s∞wallowed∞by∞a∞swelter∞ing∞pulse_
r∞eaching∞in∞or∞out∞and∞
archin∞g∞away∞again_

https://naffrecordings.bandcamp.com/album/swallowed-by-a-snake-garmo

Written and produced by Zachary DB Treble
Additional Mixing by Ryan Eno
Mastered by Marco Pellegrino
Distributed by One Eye Witness
Garmo 2021

Phost - Swallowed By A Snake

Could planet Earth be considered a living being? And if so, could it be seen as the physical vessel of a planetary-level spiritual entity? Ancient Hinduism believed so and expounded it in The Upanishads: a collection of early sacred texts where such entity was named Sanat Kumara and inhabited the very center of the Earth, lodged in the wondrous city of Shamballa - these beliefs were later appropriated by western New Age sects of the early 20th century and turned into all manner of silly representations and distortions. 

The idea of a conscious, thinking spirit at the centre of Earth's movements, cycles and magnanimous energy was the inspiration for the opening track on the second naive release by Photonz; accordingly, the tittle-track "Planetary Spirit" is an explosion of modulating energy and rhythm ready to blow raver's into gosebumps territory and full-on techno hysteria. Followed by "Badagas", the EP moves into brainy-but-percussive territory, full of synthetic resonant drums and UK bass sensibility. 

On the flip we've got "Circumference", a driving and hypnotic techno track with synthesized bubble motifs and a steady four-to-the-floor beat. Ending things on a more leftfield tip, Photonz merges early Earth drone bass with Claro Intelecto-style FM bass and slowed-down latin funk rhythms on the true-to-theme track "Earth 2". 

Release date: Dec 3
Art by Shcuro

NAIVE016 - Photonz 'Planetary Spirit' (preview)

READ > https://inverted-audio.com/premiere-mata-disk-surrounder

Rotterdam's @matadisk steps up on @nousklaeraudio with ‘Surrounder’ EP - fuelled with the kind of detail-orientated techno which has defined much of the Dutch imprints catalogue.

Surrounder

Mata Disk - Surrounder [Nous'klaer Audio]

@d-tiffany
@roza-terenzi
@delicatererecz

Inhibitions are to be absolved, and fat kick drums to be followed. In this hyper-informed yet unknowing present tense, who can ignore the beat based intrinsic incentive to fuck up the circadian rhythm - the music becoming a byte-based silkworm, spinning its digital silk from synapse to synapse, until your brain is a translucent cocoon playfully ricocheting, the cranium its pleasure dome. Call the drum dealer.

Words by Rhys Salt 
Art by Sophia 

Pre-order Edge of Innocence on Delicate Records ~~~> https://bit.ly/3OHn5oF

pi pi pi premiere: Roza Terenzi & D. Tiffany - Paparazzi (Delicate Records)

Higher Energy Music ⚡

MERCH 👕
https://aspirexhem.company.site/

SUPPORT THIS ARTIST
www.paypal.com/paypalme/jjondrums

You Get Me

Wendy Wild

https://soundcloud.com/duste1
https://soundcloud.com/hmuhmu
https://soundcloud.com/doninini
https://soundcloud.com/ccl-tuf
https://soundcloud.com/florafm
https://soundcloud.com/smplayer


Planet Euphorique is bringing you it's first compilation, "Tiny Planet Vol.1"! 
Don't be deceived, these four tracks are major - and sounding out to the wider universe. 

Kicking off with 'Killer DJs' (two Canadian VIPs Big Zen & Dust e-1) and their "Untitled" anthem, a cosmic late night mirage, just out of reach. Throbbing low end and hypnotic atmospherics to get you lost in the smoke. DJ Donini steps up for the A2, taking you to a subsonic, dubbed out underwater acropolis, known as "Donini's Dream". Marching rhythmic militance met with tripped out euphoria. On the flip, we head to Seattle with two tru heads teaming up on the B1. CCL & Flora FM's "Liquify Interference" a propelling dance-floor refreshment; spacial, clanging drums begging you to raise your hands in the air, whilst the swirling melodics raise your consciousness. Wrapping up the compilation is Vancouver's SMP with "Natty Bop". A naughty, percussive wobbler which hits in all the right places, clanging one-shots and shuffling drums draped over dripping sub bass to provide sublime push and pull. 


