042 - Anunaku
Release Date - 9th April 2021
Buy - https://anunaku.bandcamp.com/album/042

A - Spirale
B1 - Ninfea
B2 - Luminosa

Mastered by Helmut Erler at Dubplates and Mastering
Artwork designed by C'estainsi studio

042 - Anunaku

Single from SKY H1's debut album 'Azure' due to be released on the 3rd December 2021.

https://sky-h1.bandcamp.com/album/azure

SKY H1 - Labyrinth

SKY H1 - Azure

Mastering: Rashad Becker
Design: Somnath Bhatt & Ian Babineau


Buy here/listen in full: https://sky-h1.bandcamp.com/album/azure

1 - Labyrinth 
2 - Darklife
3 - Topaz
4 - Silk
5 - Arctis
6 - Blade
7 - Elysian Heights
8 - Freefall
9 - Bird Strike

SKY H1 - Azure

Whities002
Kowton - Glock & Roll
Purchase - http://whities.bigcartel.com/product/whyt002


002_Kowton - Glock & Roll

Metallur - Lanark Artefax

Listen in Full/Buy Here:

https://l-a-n-a-r-k.bandcamp.com/album/metallur

Artwork by Dimitri Erhard
Mastered by Matt Colton

Metallur - Lanark Artefax

https://ad93.lnk.to/CaldoVerde

Artwork by Dimitri Erhard
Mastered by Matt Colton


Caldo Verde

https://ad93.lnk.to/45Pounds

Mastered by Heba Kadry
Mixed by Saguiv Rosenstock
Artwork by Jack Tobias
Engineered by Hayden Ticehurst
Produced and Mixed by Saguiv Rosenstock

45 Pounds

https://ad93.lnk.to/TheFoelTower

Recorded at Nannerth Ganol Studios
Engineered by Jack Ogborne
Mixed by Larry 'Bruce' McCarthy
Artwork by Tom Whitson
Design by Ciaran Birch

The Foel Tower

https://ad93.lnk.to/TheRisingWave

Mastered by Rashad Becker
Artwork by Grrrr

The Rising Wave


 https://ad93.lnk.to/BellyUp

Going belly up, guess it’s always a possibility.

Mastered by Noel Summerville

Belly Up

Tracey EP - Tracey

https://ad93.lnk.to/TraceyEP

All music written and performed by Tracey
Produced and mixed by Charles Stooke
Mastered by Kassian Troyer
Artwork by Aliou Janha
Additional art direction by Mateo Villanueva Brandt
Sleeve design by Ciaran Birch

Tracey - Tracey EP

The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel.
Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.

https://ad93.lnk.to/TheWayOfTime

released June 20, 2025 via AD 93

Artwork and design by Lucas Dupuy and Pavel Milyakov
Vinyl mastering by Stefan Betke

Biosphere - The Way Of Time


https://ad93.lnk.to/Friend
a𝓈𝓀 𝓂𝑒 𝒶𝒷𝑜𝓊𝓉 𝓂𝓎 𝒹𝓇𝑒𝒶𝓂𝓈. 

You leave her a voicemail and everyone hears it. A version of james K slides through the valueless material “real” with fists full of melancholic ecstasy. Song collapses the unending mist around us, in a world of intensity and pain, confusion and loss, like a lung filling playfully, that makes us more sensitive, opens more wounds, to lay a path for mutual mending. She plucks a coiling, gaseous halo from the air, steadying the tempest with lulling, heaven-kissed sounds, and comes as a balm to our desperate hearts with her timeless offering, 𝘍𝘳𝘪𝘦𝘯𝘥- to make some light of this gum pink fog.

✶
 

Friend

Blurrr was written in between painting sessions and also whilst raising a child.

https://ad93.lnk.to/Blurrr

Mastered by Noel Summerville

Design by Kool Music


Joanne Robertson - Blurrr

https://ad93.lnk.to/Goodness

Illuminated with breathtaking vocals and uncanny poetics, ‘Goodness’ is an open, impressionistic assemblage of drone, ambient, experimental electronics, improvisational music and minimalist dance music.
Across protean forms and voices, feeo explores an ever-evolving counterpoint between connection and isolation, the city and the natural world, the external and the internal. Contrasting beauty with volatility, communion with disintegration, feeo creates an album of absorbing tension between distinct contrasts.

