Name: Waiting for Capdeville by Cláudio de Pina
Duration: 3 min 8 s
Description: Choral composition for the event "Isto não é um happening..." for the celebration of the 80th birthday of portuguese composer Constança de Capdeville. Sine Nomine Choir, dir. by Pedro Beirão. FCSH/CESEM

Neurotransmits (anagram of ‘number stations’) is an electroacoustic composition that explores the eerie and mysterious world of number stations. Featuring sounds from ‘The Buzzer’, ‘The Pip’, Lincolnshire Poacher, among others from different countries. The sounds of the number stations are woven together with the electronic hum and other electronic apparatus, evoking a sense of cold war operations. Other sounds mimic capacitors discharging such as bullets and bouncing balls.

Cláudio de Pina is a sound artist, improviser, organist and composer. He is the Titular Organist of the historical organ at the Parish of Ajuda in Lisbon and a researcher in GIMC (CESEM). He holds a DAS in contemporary organ music and a MA distinguished with the Dean’s Honour Roll 2018. Currently he is a PhD candidate and FCT fellow in the same field (ESML/FCSH). He has studied at the Gregorian Institute of Lisbon, Hot Jazz Club and in Physics Engineering (FCUL) along with further studies with Adrian Moore, Åke Parmerud, Annette Vande Gorne, Barry Truax, Gilles Gobeil, Hans Tutschku and Trevor Wishart.

The Deep Wireless 18 Compilation Album is produced by New Adventures in Sound Art (NAISA) for the 2024 edition of the annual Deep Wireless Festival of Radio & Transmission Art. The works on the album 'reimagine' the voices and sounds of broadcast transmission and uncover the ghosts of the ether and the latent musicality between station signals. Featured on this album are works from Canada, Portugal and the UK by Bekah Simms, Keith de Mendonca, Cláudio de Pina, Martín Rodriguez, Kat Estacio, AJ Cornell and Rutmeat.

Editions 9 through 17 of the Deep Wireless Compilation are available on NAISA's Soundcloud site. Previous compact disc editions can be heard online at naisa.ca/media-archive/compactdiscs/

Copyright of the works belongs to the artists who have agreed to have their work on this compilation album.

Note that Deep Wireless 18 is not available for download. Community and public radio or internet broadcasters should contact NAISA directly for access to the works for airplay. Contact naisa@naisa.ca for more information.

Artistic Director: Darren Copeland
Executive Director: Nadene Thériault-Copeland
Image Illustration: Prashant Miranda

New Adventures in Sound Art acknowledges that it is located on the traditional territory of the Anishinabe peoples covered by the Williams Treaty (1923) and Robinson-Huron Treaty (1850). New Adventures in Sound Art recognizes the significant ongoing contributions of First Nations, Inuit, and Métis peoples to aural culture in the country known as Canada.

Deep Wireless 18

Neurotransmits by Cláudio De Pina

Aqui, Dentro #3

Cesar Viana (recorder) plays J. S. Bach's Andante from the A minor solo violin sonata (BWV 1003)

J. S. Bach - Andante from the A minor solo violin sonata (BWV 1003)

Vozes Alfonsinas (Dir. Manuel Pedro Ferreira)
Cesar Viana, recorder

La Mar De La Musica: Vilancicos E Música Instrumental Dos Séculos XVI E XVIi

Anon.: Chaconas (17th century)

Cesar Viana toca o lhaço de pauliteiros "Bintecinco" em gaita de fole mirandesa, com Gil Alves na caixa e José Manuel Tavares no bombo.

Birundum

Bintecinco (lhaço mirandês)

Choral composition for the event "Isto não é um happening..." for the celebration of the 80th birthday of portuguese composer Constança de Capdeville. Sine Nomine Choir, dir. by Pedro Beirão. FCSH/CESEM

Waiting for Capdeville

An exploration of sounds derived from a piano, Flux Hammer employs sounds of physically altered piano strings. Source samples were prepared acoustically and manipulated through various processes, such as convolution, resonance filtering, and granular synthesis.

Flux Hammer

Let us imagine a small invented world, a micro universe where everything exists... matter, energy, spirit, telluric movements, mysteries, natural and supernatural forces. That world is whole and from afar, whoever watches, sees it as a living ocean.
This work was composed in the Musiques-Recherches studio and is dedicated to Annette Vande Gorne and Francis Dhomont.

La Mer Emeraude

Video clip including live visuals: https://www.youtube.com/watch?v=UAiPlyji-9M

Music composed and produced by Diogo Carriço in 2018
Images and live visuals by Diogo Carriço

With support from GDA Foundation
Special thanks to Conservatorium van Amsterdam

Diogo Carriço - Daydream

vus (leblanc contrabass clarinet + analogue electronics) Jason Alder studio recording 2019

vus [Leblanc contrabass clarinet + analogue electronics, 2019]

Sound artist, organist, improviser, composer and researcher. PhD (summa cum laude, FCSH/ESML), DAS, Master (dean's honour roll, FCSH) in Musical Arts, FCT research fellow, Integrated researcher in Contemporary Music Research Group (FCSH). Avant-Garde Bard of Sorts.
https://linktr.ee/claudiopina

Waiting for Capdeville

Cláudio de Pina

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