A special one for #114 from a dear friend and renowned but noble talent, Montreal based @priori-ties. Head of the ever-impressive NAFF output (@naffrecordings), world class DJ & chameleon producer, he is constantly working on something new and exciting.. never missing a beat. 

One would only have to indulge in Priori's impressive back catalogue to attest to his consistent quality but evolution of style and creative flow. Seeing Francis play multiple times on his recent tour to Australia really cemented all of this for me.- one of the best in the biz! 

Thanks so much for being part of the series Francis <3

Downloads enabled

Animix One Hundred & Fourteen: Priori

@richard-akingbehin
Refuge Worldwide co-founder and programmer Richard Akingbehin joined me in celebrating 200 episodes of Passing Notes. Originally founded in 2015 as a fundraising platform, Refuge Worldwide launched in 2021 as an independent community station broadcasting 24/7 from their home in Neukolln. Although somewhat newly ‘On Air’ and providing an internationally loved artist to airway connection, Refuge remains, at its core, a community platform. Refuge prioritises amplifying the voices of marginalised artists, continues its community outreach efforts, connects people to current affairs and provides a space for community to share, grow and learn. There’s no doubt that Refuge Worldwide remains aligned with its foundational ethos: to foster unity in the community.

Beyond the Berlin-based broadcaster, Richard’s contributions to the world of music are multifaceted and far reaching. As a versatile DJ, Richard has made appearances spanning the breadth of the European club and festival scene (think Waking Life, Berghain, Melt and more). Richard also lovingly curates the Kynant record label which showcases the experimental sides of ambient, dub and techno. Notably, Richard kicked off his sublabel ‘Kyant Ex’ with a release from Passing Notes favourite, UK experimental band O Yuki Conjugate’s. When he’s not playing, programming or curating music, Richard connects listeners with artists through storytelling - His journalistic prowess, often demonstrated in the form of longform interviews and articles, often grace the pages and readers of heavyweight publications such as Resident Advisor.

Richard Akingbehin - PN 200

Skee's insight through his daily listening habits, from guilty pleasures to casual recommendations and in between... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/skee-mask/episodes/skee-mask-18th-april-2024

Feierabend w/ Skee Mask & Lara Fein Feierabend 180424

Command D summons the gods of the deep to have us completely submerged in a world of interdimensional dub techno, traversing us through an hour and a half of infinitely looped reflections and subaquatic soundscapes. 

@commandd

Q. This certainly feels like one of your most immersive mixes to date, deeply contemplative and full of dreamy dub techno atmospherics. What inspiration did you draw upon, and what type of setting or situation could you imagine it being enjoyed in? 

A. I started to get into this sound when I was putting together my mix for the Moonshoe mix series. I didn’t know what to call it at the time but I found all of those tunes and tied them together with a certain feeling that was really inspiring me then, it was very organic and that is still one of my favourite mixes. You can hear dub elements scattered throughout that whole mix.

As I started incorporating more dub elements into my productions I discovered artists like Stephen Hitchell and Rhythm & Sound that had created a kind of music that was really extremely satisfying for me to listen to, especially considering my developing love for hi-fi and larger sound systems. I incorporated those artists into my FHUO mix which was a much more considered exploration of the style. Looking back on the process of making the mixes and how much I enjoyed them really assures me that the deep and contemplative sound is a big part of who I am.

For this mix I’ve taken inspiration from the MDC series itself which I’ve been listening to for years. I wanted to add little hints of deep house sounds as a nod to the mixes of the past. I personally think mixes like this are the best to listen to when you’re travelling and looking out a window, otherwise maybe sitting at a desk on a rainy day doing some work. I’d like people to listen to this in a time where they won't be distracted by something else or feel the need to skip forward, I’d want people to just throw it on and let it play, drifting in and out of the tracks and their own thoughts.

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these tracks that resonate with you so much?

A. My favourite tracks in the mix are Saftig Komposition by Rasmus Hedlund and Sedlec Ossuary by Persuasion. At a base level I love these tracks because they take a more modern approach to a dub techno track with tight production. Going deeper, the thing that really resonates with me is hard to put into words and best left unsaid. I think this kind of music (along with many other kinds) allows the listener to feel emotions that aren't able to be put into words, part of why I love it so much. I find that dub techno specifically can feel sad and happy at the same time like lots of jazz ballads. That to me is a really beautiful sound that kind of encapsulates life in general.

Q. Tell us about the development of your live set, and where things are currently at with it? Do you feel like you’re able to explore different shades of your sound when playing in a live setting?

A. Putting together my first live set was an awesome experience. I got to play it all around Australia from clubs to rainforests. I’ve put the current live set to bed for now and am starting to work on a new one with a slightly different setup. Although it was a challenging experience, I loved making a live set because often when I would dig for tunes to play out I’d think ‘I wish I had a song like this’ and writing a live set meant that I could bring those ideas to life and curate a set exactly how I wanted. I think I’m really starting to settle into ‘my sound’ in production and DJing, but there are creative limitations in both like finding new music or learning new skills. Overcoming technical barriers in production allows me to get closer to my most true form of expression when it comes to what’s coming out the speakers so I’ve been really working on that recently. Hoping the next live set will be bigger and better : )

MDC.302 Command D

Dekmantel Selectors 2024

Metz Attack at Dekmantel Selectors 2024

Very happy to welcome Elsa to the mix series, an exciting producer and dj from Basel, Switzerland. Elsa's productions have really caught our attention, with diverse and always very smooth releases on the likes of pressure dome, common ancestors, SchanzeAcht, and more recently, Naarm's very own Companion. Enjoy this beautifully crafted mix Elsa has put together for us :)

@elsa-9-9
@elsa-9-9
@elsa-9-9

Neurocrank Mix: Elsa

10-2 am (the first part of the set was not recorded)

mastered by @frdmclub
cover photo by @guarionexjr

Lychee @ Nowadays Nonstop - March 29, 2025

Freeform live from the heart of Hackney on May 3rd, 2025, 15:00 - 17:00 

Netil Radio, London’s community voice broadcasting live from a converted shipping container atop of Netil Market.

Thank you Alba, Hanna, Nick and Miro. 

Vladimir Ivkovic live on Netil Radio 3 May 2025

This recording is from the first edition of L’Appuntamento, a series of open-air listening sessions initiated by Villa Lontana Records and Donato Dozzy in Rome. Each gathering pairs a vinyl set by Dozzy with a live electroacoustic performance by a new-generation artist.

In this first edition, held in the garden of Villa Lontana, Donato Dozzy opened the evening with a selection of minimal, folkloric, and acoustic-rooted records — setting the tone for Verde Prato’s live performance.

L’Appuntamento is an ongoing invitation to pause, tune in, and share time through listening. 
Next appointment is Thursday 26 June 2025 with Ange Halliwell.

L'Appuntamento with Donato Dozzy + Verde Prato - Listening session at Villa Lontana on 11 May 2024

Sublime rhythms from the London selector.

RA.477 Jane Fitz

Taken from Gnod R&D Vol. 4. Out now.

Purchase cassette/digital: https://gnod.bandcamp.com/album/gnod-r-d-vol-4

Gnod R&D Vol. 4

Gnod R&D - Void

Record label run by Moopie. 

We also offer audio recording, mixing and mastering services by Klon Dump.

International distribution:
kai@wordandsound.net

Audio, licensing, sync and direct enquiries:
info@acolourfulstorm.com

Gnod R&D - Void

A Colourful Storm

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