With eleven interconnected pieces of music, each engaged in symbiotic dialogue, ‘Goodness’ represents a sinuous yet uniform work. Each track is like a link in a chain, with each piece revealing its lustre when held up to the light.
feeo describes the album as “an exploration of simultaneous yet opposing states of being; darkness and lightness, obscurity and visibility and most fundamentally, solitude and togetherness. Each song is an adumbration; a partial sketch of one aspect of the LP - each finding its complete meaning when read in the context of the whole.”

Mirroring the push and pull of perception and contemporary experience, ‘Goodness’ oscillates between disparate moods and intensities, reflecting moments of interiority, intimacy, seclusion, collective experience and exterior turbulence.

‘Goodness’ marks an evolution in feeo’s artistic practice, both as her first full-length release, and as a product of wider collaboration after several years working independently. Welcoming close collaborators and select affiliates into the fold, the process of making ‘Goodness’ was very much like the record itself; a deeply personal, special convergence of expression and artistry. 

released October 10, 2025

Written, produced and performed by feeo
Caius Williams on baritone guitar (‘Here’ & ‘Night Forgives Those Black As Her’), bass guitar & electric guitar (‘Here’), and trombone (‘Requiem’)
Theo Guttenplan on drums (‘The Hammer Strikes The Bell’)
Trevor Laird reading ‘Days pt. 1’ & ‘Days pt. 2’
‘Here’ recorded at PRAH Foundation and engineered by Caius Williams
Mixed by feeo
Mastering and Cutting

Goodness


https://ad93.lnk.to/Isthisaqueue 

Alpha Maid presents her debut album ‘Is this a queue', due for release on 29th October 2025 via AD 93.

We only know 4% of the universe, there is hope in that and the unknown 96%.
credits
released October 29, 2025

Written, produced, arranged by Alpha Maid
Additional drum engineering’( Guarded, WHY WE HAVE TO MOVE) by Sophie Nicole Ellison
Mixed by Sophie Nicole Ellison & Alpha Maid
Mastered by Christopher Pawlusek

Keys and Vocals - 2 numbers by Leo Hermitt
Drums - WHY WE HAVE TO MOVE by Valentina Magaletti
Saxophone- Palimpsest by Ben Vince
Vocals - Palimpsest by Coby Sey

Is this a queue

https://ad93.lnk.to/SongsForNothing

Songs for Nothing was written upon Olan Monk’s return to the west coast of Ireland. The album is imbued with the influence of sean-nós singing, Irish language songs in the “old style” that often proclaim tales of love, loss and landscape; and also heavily indebted to the late Sinéad O’Connor’s confessional songwriting. Reconstructing these influences through their unique perspective has resulted in a fragmentary album veering between collaged pop, machinic rock and slow airs, “dedicated to Conamara and all who have called it home”. The western, Atlantic-facing edge of Ireland has a particular feeling and energy, one that permeates the release: the granite pulsates, the ocean and sky reflect intensities, seaweed rots on shingle shores, plants bloom, ancient trees come up for air from the drowned forest in Galway Bay, the sun splinters through the low clouds.

