ACWC 40th Anniversary - July

Piano Concerto 
I. Childhood
II. Romance
III. Loneliness in an Individual's Life
IV. Life's Challenges
V. Life's Struggles
VI. Life's Memories
VII. Life's Cycle

Instrumentation: solo with full orchestra
pno. solo/ 2-2-3-2/ 2-3-3-0 /timp/perc(2)/str.

Performers: 
Piano: Peter Tiefenbach 
Conductor: Bramwell Tovey 
Winnipeg Symphony Orchestra 
Composer: Maya Badian
Duration: 8 minutes
Location: Winnipeg
Date: February 7, 1999
Maya Badian's PIANO CONCERTO was awarded 2nd Prize at 1999 du Maurier New Music Festival, Winnipeg 1999.

Program notes:
Quote from: Maya Badian, Her Life and Her Music: A Privilege to Soar by Fred Popovici, published by Pro Ars Publications, Ottawa, Canada, 2010. "Non multa, sed multum" (not much quantitatively, but qualitatively) is Maya Badian's motto for her Piano Concerto. This 8-minute one-movement opus, an uninterrupted musical flux, consists of seven inner sections (micro-movements). It is concise and simple, yet intense in its meaning. The composer states that this concerto reveals, in each of its seven sections, a different stage of our lives. Maya Badian employs a contemporary idiom, yet places the piece in frames of a somewhat conventional style. This ambiguity changes the coordinates of a classified discourse into those of a highly contemporary approach."

http://www3.sympatico.ca/badian/

Maya Badian - Piano Concerto

Iridescent Flares I, symphony orchestra, RNCM Brand New Days Orchestra Concert

First performed April 26th, 2019, RNCM Concert Hall.  This work is based upon the idea of light striking crystal and releasing bursts of iridescent colour and shapes in many directions. This is expressed through collaboration between orchestral composition and painting practice. The anatomic layers and sections of the painting are exposed from the beginning to end, evolving and forming with the progression of the piece.

https://www.carolinebordignon.com/

Caroline Bordignon - Iridescent Flares I

"Aurora Borealis" - composed for orchestra

In a review published in the "Journal of the International Alliance for Women in Music", Dr. Margaret Lucia wrote: “Aurora Borealis"…is a strong, well-crafted orchestral…fanfare and is very clearly Stroobach's signature work. Prominent timpani and brass are answered by violins in an antiphonal style. The middle section is somewhat reminiscent of Bartok's "Game of Pairs" (the second movement of his "Concerto for Orchestra") in the angular, intervallic writing for bassoon and clarinet.”

"Aurora Borealis" is written in the tradition of a Franz Liszt tone poem - a one movement programmatic work. The rhythmic motive of the sixteenth note followed by the quarter note, which is heard throughout, conveys the majesty and awe one feels when viewing the Northern Lights. The more sparsely orchestrated middle section blends the different woodwinds together with the strings, to illustrate the beautiful colours of the Northern Lights. I also deliberately used the higher pitches in many of the instruments to represent the fact that the magnificent display of the Aurora Borealis is high up in the heavens. 

"Aurora Borealis" was performed and recorded onto a compact disc of the same name (https://collections.cmccanada.org/final/Portal/Composer-Showcase.aspx?component=AF-Query-Composer&record=eb48a3f6-04d5-42cd-9de6-092a8b5ca83f&lang=en-CA) by the Ottawa Symphony Orchestra under the baton of Maestro David Currie. This project was awarded funding from FACTOR (Foundation to Assist Canadian Talent on Records), the Council for the Arts in Ottawa and the Corel Endowment for the Arts.

Since this recording "Aurora Borealis" has received seventeen performances by leading orchestras across Canada and Europe and has been broadcasted on radio stations around the world.

Evelyn Stroobach is a professional musician and an award winning, published composer. She is currently a PhD candidate in Music Composition in the UK. Stroobach has won regional, national and international awards for her works.  Recently, Stroobach was honoured in the Senate and the House of Commons at the Houses of Parliament in Ottawa, Canada for her participation as composer on the newly released "Aboriginal Inspirations" CD (www.musiccentre.ca/node/147580).

