Name: The Girl Who Cried Love by Adam Matza. in Spooky-track-contest-2014
Duration: 4 min 42 s
Description: Recorded in Fort Lauderdale on Saturday, October 25 by Adam Matza using Animoog, Space Vibe, Strange Attractor and AUFX Space.

Nice vibe - reminds me a little of 2001 in places. Very nice work.

Great creepiness achieved, lots of airiness, very musically sustained track...

Spooky-track-contest-2014

Sacrifice

Backseat Confessional is Boy Sets Table's first EP.  It's all about the poon!  Really.

Just Want Hang With You (Til I Get Some Poon)

PissNot [RE]DOO
Bloody Stool
Theory of Volume I: Bloody [RE]DOO
Released 2/4/24
Pigzabub Records

PissNot [RE]DOO

Heavy Funkin' Metal [RE]DOO
Bloody Stool
Theory of Volume I: Bloody [RE]DOO
Released 2/4/24
Pigzabub Records

Heavy Funkin' Metal [RE]DOO

Let It Breathe [RE]DOO
Bloody Stool
Theory of Volume I: Bloody [RE]DOO
Released 2/4/24
Pigzabub Records

Let It Breathe [RE]DOO

Recorded in Fort Lauderdale on Saturday, October 25 by Adam Matza using Animoog, Space Vibe, Strange Attractor and AUFX Space.

The Girl Who Cried Love

Set up a basic drone with stria - added some laplace pings and some cool sounds with nave (rd-presets) - processing that all with loopy and samplr recording it to audioshare and mixing this with auria - echo with ad480 pro through audiobus

The Red Death

Jpi drone spook

So this is my second track for the iPad Musician Forum Halloween Scary Track Contest. I didn't realize they lifted the 1 minute time limit when I did the first track. I really wanted it to build more so when I found out I had to do another composition. This one is 3 times longer and although uses many of the same apps has a different feel to it. Thanks for listening and Happy Halloween!

Of Wailing and Grinding Teeth****iPad Musician Contest

Arc Tree Complex - Blindness

Something Wicked.wav

Recorded, arranged and produced in Fort Lauderdale on 2/12/15 by Adam Matza.

Animoog, Alchemy.

Wake & Bake

Summer never felt so cold when you're lost and all alone and the last song is almost over and you know...

Runaway

Westside

People are talking about minus 14 LUFS loudness more and more these days, but why ? What does this number mean, where does it come from, and why should you care ?

In this episode we answer all these questions and more, including:

 * Which streaming services are using -14 LUFS
 * Why Spotify aren’t using -14 LUFS, and why it matters
 * Why you shouldn’t use minus 14 LUFS as a target (or any number) but
 * Why it’s still important and useful to know about anyway 
 * Will mastering to -14 LUFS make your music sound bad ?!?

Full links and show notes on the website
http://themasteringshow.com/episode-67

The Mastering Show

The Mastering Show #67 - Minus 14 LUFS - or NOT ?

All music composed, performed, produced and copyrighted© 2019 by Gregory A Dawson for BadPanda Records. For more tracks visit:

Spotify: 

https://open.spotify.com/playlist/2t9...

iTunes: 

music.apple.com/us/artist/the-awe…dawson/1460865819

7Digital:

us.7digital.com/artist/the-awesome-greg-dawson 

Shazam: 

www.shazam.com/artist/205673980/…esome-greg-dawson 

Traxsource:

www.traxsource.com/artist/498075/t…ome-greg-dawson

Slacker Radio:

www.slacker.com/artist/the-awesome-greg-dawson

LOVE DEATH AND ROBOTS

I am an experimental, electronic, improvisational ambient soundscape and noise artist based in Asheville, NC and Miami, FL. Originally a spoken word/music artist, I now play iOS-based instruments and effects.

I attempt to create dynamic sounds while pushing the boundaries of frequencies.

I'm always working on the next recording and will share my progress right here. Enjoy and feel free to leave feedback.

The Girl Who Cried Love

Adam Matza.

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