Who Told You That

Searing, tormented darkside f**kery from Miles Whittaker and Sean Canty’s Demdike Stare on their rinse and run Testpressing series. On the A-side ‘Fail’ is a slowly descending panic attack of pealing hi-end frequencies and impending bass doom reaching a pit of noisy no return. On the flip, ‘Null Results’ bruks loose with a scything jungle attack; frantic 16th note hi-hats and cone-crumpling subs laced with a rudeboy mentasm to incite warehouse capoeira. Come test.

Fail

Earlier on this year Andy Stott found himself playing on the same bill as New York “Heavy Metal hoarders” Batillus. Despite operating in completely different spheres, Batillus had been playing ‘Luxury Problems’, Stott’s most recent album, on their tourbus and suggested a remix.
The result is pressed up on this one-sided 12”, a deadly reduction that pitches the original down into the abyss,...
Andy Stott will be back in 2014 with new material.

Andy Stott - Batillus - Concrete (Andy Stott Remix)

https://www.nts.live/shows/jim-o-rourke/episodes/jim-o-rourke-22nd-june-2022

Jim O' Rourke 220622

On the north side of town (North North!)
Lurk the killers and the thugs (North North!)
Those who never show no pity (North North!)
Come up short, feel the slugs (North North!)
Upper tone to ya dome (North North!)
When it's over then that's it (North North!)
Ain't gonna' be no comin' back (North North!)
You's a victim of this shit (North North!)
Heard the clique (North North!)
Then the gun blast (North North!)
Then yo' body fall (North North!)
In a hood (North North!)

n0rthNorth

This is a demo that I wanted to hear from the Erbe-Verb. It's a simple "DRUM" tone from Braids triggered by a steady Maths clock, running through a prototype Erbe-Verb reverb module. The Erbe-Verb is not receiving CV modulation of any kind. Rather, I am controlling everything slowly by hand, one or two parameters at a time.

No post-processing (compression, EQ, etc.).

Erbe-Verb Demo: No CV Modulation

Vallens' "Tennesse Haze"

Solid Steel (12th May) In Hour 1 we welcome Trackstar the DJ, who is the tour DJ for Run The Jewels and is known for his prolific mixtape work. He has played hundreds of venues and dozens festivals all over the world, including Madison Square Garden, Coachella, and Glastonbury, where he returns with Killer Mike and EL-P on 24th June and Field Day on 3rd June. He told us;
 "Originally I had other plans for a more conceptual mix, but as I was telling The Gaslamp Killer about my ideas on our tour date in Belgium, he told me not to bother with any of them and instead do a mix displaying what he called "My Rare Appetite In Rap". I trust The Gaslamp Killer (as you should, too), so I immediately switched gears and started putting together a playlist of songs from the last half-decade or so that I love that many rap fans may have missed. It features some names you'll recognize as well as some that you may not… Hopefully you enjoy these tunes as much as I do, and maybe pick up a new favorite artist or two.”

The Solid Steel website http://solidsteel.net/ for track lists and archive shows.
You can follow Solid Steel on
fb.me/solidsteelradio
instagram.com/solidsteelradio
twitter.com/SolidSteelRadio
Email solidsteel@ninjatune.net

Go to Hour 2 here https://soundcloud.com/ninja-tune/solid-steel-radio-show-1252017-hour-2-panasonic-live-1996

Hour 1 - Trackstar the DJ https://twitter.com/djtrackstar
https://www.instagram.com/trackstarthedj/

Killer Mike ‘R.A.P. Music’ (Williams Street)
Skipp Coon ‘Fight’ (Tibbit Music) 
Vince Staples ‘Hands Up (Def Jam) 
Rockwell Knuckles / Nick Menn ‘Laughing Windows’ (unknown) 
Run The Jewels feat. Cuz Lightyear ‘Bust No Moves’ (Mass Appeal) 
Spark Master Tape ‘Tenkkeys’ (unknown) 
El-P feat. Mr Muthafuckin’ eXquire & Danny Brown ‘On Hail No’ (Fat Possum) 
Tef Poe / Biko ‘King Poetic’ (unknown) 
Skipp Coon ‘Assata Taught Me’ (We Insist Records) 
Bambu ‘Upset The Setup’ (Beatrock) 
A$AP Twelvyy ‘Glock Rivers’ (ASAP Worldwide) 
Nick Menn / Rockwell Knuckles ‘Line ‘Em Up’ (unknown) 
Audio Push ‘BBQ Spot’ (Interscope) 
Rockwell Knuckles ‘Blur’ (unknown) 
The Last Artful, Dodgr ‘Sway’ (Fresh Selects) 
Black Spade ‘Nobody’s Fool’ (Converse Music) 
Tef Poe Tubman’s Bounce (Foot Klan) 
Cuz Lightyear feat. Killer Mike ‘Pots N Pans’ (unknown) 
Killer Mike feat. Scar ‘Untitled’ (Williams Street)
Little Shalimar & Mr Muthafuckin’ eXquire ‘Warrior Thing’ (Mass Appeal) 
Spark Master Tape ‘Hanson Brothers’ (Mishka) 
Bambu ‘Exposition Blvd’ (Beatrock) 
Preacher In The Trap (Tef Poe & Black Spade) ‘Momma’s House’ (unknown) 
Jarreau Vandal ‘Be Alright’ (unknown) 
Rockwell Knuckles ‘Play Catch’ (unknown) 
The Last Artful, Dodgr ‘Entitled’ (Fresh Selects) 
Arshad Goods ‘Resurrection’ (unknown) 
Spark Master Tape ‘Tenkkeys Outro’ (unknown)