Read her full bio here:
https://collections.cmccanada.org/final/Portal/Composer-Showcase.aspx?component=AAIL&record=eb48a3f6-04d5-42cd-9de6-092a8b5ca83f

Aurora Borealis

Evelyn Stroobach - Aurora Borealis

Three Chinese Songs of Autumn
June 14, 2003
Reading session with the Vancouver Symphony Orchestra
Chad Louwerse, Bass Baritone
Own Underhill, Conductor

1: An Autumn Day - Leisurely Boating on West Lake
Poem by Lin Pu
2: Mooring My Boat at Fen-Shui at Night
Poem by Huang Shu
3: Autumn
Poem by Huang Shu.

Sylvia Rickard - Three Chinese Songs of Autumn

Concerto for Marimba, Vibraphone and Orchestra by Maya Badian
- Mircea Badian (1967-1989) In Memoriam -
Movements: 
I. Preludio [Marimba] (4:49)   
II. Aria [Vibraphone] (3:47) 
III. Perpetuum mobile [Marimba/Vibraphone] (2:42).

Instrumentation:
Marimba and Vibraphone, soloist (1 player) / 1(picc),1,1,0,asax / 0,1,0,0 / timp, perc(3) / strings.

Performers:
Marie-Josee Simard, marimba and vibraphone   
Jahja Ling, conductor
Vancouver Symphony Orchestra 
Dr. Maya Badian, composer
Vancouver, Canada
March 7, 1989
Duration: 11 minutes

Program notes:
“Concerto for Marimba, Vibraphone and Orchestra by Maya Badian is acknowledged as the first concerto ever scored for these instruments in Romanian music history. 
The idea for the concerto came from her son Mircea who, at 20 already a virtuoso percussionist, wanted to perform the world première of the work. The concerto is dedicated to the dearest memory of Mircea Badian, who made tremendous contribution in assisting his mother to compose the parts of the virtuoso percussion instruments.  
I. Preludio (marimba and orchestra). The solo marimba is ingeniously treated as a melodic instrument. The movement is in a free form with the opening theme surrounded by micro-structures of indeterminate pitches, based on different cells from the theme and performed by the four members of the orchestra’s percussion section. These indeterminate sounds gradually become actual pitches, scored for winds and brasses. Transforming music from “noise” into “sound” is a marvellous technique, suggestively named by Pierre Boulez illusions acoustiques.  Toward the end of the Preludio, the marimba solo once again recalls its theme.  
II. Aria, the second movement (vibraphone and orchestra), is built with a pure combination of timbres that justifies the movement’s title. The predominance of solo voices generates the lyric expression of this movement. 
III. Perpetuum mobile, the final movement (marimba/ vibraphone and orchestra), focuses on the virtuoso aspects of both solo instruments, within a complex moving soundscape. The main ideas from the previous movements now include alternations between noise and determined pitch as well as between solos and full orchestra, being presented in a tumultuous vision, and gradually involving the whole orchestra in fortissimo. This approach emphasizes the global effect of this concerto as a strong and powerful statement imbued with subliminal textures. 
This Concerto represents a major work in Maya Badian’s output.” - Fred Popovici.

"CONCERTO FOR MARIMBA, VIBRAPHONE AND ORCHESTRA by Maya Badian explores the virtuosity of the two solo instruments and the technique of the soloist. Like a musical sculpture, this concerto sensitively blends the peculiar timbres of percussion instruments." (E. Douglas Hughes: Promenade Program Notes, March 6 & 7, 1989, Vancouver Symphony Orchestra).

http://www3.sympatico.ca/badian/

Maya Badian - Concerto for Marimba, Vibraphone and Orchestra

Secret of the Seven Stars (2009-2011) for strings, accordion and percussion

World premiere - 25 September 2011, New Music Concerts, conductor: Robert Aitken.
Joseph Macerollo, accordion, Ryan Scott, percussion
European premiere - 3 & 4 December 2011, Concerto Konstanz, conductor: Wolfgang
Mettler. Stefan Hussong, accordion, Hsin Lee, percussion