All songs written and arranged by Olan Monk
Vocals, guitars, piano and tin whistle performed by Olan Monk
Drum programming by Olan Monk featuring recordings of percussion performed by Michael Speers
Vocals on ‘Down 3’ and ‘Fate (Reprise)’ performed by Maria Somerville
Cello on ‘Blank Page’, ‘Oatmilk’, ‘Pomegranate’ and ‘Fate (Reprise)’ performed by Risteárd Ó’hAodha
Violin on ‘Corp’, ‘Down 3’ and ‘Drón Feadóige’ and accordion on ‘Amhrán Mhaínse’ performed by Peadar Tom Mercier
Bodhrán on ‘Corp’ and ‘Drón Feadóige’ performed by Aindriú De Buitléir
Harp on ‘10 Days’ performed by Róisín Berkeley
Flute on ‘10 Days’ performed by Dylan Kerr
Accordion on ‘Blank Page’ performed by Olan Monk

Recorded and mixed by Olan Monk
Additional mixing on ‘Can’t Wait’ by Patrick Burniston
Mastered by Noel Summerville
Photography by Charlie Joe Doherty
Artwork by Nicola Tirabasso
Thanks to Nic Tasker

With love to friends and family for their support in making this record
Dedicated to Conamara and all who have called it home

Songs For Nothing

Whities 006 - Avalon Emerson
Pre-Order: http://bit.ly/20V2luK
(Released 7th March with digital 21st March)

A - The Frontier
B1 - 2000 Species of Cacti
B2 - The Frontier (High Desert Synthapella)

Artwork by Studio C&C
Distributed by Rush Hour

Thanks to Avalon, David, Willits, Matt, Alex and all the gang.

006 - Avalon Emerson: The Frontier / 2000 Species of Cacti / The Frontier (High Desert Synthapella)

Whities 008 - Minor Science
 Release date - 29th July
Buy - http://whiti.es/

A - Naturally Spineless 
B - Underripe

Artwork by Alex McCullough
 Distributed by Rush Hour

Thanks to Angus, Alex, Matt & Thomas.

008 - Minor Science: Naturally Spineless / Underripe

Whities 011 - Lanark Artefax
Release date - 9th June 2017
Buy - http://www.whiti.es/

A1 - Flickering Debris
A2 - Touch Absence
B1 - Hyphen To Splice
B2 - Voices Near The Hypocentre

Designed by Alex McCullough. Comic Panel by Joseph P Kelly.
Mastered by Matt Colton

 Distributed by Rush Hour

Thanks to Calum, Alex, Joseph, Matt, Olivia and Oskar!

011-Lanark Artefax: Flickering Debris/Touch Absence/Hyphen To Splice/Voices Near The Hypocentre

Whities 012 - Minor Science
Release date - 15th September 2017
Buy - https://whities.bandcamp.com/album/whities-012

A - Volumes
B - Another Moon

Designed by Alex McCullough. 
Mastered by Matt Colton

Distributed by Rush Hour

Thanks to Angus, Alex, Matt and JRS.

012 - Minor Science: Volumes / Another Moon

Whities 013 - Avalon Emerson
Release date - 3rd November 2017
Buy - https://whities.bandcamp.com/album/whities-013

A - One More Fluorescent Rush
B - Finally Some Common Ground

Designed by Alex McCullough. 
Mastered by Matt Colton.
Video by Hayden Martin - https://www.youtube.com/watch?v=6FWLMjWuqsM

Distributed by Rush Hour

Thanks to Avalon, Alex, Hayden, Matt, Joshua, Felix & Joe for all their help in making this happen.

013 - Avalon Emerson: One More Fluorescent Rush / Finally Some Common Ground

Blue 01 - Tessela & Lanark Artefax
Release date - 9th March 2018
Buy - https://whities.bandcamp.com/album/blue-01

A - Glisten
B - Touch Absence (Intimidating Stillness Mix)

Designed by Alex McCullough. 
Mastered by Beau Thomas

Distributed by Rush Hour

Blue 01 - Tessela & Lanark Artefax: Glisten / Touch Absence (Intimidating Stillness Mix)

Whities 017 - Nathan Micay
Release date - 3rd August 2018
Buy - https://whities.bandcamp.com/album/whities-017

A - First Casualty
B - Beginning Ballads

Designed by Alex McCullough & Kia Tasbihgou.
Mastered by Matt Colton.

Distributed by Rush Hour.

