AXIS CORE(East)

6G is the child of a hollow moon, unwritten histories of permaculture deities in the levant, pagan conspiracies about haunted birthrights, texts buried in lunatic obscurity, communication with the evil smile of a goddess, bells designed to be wrung three times in the night, childish blood games, farmers with occult crops.

The duo of Oxhy and Susu Laroche have chosen the name The Fertile Crescent, evoking one of the cradles of human civilization as much as a (un)healthy devotion to the power of the lunar cycle. Musically, it reeks of post-industrial folklore ripe with solemn tones and conflicting bits, combined via the mocking dream logic of a trickster spirit. A skeletal presence of melody in a sparse, ceremonial ambiance that can even welcome thunderous rolls of breakbeat, like tapping from the energy of every ritual that has scarred the land in time. Following the record is like attempting at drawing a psychic topography of those same rituals, manifestations, tragedies and games, it’s like mistaking the broadband network for the Ley lines but still succeeding in conquering its occult power.

Written & Produced by Fertile Crescent
Mastered by Tapewave

All profits go to: www.islamic-relief.org.uk/afghanistan-emergency-appeal/

https://soundcloud.com/oxhy
https://soundcloud.com/tsvsvnami

the fertile crescent - a hollow earth

Acopia - Giving Up (On Your Old Ways) - CMPN002

Health

Man Rei - I don't want the money

Dreamfear / Boy Sent From Above

Dreamfear

but failing

@theory-therapy
@djbirdbath

BC: https://theorytherapy.bandcamp.com/album/memory-empathy

"Memory Empathy" is a meditation on the past: how it shapes us and how we shape it in turn. Over 12 tracks, New Zealand-based producer DJ Birdbath draws from a varied palette of samples, both real and unreal, conjuring a colourful narrative patchwork. Some tracks are fragmented, with gurgling rhythms built from clipped vocals, like 'Another Day'. Others resemble deconstructed versions of sounds the producer grew up listening to in the UK. Take for example the breakbeat in the euphoric album opener 'Kitsch Memory' or the shoegaze-tinged vocals on 'Flames'.

While a sense of optimism radiates throughout the album — in particular on 'Leftover Igloo', 'Being There' and 'Last Time' — it’s the weird breakages and vaguely organic sounds which add to the complexity of the release and, in turn, make it feel more truthful. The imperfect mimesis is part of the appeal: with repeated listens "Memory Empathy" yields new surprises.

pi pi pi premiere: DJ Birdbath - Holiday Scrapbook (Theory Therapy)

Statik

My Ways

‘Rejecting Fragility’ - is a recorder of emotions and experiences collected during a year of immigration to Tbilisi, a move that was initiated as a reactive decision to the unconformity towards the start of the full-scale war in Ukraine. It is about the loss of ambition and acceptance of responsibility, as well as the rejection of habitual beliefs and acceptance of fragility.

Delving into new surroundings, the mixtape acts as a postcard that envisions the technogenic bustle of Tbilisi. Similar to ‘Fashion Music for Scammers’, the release takes shape of a diary entry and attempts to record the constantly fluctuating moment of emotional fragility, where the atmosphere within the magical and serene corners of the city’s surroundings switches up rapidly with its concrete coldness, and the deep wormhole that is its nightlife. Hence the DIY, almost field-like approach to the recording of the material featured on the album. Most of the track were produced on an iPad, in which qwa created unique, autonomous ecosystems.

All proceeds from the digital release will be forwarded to hospitallers.ukraine_paramedic & lifeline.ge

Production, mixing & mastering by qwqwqwqwa 
Photography by Sasha Chaika 
Design & creative direction by Mori Mori

My Ways

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