AIDC Podcasts

At the start of the COVID-19 pandemic in 2020, VR and AR artist Marc-O-Matic began exploring the Crypto Art and NFT space, expanding his work into blockchain and metaverse platforms and eventually creating virtual worlds, animated artworks and digital wearables for an emerging decentralised economy. Two years on his work has earned over $1 million USD from NFTs – Non-Fungible Tokens – and is featured across some of the most notable NFT marketplaces including Super Rare, Makers Place, Decentraland, and festivals in the US like Art Basel Miami and NFT NYC.

In our first Inside ACMI X podcast, Marc-O-Matic talks about his practice and his own beginnings in this emerging space and offers practical advice for artists looking to make a living on the blockchain.

Inside ACMI X
https://www.acmi.net.au/whats-on/inside-acmi-x-pocast

ACMI X
Website: https://www.acmi.net.au/acmi-x/
Twitter: https://twitter.com/acmiXstudio

Marc-O-Matic
Website: https://www.marcomatic.com/
Twitter: https://twitter.com/marc0matic
Facebook: https://www.facebook.com/mr.marcomatic
Instagram: https://www.instagram.com/marcomatic/

Inside ACMI X podcast

Making and selling NFTs with artist Marc-O-Matic

In this episode, we discuss mentorship and storytelling in the screen industry with Denise Eriksen, co-founder of Media Mentors. Using her wealth of experience and knowledge of all things broadcasting, Denise helps creative practitioners find their way into the industry.

About Denise Eriksen
Denise has worked as a Journalist, Producer and Executive Producer around the world. She has been Head of Factual and Head of Current Affairs at the ABC; Head of Production and Development at SBS; and made programs for Seven, Nine, Ten and Foxtel over her lengthy career. She has trained TV professionals in many genres in Australia and around the world.

Mentoring and storytelling with Denise Eriksen

Mentorship and storytelling with Denise Eriksen

Writer, director and star of 'The Drover's Wife: The Legend of MollyJohnson', Leah Purcell, spoke to us about her thoroughly researched, Blak feminist retelling of Henry Lawson's classic text.

Read the full transcript of the talk and an introduction to the film by Bryan Andy
https://www.acmi.net.au/stories-and-ideas/leah-purcell-on-reclaiming-the-drovers-wife-with-the-legend-of-molly-johnson/

The Drover's Wife: The Legend of Molly Johnson – Leah Purcell in conversation with Bryan Andy

This episode is for fans of non-fiction.

Our guest, Natasha Gadd, is a writer/director and the Creative Director and CEO for the Australian International Documentary Conference (AIDC). In this episode, Natasha describes her creative process, industry trends and the documentaries she enjoys watching.

In 2005, Natasha co-founded Daybreak Films, a Melbourne based production company. She wrote and directed her debut feature documentary, Words From the City , nominated for five AFI Awards. Her follow up feature, Murundak: Songs of Freedom received the Grand Prix – FIFO, Best Documentary – Valladolid International Film Festival and the United Nations Association of Australia Media Peace Award. Natasha has made a series of half hour arts documentaries including Weather and Muscle for which she received an Australian Directors Guild Best Director award.

Non-fiction storytelling with Natasha Gadd

Dilan Gunawardana holds a master's degree in Communication and Media Studies from Monash University. He plans, creates and curates online content at ACMI in Melbourne.
[image caption]: "The Australian Centre for the Moving Image (ACMI) Melbourne, Australia" by ^ Johnny is licensed under CC BY-NC 2.0.
[music caption]: Piano March by Jason Shaw. Released under Creative Commons Attribution License 3.0. Music by audionautix.com.

Pages Beyond podcast, episode 2: an interview with ACMI's digital editor

When documentary and fiction collide, these films, and their creators, challenge conventions of how we tell, and how we respond to stories on screen. These are the films that grow between the cracks of narrative and documentary.  
They are not without their detractors, but increasingly, such innovative forms of filmmaking are opening up new platforms for filmmakers to exhibit their work and entice new audiences. 
In this session, ACMI’s Head of Film Programs, James Hewison, leads panelists in an intimate discussion, tracing this emerging form, and discuss ing their recent works that have embraced ambiguity and difference in the search for alternative forms of story-telling.

