’t Stop The Music, Love On The Spectrum and War On Waste. In 2020, the ABC is presenting two major climate-themed series with Fight for Planet A: The Climate Challenge exploring how we can all help reduce both our individual and collective carbon emissions and Big Weather (and how to survive it) offering insight and practical advice on how to survive and thrive in a time of increasing extreme weather events. We will also see Shaun Micallef return to our screens as he delves into the nation’s relationship with alcohol, with Shaun Micallef’s On The Sauce.

All of these shows demonstrate the importance of content that not only informs and entertains but has the power to connect the nation and drive real-world awareness and change.

In this session you will hear insights from key people on these shows, both in front of and behind the camera as well as the ABC’s Impact Producer. All have been pivotal in developing and delivering TV with a social purpose that resonates with audiences across all platforms.

This session features Craig Reucassel, Debbie Cuell, Karina Holden and Teri Calder and will be moderated by Stephen Oliver.

AIDC2020 - Real World Impact: TV with Social Purpose

BUSINESS
Three major international cable networks discuss what worked in 2019, what's coming in 2020 and what they're looking for now.

Discovery International, A+E, and ESPN – three heavyweight international cable networks discuss their big successes from 2019, what exciting projects they have in the pipeline, and what they are looking for from production companies. This session will compare and contrast their audiences and their needs.

What brings in their audiences, what keeps them, what loses them? What are the differences between the US factual landscape and the UK one? Do US and UK audiences tend to favour different programming? What crosses over? What doesn’t? How does delivering to a truly international audience differ to focusing inside a specific national market? And in the bigger picture: How is the documentary series landscape changing in an age of instability.

As streaming services rise, battle and consolidate, linear TV must shake itself up to survive. How does that impact us right now? How might it play out?

AIDC2020 -Passport to the Big Leagues: What's Next for International Networks

Australia's only national museum of film, video games, digital culture and art - situated at the heart of Melbourne in Fed Square. Listen to our latest podcasts of live events, playlists associated with exhibitions, and more.

Located at Fed Square. Open daily. #acmimelbourne www.acmi.net.au

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