It would be no exaggeration to say that 33EMYBW is one of the most original club music producers we've heard in recent years. In addition to being a talented visual artist and a bass player in the experimental band Duck Fight Goose, her solo productions are a highlight of Shanghai’s bustling underground scene—home to forward-thinking artists like Tzusing, Osheyack, Swimful and Hyph11e—moving with their own rhythmic language. She has a lexicon of drum sounds borrowed from all over the world, including tablas, bongos and mallets. As 33EMYBW, she puts together strange, multi-limbed rhythms that bring to mind images of dancing spiders and insects, something she addressed directly on 2019's showstopping Arthropods LP, released on the influential SVBKVLT label. As she says in the interview below, you basically need more than two legs to dance to her music. Maybe even eight.

Her music deals with creatures that vary from the mythical to the everyday (her first album was called Golem). On her latest record Holes Of Sinian, also out on SVBKVLT, she imagines the mostly-unknown organisms from the recently discovered Ediacaran period. It's more esoteric, atmospheric and arguably even funkier than her previous work, with Marina Herlop on one hair-raising track that you can hear in a demo version on her RA Podcast. This mix is actually a version of her live set—a favourite at influential festivals like Unsound and CTM—featuring plenty of productions from across her career in mutated and improvisational forms. It's creepy, crawly and undeniably danceable. If you can keep up with it.

@33emybw

Read more at https://ra.co/podcast/912

RA podcast

RA.913 33EMYBW

x3butterfly live at Sustain-Release year 10

Recording from a special night at Ankali for the Dekmantel party 2 weeks ago, it’s one of the best clubs in Europe for me, truly a place for pure creative expression.

From House to Techno to Ghetto Tech to more minimal and tribal and dub stuff. Lately, I feel like I’m getting deeper into my sound and storytelling as a dj. I’m also getting better at playing with 3 decks, and I got back into vinyl. It changes everything, the music feels physical again. I'll try to share things more spontaneously like this one in the future, thanks for your constant support.

Tracklist available on IG : https://www.instagram.com/p/DHtG-0aoyMJ/?utm_source=ig_web_copy_link

Simo Cell (dj set) @ Dekmantel in Ankali - 2025

Kiosk and The Lot Radio proudly team up for a three-day broadcast from the Moon Ra stage at Horst Festival, highlighting the vibrant music scenes of New York and Brussels at one of Europe’s renowned festivals.

https://www.instagram.com/rhrmusiq

www.kioskradio.com
www.thelotradio.com
www.horstartsandmusic.com

RHR | Kiosk Radio x The Lot Radio at Horst Festival 2025

this month we’ve got an exciting two-hour session with Sister Zo b2b Sobolik <3 both artists are known for crafting deep, textural sets that slide between low-end pressure, broken rhythms & atmospheric intensity. 

https://www.instagram.com/kindergarten_ny/ 
https://www.soundcloud.com/kindergartenrecords
 

Kindergarten: Sister Zo b2b Sobolik @ The Lot Radio 05-31-2025

Fever AM invites Cashu - 04 June 2025

Jana Rush at Ring, Horst Arts & Music 2025

Uruguay DJ, producer and sound designer Lechuga Zafiro presents his radio show: CDJ explorations in South
American dance music, field recording related music and beyond. Played live. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/lechuga-zafiro/episodes/lechuga-zafiro-14th-august-2025

Lechuga Zafiro 140825

*recorded live in Field, ON at Best Out of Town Year 5 (08/31/25)

Misty river, gentle day break, paradisal peaks. This was more than a sunrise set from a featured guest. Toumba generously wove the varied throughlines from across this year’s lineup into a deep, driving, and fresh as hell testament to the power of shared sound. Only an astute listener can pace and phrase like this - cymbals come and go with ease, vocals extend and recede to make space for new melodies, and before you get too comfy there comes a new low-end theory to unfurl. Whether or not you heard it live, welcome back to the suspended reality of a longform party with plenty of life left.

@toumbaa

Toumba // Best Out of Town Year 5 (08/31/25)

D.M.T (Demon Monkey Techno) - Diluvia

Live recording from my set at Sustain Release Year 11


'Honey From The Lion's Carcass'
Re: the story in the Bible where Sampson finds a dead lion that bees have made a hive inside of, and he eats honey from the hive. Which is at once in keeping with the natural world, but also causes him to break his vow to touch no unclean thing.

-Mischa

Honey From The Lion's Carcass | SR YR 11

This transmission is an exultation of Astro blackness through Afrofuturist and spiritual instances of Jazz. A sonic journey from our current concrete jungles out into the deep regions of the cosmos. It's about that abstracted distant world amongst the stars that we see in our minds as we deal with this hurtful world...

We hold this myth to be potential
Not self-evident but equational
Another Dimension
Of another kind of Living Life
                                               - Sun Ra 


- Tracklist -

Irreversible Entanglements - Enough
Vernacular - The Voodoo Runs Rafeeq Down
Cosmic Vibrations/Dwight Trible - Water flow
Christian Scott aTunde Adjuah - The Shared Stories of Rivals [KEITA] (Feat. Saul Williams)
Angel Bat Dawid - Transition East
Don Cherry - Brown Rice
Alice Coltrane - Huntington Ashram Monastery
Gary Bartz Ntu Troop - Celestial Blues
Eddie Henderson - Explodition
Pharoah Sanders - Astral Traveling
Eli Keszler - Fashion Of Echo

10. 9. 20

Worldwide booking:
 booking@t4tluvnrg.com

Inquiries: ageless.adab@gmail.com

Miah Benton (adab) puts heavy emphasis on presenting the margins of existence and sound through their djing. The now Philadelphia resident started spinning various eras of dance music as a result of finding Cleveland's queer techno party & crew In Training and being a Chicago born queer youth raised across a few states in the Rustbelt. But ADAB, as presented here, is less person and more a way of being that seeks to illuminate refreshing perspectives for others wherever they may be found...

                                                                أدب

“Adab, Islāmic concept that became a literary genre distinguished by its broad humanitarian concerns; it developed during the brilliant height of ʿAbbāsid culture in the 9th century and continued through the Muslim Middle Ages.
The original sense of the word was simply “norm of conduct,” or “custom,” derived in ancient Arabia from ancestors revered as models. As such practice was deemed praiseworthy in the medieval Muslim world, adab acquired a further connotion of good breeding, courtesy, and urbanity. 
Parallel to and growing out of this expanded social meaning of adab there appeared an intellectual aspect. Adab became the knowledge of poetry, oratory, ancient Arab tribal history, rhetoric, grammar, philology, and non-Arab civilizations that qualified a man to be called well-bred, or adīb.” -  Encyclopædia Britannica on “Adab”

10. 9. 20

ADAB

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