Name: DCR784 – Drumcode Radio Live - Adam Beyer live from Awakenings Summer Festival by adambeyer in Adam Beyer Presents Drumcode Radio Live
Duration: 2 h 1 min 5 s
Description: This week on Drumcode Live we have a live mix from Adam Beyer recorded at Awakenings Festival in Hilvarenbeek, Netherlands.

the end of this set just proves why this man always will be the best ❤️❤️❤️

Oooh your about tooo kill us with this shit Huh!!!!! Fuck yessssss

Adam Beyer Presents Drumcode Radio Live

This is the full live set of BART SKILS (@bart-skils) recorded at 909 FESTIVAL 2025 the weekend of 7 & 8 June in Amsterdamse Bos.

You can find the video recording of this set on our Youtube channel | www.youtube.com/909FestivalAmsterdam

Pre-register for early access—909 Festival 2026 || 909.nl/pre-register

BART SKILS ▪ 909 FESTIVAL 2025

This week on Drumcode Live we have a live mix from Adam Beyer recorded on the Resistance stage at Ultra Buenos Aires, Argentina.

DCR777 – Drumcode Radio Live - Adam Beyer live from Resistance at Ultra, Buenos Aires

Enjoy my special open to close set live from Toronto!

Saad Ayub - TWB x Empire Sandy - OTC , Toronto , 07.5.25

This week on Drumcode Live we have a live mix from Adam Beyer & Maceo Plex recorded at Kappa Futur Festival in Torino, Italy.

DCR782 – Drumcode Radio Live - Adam Beyer & Maceo Plex live from Kappa Futur Festival

Live recording of Alan Fitzpatrick from Sound Nightclub, Los Angeles Friday 18th July 2025.

Tracklist unavailable.

We Are The Brave Radio 318 - Alan Fitzpatrick (Live @ Sound LA)

This week on Drumcode Live we have a live mix from Adam Beyer recorded at Awakenings Festival in Hilvarenbeek, Netherlands.

DCR784 – Drumcode Radio Live - Adam Beyer live from Awakenings Summer Festival

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Adam Beyer - Awakenings Festival 2025

This week - Live from the ASOT stage at Sziget Festival in Budapest, Hungary. Hit it!

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InTheMood - Episode 591 - Live from Sziget Festival, Hungary

This week on Drumcode Live we have a live mix from Adam Beyer recorded at Tomorrowland in Belgium.

DCR788 – Drumcode Radio Live - Adam Beyer live from Tomorrowland

This week on Drumcode Live we have a live mix from Teenage Mutants recorded at Feel Festival in Germany.

DCR789 – Drumcode Radio Live - Teenage Mutants live from Feel Festival, Germany

This week on Drumcode Live we have a live mix from Adam Beyer recorded at Amnesia in Ibiza during the Resistance residency, week 6.

DCR790 – Drumcode Radio Live - Adam Beyer live from Resistance at Amnesia, Ibiza

This week on Drumcode Live we have a studio mix from Genesi recorded in Milan, Italy.


DCR791 – Drumcode Radio Live - Genesi studio mix from Milan, Italy

025-10-01äöä

This week on Drumcode Live we have a studio mix from Charles D recorded in New York, USA.


DCR792 – Drumcode Radio Live - Charles D studio mix from New York City

This week on Drumcode Live we have a live mix from Adam Beyer recorded on the Resistance stage at Ultra in Tokyo, Japan.