Solid Steel Radio Show

Solid Steel Radio Show 12/5/2017 Hour 1 - Trackstar The DJ (Run The Jewels)

Cloud Generating

AFRODEUTSCHE | NTS | BLACK FOREST | 4TH AUG 2018

A survey of Halloween, horror, and occult records from the 1950s to 2000s, WOODS 22: BEAUCOUP BOOS features homemade sound effects, party tips, folk ghost stories, spells, outsider radio dramas, haunted house instruction, and more!


SAMPLES & EXCERPTS

“Night in A Graveyard” (Recorded Live on...) - Haunted House Music Co., 1985 
“Hooting Owl” (Sounds to Make You Shiver!) - Sounds to Make You Shiver, 1974 
“Gong/Moaning” (Hallowe’en Spooky Sounds) - Sounds Records, 1962		
“Winter Moon” (Haunted House & Other Spooky...) - Scholastic Records, 1970	
“Moon Is a Circle of Ghosts” (Ghostly Sounds) - Kingsley/Waldron, 1975		
“Halloween Pictures” (Halloween: A Book...) - Wood/Nixon/Schallert, 1960s	  
“Intro” (2 Complete Halloween Ghost Stories) - Ghost Stories, 1963		
“The Skinny Toe” (Scary Spooky Stories) - Cherney Berg, 1973			
“Ghost Combo” (Halloween Sounds & Music for Parties) - D. Records, 1960s
“Mind You, Now What Night Would It Be” (You Read...) - John Ciardi, 1962	
“The Ghost’s Song” - (Spirits/Spooks for Hallowe'en...) - William Conrad, 1973
“Midnight in the Graveyard” (Essential Horror SFX Vol. 2) - BBC Library, 2011		
“Dark, Dark, Dark” (Scary Spooky Stories) - Cherney Berg, 1973		
“Dark, Dark, Dark!” (Dark, Dark, Dark Tales...) - Judson Fountain, 2008		
“Looking Through.../Graveyard” (Scary Sounds) - Nick Reinhart, 2013
“Merry Night of Halloween” (Spirits & Spooks for...) - William Conrad, 1973
“Terror Train” (Terror Tales by the Old Sea Hag) - Martha Wentworth, 1959		
“The Nightmare of Lost Souls” (Sounds of Terror!) - Denning/Daniels, 1974 			
“Day of Wrath-The Story (Part I)” (Rite of Exorcism) - Rite of Exorcism, 1974
“Occultismo” (Probes: Hallowe'en) - Sean Canty, 2017		
“Cathedral of Evil” (Ghost Story: Thrilling, Chilling...) - William Castle, 1972
“Initiation” (A Witch Is Born) - Alex Sanders, 1970		
“Lost Souls” (Playing with Words) - Ekrem Mulayim, 2010		
“Old Woman All Skin and Bones” (Chillers) - The Folktellers, 1983	 
“Sanctus Spiritus" (Sanctus Spiritus) - Kat Epple & Bob Stohil, 2016			
“Prelude in C Minor” (Midnight in The Caverns...) - Monte Maxwell, 2001	
“The Bat” (Selections from The Haunted House...) - Scholastic Records, 1970
“Profane - Sacrilege” (Carnival of Souls) - Gene Moore, 1998			
“Teeny Tiny Woman - A Folktale” (Scholastic Records) - Jean Richards, 1968				
“A Weird Happening” (Halloween: Games, Songs...) - Denning/Lande, 1969
“Spell to Discourage an Unwanted Suitor” (Hour of the Witch) - Gundella, 1971		 
“Garden of Weeds” (Selected Memories from...) - The Caretaker, 1999
“To Cause a Witch to Die” (A Coven of Witches' Tales) - Vincent Price, 1973		
“Party Instructions for Use with Halloween Guide Book” - Darr/Masuoka, 1975
“Dead Man's Brains” (Scary Stories to Tell...) - George S. Irving, 1986		
“Shoes” (Tales for Scary Times) - Jackie Torrence, 1985		
“Moonlight Shadow” (Strange Angels) - Yuri Morozov, 2017
“Skin & Bones” (Ghost Ballads) - Dean Gitter, 1957


FAIR USE NOTICE (FOR EDUCATIONAL PURPOSES ONLY)

Fair use (section 107, 1976 copyright act) allows copyrighted works to be used for purposes such as criticism, news reporting, teaching, scholarship, or research. Elements of this audio have been created from copyrighted materials. However, this audio is not for profit and exists for educational purposes only, in full compliance with the copyright act.

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