These rare musics collected in Afghanistan, Iran, Turkey, Pakistan and India in the early 70s, including an enthralling incantation to the spirits by the Kalash people and an esoteric Dervish trance ceremony, are available for Flac and MP3 download on my blog:
https://music-republic-world-traditional.blogspot.com/2022/07/afghanistan-turkey-iran-pakistan-india.html

Musique d'Orient – Les Mariés du Bout du Monde – Le Chant du Monde LDX 74478-79

Incantation of the spirits

bedpipes 031024

recorded live at Victorian College of the Arts, Melbourne, Oct 2024

inflatable mattresses, membrane reed pvc pipes

Bedpipes 03.10.24

"All is Nothing, Null is Anything is about the possibilities of a grand piano and my 45-year-long love/hate relationship with it. I recorded three tracks with three different approaches: electrified (literally, I apply either + or - 9V to the frame plus strings, and then play the instrument with the other polarity via EQ-ing to various speakers, totally primitive); electro-magitized (via electromagnetic waves, such as ebows and my own devices); and filtered (playing directly on the keyboard, but extremely dark). These three tracks are then layered and mixed resulting in a busy sound world, mixing harshness with tenderness, that might often only distantly remind you of a piano, however, all sounds share the very same source: my 1912 Ibach grand piano." - Cor Fuhler

Australia's Cor Fuhler is an improviser, composer, instrument builder and inventor whose practice is an interdisciplinary one crossing into installation, dance, puppetry and comic strip. His work has taken him on numerous tours around the globe and his recordings are released internationally. He was the director of the Corkestra, co-director of Doek-foundation, co-curator of the electronic music series ‘Kraakgeluiden’, chairman of the Jazz and Improvisers Union and board member of the Arts Council for Composition in the Netherlands. http://www.corfuhler.com/

EHE 08.12.16 - Cor Fuhler - All is Nothing, Null is Anything

Chords for two

Just having a go.

Recorded in Tasmania on the 8th of September 2019, with big thanks and hugs to Nick Ashwood!
And much respect to this place, its custodians and elders.

Solo saxophone, Bagdad

for bass flute and fixed audio.

composition, poem and mixing by phoebe bognár.

my memories hold the name of a fruit (2020) | phoebe bognár

Release: 4. September 2020

In 2015, Lemur started a collaboration with German pianist Reinhold Friedl. Friedl is the leader of the international ensemble Zeitkratzer, working at the intersection of improvisation and composition. In this respect, Friedl's experience and working method have much in common with the ideas and working methods Lemur uses. Not least through an interchange between work with large and small ensembles.

In collaboration with Reinhold Friedl, we focus on the use of extended playing techniques, form experiments and utilization of both the entire quintet (Lemur / Friedl) and the individual musicians put together in solo, duo, trio and quartet format. Alloy contains the result of this collaboration.

The title reflects on the meeting between two strong expressions, and between five musicians who together create a musical alloy of different input and ideas. In this way, we see the studio as a factory where different elements can blend together and create something new.


Bjørnar Habbestad, flutes
Hild Sofie Tafjord, horn
Lene Grenager, cello
Michael Duch, contrabass
Reinhold Friedl, piano

LEMUR + Reinhold Friedl: Component III

Release: 21. August 2020

SOFA is the home for one of the most interesting string duos in Norway, whichever genre. We are talking about Sheriffs of Nothingness, featuring Kari Rønnekleiv and Ole-Henrik Moe. They continue to impress and surprise us with their compelling music. Their fourth release on SOFA is a mature confirmation of profound interplay and musicmaking. 

An Autumn Night at the Crooked Forest is a sort of tribute to the oldest and most traditional place for afterthoughts, meditation and reflection: the fireplace. Be it a bonfire (as it was for the first, say, five million years), or an indoor fireplace, or, even a woodstove could do the works as the place for people to gather, to tell stories, to share thoughts, or, to just be. This art of just being around the fireplace is perhaps what this album is trying to be about: four improvised pieces, dedicated to different types of firewood, or how it burns and glooms. Consequently the music on this album is not really moving anywhere in particular, it just is, trying to emphasize the point in everyday life where you are not trying to move on, where one can allow oneself to just halt and let your thoughts move freely. This record is recorded in the middle of Krokskogen (west of Oslo), in an old cabin, and by a fireplace that was, in different ways, burning all the time. So, all the way, you can hear it crackle, gently. Don’t miss out on Sheriffs of Nothingsness latest achievement available on CD and DL.

Sheriffs of Nothingness: Muted birch-logs

cairns. metallic starlings & dead cane toad

on the outskirts of turpan city. 
https://jeremyh.bandcamp.com/album/june-august-2019

june - august, 2019

wolf spider chorus. yarnaz valley, xinjiang

Australian based Sound Artist and Experimental Musician. 
lost in the expanding sonoverse of techno-industrial excess, sonic detritus and the beyond-human diversity of non-linear spacetime.

Bedpipes 03.10.24

adam gottlieb

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