This Is Not A Documentary AIDC 2017

Masterclass with the creative team behind podcast Trace

Despite the global success of podcasts like Serial, the team behind Trace didn’t set out to emulate other popular true crime podcasts. Trace had a different ambition, chiefly to find justice and truth for the sons of Maria James, who was murdered nearly 38 years ago.

In this masterclass, the journalist, producer and sound designer will break down how they created ABC’s first ‘true crime’ podcast; from distilling a 16 month investigation in to a story structure, creating a soundscape that would captivate listeners, maximising ABC’s cross platform reach to harness new leads, through to the team’s journalistic intent at the heart of the creative storytelling.

Retracing Crafting a Story in Audio Documentary AIDC 2018

Editing Masterclass with Erin Casper

In this exclusive masterclass, Erin will share her personal approach to editing by thinking about the construction of each film as a language of its own, spoken cinematically through an editor’s hands.

Drawing on excerpts from her award-winning films such as Our School, American Promise, The Last Season and The New Black, this masterclass will explore her creative process, writing with images and crafting cinematic language in non-fiction films.

The Art of Cutting it Fine AIDC 2018

Robert Fernandez has been producing award-winning documentaries and commercials for over 25 years - yet he still loves getting his hands dirty on budget spreadsheets 'I love the numbers'. Working with Errol Morris since The Fog of War, Fernandez recently delivered their biggest project to-date: the Netflix series Wormwood. With no precedent for its hybrid format or production model, it took 1.5 years to develop and finance with Netflix, and 2.5 years to shoot. Fernandez is the master producer behind a master director, and the man that 'did the numbers' to produce the opus Wormwood, replete with a feature shoot's worth of drama and 10-camera interview setups.

AIDC 2018: Errol Morris' Wormwood ... like producing 3 films at once

How do we build stronger alliances and create impact campaigns that engage audiences on issues, to create lasting change?

The phenomenal rise of documentary impact campaigns in recent years, following the success of Good Pitch Australia and the growing field of expertise, means we now have a global community of impact producers and a rich library of case studies to learn from. There is also a plethora of online tools and organisations offering expertise in delivering impact campaigns. So what have we learned and where are we going? What is the best impact approach for your project and budget?

Through unpacking several environmental sustainability themed case studies, our panellists from very different corners of the industry demonstrate the wide variety of ways to achieve genuine social impact.

AIDC 2018: The Evolution of Impact

In an ever-changing media landscape, and with audiences savvy and cynical about advertising, brands are looking for more subtle ways to draw their customers in. Enter the documentary filmmaker. Does this offer an exciting new source of finance for documentary or is it a sell out? Is it still possible to make authentic stories within this form? Who has creative control in this environment? Why do brands give money to filmmakers and what do they want in return?

This session brings together a world-class panel of award-winning filmmakers, producers and broadcasters to share their first-hand experiences making documentary content for brands and the mechanics of building successful partnerships to do so. They will explore how brand funded content works, why they do it, how it is different to working within traditional funding pathways, and what the deals look like. Between them, our panel has made everything from online content to television to feature films, financed by brands. They will share the realities, the pitfalls and the opportunities of this new financial option in our documentary producing toolbox.

AIDC 2018: Brand + Filmmaker = Story

VCR (Four Tet Remix)

The xx - VCR (Four Tet remix)

Australia's only national museum of film, video games, digital culture and art - situated at the heart of Melbourne in Fed Square. Listen to our latest podcasts of live events, playlists associated with exhibitions, and more.

Located at Fed Square. Open daily. #acmimelbourne www.acmi.net.au

This Is Not A Documentary AIDC 2017

ACMIOnline

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