Tiny Planet
Title: Vol 1
Cat: PE007
Format: 12”
Distributed by Rubadub
Artwork by Jenny Grant
Preorder: mid/late June
Release date: -

Tiny Planet Vol 1.

B1 of Mariachi Guadalajara by @iamlewski 

Order vinyl: www.juno.co.uk/products/lewski-m…lajara/721854-01/

Digital: ceadcead.bandcamp.com/

Lewski - Mariachi

A2 of 'Marymont' EP by Blu Terra

Vinyl: https://de.juno.co.uk/products/blu-terra-marymont/739892-01/

Digital: https://ceadcead.bandcamp.com/

Blu Terra - 20,000

033 - Bambounou
Release Date - 30th Oct 2020
Buy - https://bambounouofficial.bandcamp.com/album/033

A - TFTT
B - Hale

Mastered and cut by Neel at Enisslab
Sleeve Design: Alex McCullough & Noah Baker

033 - Bambounou

https://soundcloud.com/pillow-queen

https://one-eye-witness.com/release/1601908562/Pillow-Queen-Burn-Me-Up-12%22

Type “Was Joan of Arc” into Google and the suggested endings for this statement give you an accurate gauge of her place in pop culture: “Catholic” / “a nun” / “canonised” / “a prophet” / “French” / “a witch” and so on. Related questions to “What were Joan of Arc’s last words” on the info-sharing site Quora include “Was Joan of Arc bisexual” and “Was Joan of Arc simply crazy?” Everyone seems to agree this person was burned at the stake in 1431, but beyond that, Joan’s narrative is an enigma. It is this lack of definition that the production duo Pillow Queen harnessed for their second release, Burn Me Up. Inverting the image of the devout Christian girl, the Joan who stands as this record’s heroine was a heretic, a transvestite, most definitely a dyke and a hot femme-top at that. 
 
Opening up the A-side, the title track is a call— a battle cry, but also a summoning. In a time of need one calls upon their patrons and elders from history; a DJ beckons and gathers dancers to the floor; prayer and sweat go hand and hand. A traditional Irish bodhrán drum beats out the first rhythms, joined by a steamy vocal sample that gets caught, chopped, and soon “Burns Me Up” is pumping along with organ chords and distorted keys. Pivoting away from the 4/4 format, “Submission” is a textured, downtempo slowburner, with close-mic’d vocals from Vani-T and the D. Tiffany’s deft drum programming. When the choral pads come in, there’s en echo of the 1990s German worldbeat project Enigma, with its Gregorian chants and flutes laid on top of lounge beats—here, though, the chorus is stripped of kitsch, only driving the track deeper into a mood. 
 
If Burn Me Up’s sequence of tracks is read as a kind of narrative, they seem to tell the story of Joan’s last moments. “Burn Me Up” is, frankly, heat—aggressive, the high-end crackles and the bass puts a pyre under one’s feet. “Submission” is like an exhale, a giving-in to death’s grip; there is, along with the sensuous tread, a melancholy. It only makes sense that one flips the record to “Resurrection”, which rolls in a tremolo’d wail of pitched vocals for 30 seconds before a kick drum begins the 141-BPM march. The percussion is central here, as the track shifts between polyrhythms like a range of resuscitations, varied heartbeats. “Salvation” closes the record, again dialing back the tempo to the deep nod of dub. To no surprise, the scene of redemption here is not one of sunlit cherubs—the church bell sample tolls one strike every few measures of bass-throb and shadow, while Vani-T intones, “Then he lay down and died”. Death can be salvation to some; living as many selves, living in contradiction, is a saving grace to many more.

Pillow Queen "Burns Me Up"
Cat: DR001
Format: 12”
Distributed by One Eye Witness
Artwork by Tori & Sophie
Words: Nat Marcus
Preorder: now
Release date: 08.12.2020

Pillow Queen - Burns Me Up       [DR001]

Record label run by @nictasker
https://ad93.ltd/
Distributed by Rush Hour

(we don't check this inbox, please email info(at)ad93(dot)ltd for any enquiries)

033 - Bambounou

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