Programme Note
Secret of the Seven Stars is the tenth piece in Voices in Time cycle for various ensembles based on classical Chinese poetry, legends, the ideology, philosophy and notation of guqin music. With each work representing a dynasty, this cycle is a personal reflection and musical transformation of the voices of poets, musicians, philosophers, heros and heroines, whose lives and work have threaded the cultural tapestry of an ancient civilization.

http://www.hopelee.ca/

Secret of Seven Stars

Hope Lee - Secret of the Seven Stars

Heal the World

"A cinematic soundtrack composed by myself - all instruments played virtually by myself - from a short vid about saving advancing climate change in the world." -Katya Pine

https://www.katyapinecomposer.com/

Katya Pine - Heal the World

analemma for 11 musicians (2006)  

Commissioned by the Canada Council for the Arts for Ergo Projects, conducted by Alex Pauk, for a concert of Lithuanian/Canadian composers at the Glenn Gould Theatre in Toronto (2006).

An analemma is a visual representation of the equation of time. It is a term from astronomy that describes the figure created by the position of the sun at the same time every day during the earth's yearly rotation. This work is about the same musical ideas seen from different angles or in differing situations. Just as the sun's analemma results from slightly different positions in the sky, this work presents 3 musical ideas in differing lengths, situations or combinations.

analemma is dedicated to Harry Freedman.

http://veronikakrausas.com

Veronika Krausas - analemma

Love at first Sight - 1st movement from Ballet of khosro and Shirin

Ballet: Cathedral Bluffs Symphony Orchestra and National Ballet YouDance Dancers (This work was a National Ballet Commission)/ 2014

https://www.afarinmansouri.com/afarin_mansouri_website/Home.html

Afarin Mansouri - Love at First Sight

Canadian Wilderness and Stillness: Symphonic Evocation on the Group of 7

9 tableaux, the name of which were taken in accordance to the inspiring paintings: I. In the Northerland -- II. Sunglow -- III. Red Maple -- IV. For What? -- V. Mist Fantasy -- VI. Baffin Island -- VII. House Tops -- VIII. The Pool -- IX. Red Cedar. 

Instrumentation, full orchestra: 
flute; piccolo; oboe; English horn; clarinet in B-flat; bass-clarinet in B-flat; 
2 bassoons; 2 horns, 2 trumpets in C; 2 trombones; tuba; timpani; 2 percussions; strings: violin 1; violin 2; viola; cello; double-bass.

Performers: 
National Symphony Orchestra of "Teleradio-Moldova" Company
Conductor: Gheorghe Mustea 
Composer: Maya Badian.

Date & Location: "The Days of New Music" International Festival
Ginta Latina Cultural Centre. 
Kishinev, Moldova, 25 June 2005

Programme note: 
“The Canadian painters known as the Group of Seven are historically recognized as having a significant impact on the Canadian Art movement and forever changed its style and spirit.  The symphonic composition Canadian Wilderness and Stillness is based on the composer's  thorough research of techniques used by The Seven Painters, reflecting their creative visions into her music. The sections of my composition are linked by a leit-motive as a virtual representation of the vastness of Canada.  Each section symbolizes another aspect of the unique nature of each of these Canadian painters, using a variety of techniques, to suggest my musical ideas." - Maya Badian.

“Dr. Maya Badian has done much to make us aware of our own heritage. As a composer, Badian has achieved wide international recognition." – Dr. Elaine Keillor.
 
"Maya Badian is an important composer." – Richard Todd, The Ottawa Citizen.

The panorama of Maya Badian’s music defines her distinct style. Somewhat analogous to the paintings of the Group of Seven, each section involves a special compositional technique approaching, one by one, a different human universe. Sincere congratulations for this creation that delighted our ears and our souls.” 
- Ghenadie Ciobanu, composer.

http://www3.sympatico.ca/badian/

Maya Badian - Canadian Wilderness and Stillness: Symphonic Evocation on the Group of 7

Association of Canadian Women Composers

The ACWC is a professional organization for Canadian women composers, their supporters, and the performers of their music.

ACWC 40th Anniversary - July

ACWC / ACC