017 - Nathan Micay: First Casualty / Beginning Ballads

Whities 016 - Giant Swan
Release date - 14th September 2018
Buy - whities.bandcamp.com/album/whities-016

A1 - Pax Britannica
A2 - IANAH
B - The Plaque

Art direction by Alex McCullough 
Embroidery design by Ellie Sweeney 
Sleeve design by Alex McCullough and Kia Tasbihgou
Mastered by Beau Thomas

Distributed by Rush Hour.

016 - Giant Swan: Pax Britannica / IANAH / The Plaque

Blue 04 - E-Talking / Laksa
Release date - 26th October 2018
Buy - https://whities.bandcamp.com/album/blue-04

A - E-Talking - Telephone Rose
B - Laksa - It Feels Like I've Been Here Before

Designed by Alex McCullough. 
Mastered by Matt Colton.

Distributed by Rush Hour

Blue 04 - E-Talking & Laksa: Telephone Rose / It Feels Like I've Been Here Before

Whities 019 - Overmono
Release date - 7th December 2018
Buy - https://whities.bandcamp.com/album/whities-019

A - iii's Front
B1 - Quadraluv
B2 - Yell0w_Tail

Mastered and cut by Beau Thomas 
Art direction by Alex McCullough 
Sleeve design by Alex McCullough and Kia Tasbihgou

019 - Overmono: iii's Front / Quadraluv / Yell0w_Tail

Leif - Loom Dream LP
Release Date - 21st June 2019
Buy -https://whities.bandcamp.com/album/loom-dream

June 21st 2019 sees the release of Leif's 'Loom Dream’ LP. 

Made up of six tracks but presented as two ~17-minute pieces, the record meanders through warm chordscapes, glistening synths and loose live percussion, weaved together with field recordings and ambience. 

Loom Dream invites us to peacefully reconnect with the living world by placing us amongst lush sonic verdure. 

An interactive site created by Joseph Pleass and Alex McCullough accompanies the release, where users can navigate a virtual world, learning more about the plants referenced throughout the record (the site is best experienced on mobile via chrome) - whiti.es/020/

Leif - Loom Dream - WHYT020

Whities 024 - Anunaku
Release date - 18th October 2019
Buy - https://whities.bandcamp.com/album/whities-024

A1 - Temples
A2 - Bronze Age
B - Forgotten Tales

Mastered and cut by Beau Thomas at TenEightSeven
Sleeve Design:
Artistic direction by Alex McCullough
Design by Alex McCullough and Jacob Wise

024 - Anunaku: Temples / Bronze Age / Forgotten Tales

032 - Anunaku & DJ Plead
Release Date - 17th July 2020
Buy - https://ad93.bandcamp.com/album/032

A1 - Wheele
A2 - Clap Clap
B - Haze

Mastered and cut by Beau Thomas at TenEightSeven
Sleeve Design: Alex McCullough & avva.studio

Whities 032

032 - Anunaku & DJ Plead

033 - Bambounou
Release Date - 30th Oct 2020
Buy - https://bambounouofficial.bandcamp.com/album/033

A - TFTT
B - Hale

Mastered and cut by Neel at Enisslab
Sleeve Design: Alex McCullough & Noah Baker

033 - Bambounou

Biosphere - Angel's Flight
Release Date - 22nd January 2021
Buy - https://biosphere.bandcamp.com/album/angels-flight

A1 - The Sudden Rush
A2 - As Bright as the Night
A3 - Talking to Some Imaginary Person
A4 - In the Ballroom
A5 - As Weird as the Elfin Lights
B1 - Angel's Flight
B2 - As Pale as a Pearl
B3 - Faith and Reverence
B4 - Unclouded Splendour
B5 - Remote and Distant
B6 - Scan Of Waves
B7 - The Clock and the Dial

Mastered and cut by Stefan Betke at Scape Mastering
Sleeve Design: Alex McCullough & Noah Baker

Biosphere - Angel's Flight

Record label run by @nictasker
https://ad93.ltd/
Distributed by Rush Hour

(we don't check this inbox, please email info(at)ad93(dot)ltd for any enquiries)

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