DCR793 - Drumcode Radio Live - Adam Beyer live from Resistance at Ultra, Tokyo

The Bells · Jeff Mills T.A.M.F. remix

Schranz and Its Connection to Jeff Mills’ “The Bells”

Connection to Jeff Mills’ “The Bells”: Jeff Mills’ The Bells (1997, Purpose Maker, PM-002) isn’t pure Schranz but heavily influenced its development. Its raw, hypnotic loop and pounding 4/4 kick resonated with the harder, minimal techno sound that Schranz built upon. Here’s how it ties in:
* Influence on Schranz Producers: Mills’ use of repetitive, functional loops in The Bells inspired Schranz’s stripped-down aesthetic. Its 140 BPM tempo and relentless drive aligned with Schranz’s ethos, making it a proto-Schranz track for DJs like Liebing or Boris S.
* Club Play: The Bells was a staple in late ’90s hard techno sets, bridging Detroit techno’s soul with Schranz’s aggression. Its iconic bell riff added a melodic hook that Schranz often avoided but still absorbed as a reference for tension-building.
* Remixes and Legacy: Later Schranz DJs (e.g., Eric Sneo, DJ Amok) remixed or drew from The Bells’ energy. For example, the 2006 10th Anniversary The Bells 12” (PM-020) had a louder, Schranz-friendly master that fit harder sets.

Original Pressing Context: As mentioned earlier, The Bells appeared on the Kat Moda EP (1997, Purpose Maker, PM-002, 12” vinyl). Its raw production—gritty kicks, unpolished mastering—mirrors Schranz’s unrefined edge. Schranz DJs likely gravitated to originals or early represses for their analog warmth, though the track’s quieter mix (compared to 2000s Schranz cuts) required DJs to crank the gain.

Where to Find Schranz-Inspired The Bells:
* Original 1997 Vinyl: Hunt on Discogs/Reverb for PM-002 ($20–$50). Check matrix: PM 002-A/B (RE I) NSC.
* Streaming: The 1997 version (on Spotify/Beatport) retains the raw vibe Schranz fans love.
* Modern Schranz Comps: Look for The Bells in hard techno mixes or CLR/Tresor compilations. Check X posts or SoundCloud for recent Schranz sets featuring it.

Schranz Today (Oct 2025): Schranz remains a niche but vibrant scene. Recent X posts highlight new releases on labels like Schranz Total or Hard Drive, with DJs like Fernanda Martins and Luciid pushing 150+ BPM bangers. The Bells still gets play in retro sets or as a remixed bootleg in Schranz raves.
Want me to dig into a specific Schranz artist, label, or a The Bells remix in this style? Or maybe check X for recent Schranz chatter? Let me know! 🔔

Deep Dive: Schranz – The Hard Techno Beast 🦖
Since you’re doubling down on Schranz, let’s go full throttle. This is the raw, pounding heart of German hard techno—no fluff, just facts, history, essentials, and where to score it today (Oct 16, 2025). The Bells connection? It’s the proto-Schranz blueprint—hypnotic loops + brutal kick = Schranz DNA. Ready? Gas it up!

Schranz 101: What the Hell Is It?
* Born: Late 1990s, Frankfurt/Germany. Evolved from Jeff Mills/Rene Pawlowitz-style minimal techno into a weaponized sound.
* Tempo: 140–160+ BPM (faster = harder life).
* Sound: Distorted 909 kicks that hurt, razor-sharp hi-hats, zero melody (unless it’s a stab), industrial noise loops. Think: a jackhammer in a warehouse.
* Name Origin: Chris Liebing (2001) called it “Schranz” to mock haters saying hard techno was just “schrammel” (grating noise). DJs flipped it into pride.
* Ethos: Anti-EDM, sweat-soaked, 6AM warehouse raves. No peaks—just relentless drive.

Schranz vs. Regular Techno:
Feature	Schranz	Standard Techno
BPM	145–160	120–140
Kick	Distorted, punchy AF	Clean, groovy
Melodies	Minimal/none	Hooks & synth

Vibe	Dark, aggressive	Hypnotic, soulful
Clubs	Berghain, Tresor	Fabric, Output
Timeline: Schranz Evolution
Year	Milestone	Key Track/Artist
1997	The Bells drops (Mills). Proto-Schranz loop energy.	Jeff Mills – The Bells
1999	Frankfurt explosion. Liebing coins term.	Chris Liebing – American Madness


SCHRANZ ON! 🦖🔔 Drop the needle—let’s destroy some speakers.

DCR784 – Drumcode Radio Live - Adam Beyer live from Awakenings Summer Festival

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