My name is Adam Walton. I’m from Yr Wyddgrug (Mold) in north Wales. I love chords, melodies and writing songs inspired by the likes of The Kinks, Nick Drake and Elliott Smith.  The first song I ever wrote was called ‘Cloudburst’, back when I was 14 or 15. The title track of my new E.P isn’t that song; I just love the word and I remember being a kid in Nannerch, playing out in the fields and woods, and how a sudden rain shower - especially on an otherwise bright day - would cast everything in a strange light and mood. That’s what I wanted to capture with this song. 

When I wrote ‘Cloudburst II’ I was listening to Beck’s album ‘Morning Phase’ a lot. That album has a really distinct atmosphere: something a little removed and observational that I liked, a faith that things would get better that has nothing to do with a god but everything to do with nature and time.

There is a philosophy to the recording of this song - and the rest of the album. I listen to a lot of new recordings that have been fixed - partially dehumanised - by the miracles of tuning plug-ins, multiple takes and editing. Although I think it’s valid and interesting to use the technology of your time to best capture your music, I also wanted something that sounded more human, flaws and all.

‘Aspartame’ is about accepting people even if they hold different views to you, and how fake news sites and corporations benefit from stirring us up, exaggerating the differences between folk who would otherwise get along with each other. 

‘Rainy Sky Sunday’ is an old song I originally wrote for a Neil Crud acoustic session in 2016. I couldn’t sing it then, which was mortifying, but I love the chords and the melody, and - like ‘Cloudburst’ - it’s similarly obsessed with using weather as a hackneyed metaphor. 

’27’ is an instrumental interlude. I love effects pedals, sampling and manipulating whatever I can capture or play to convey a mood that’s sympathetic to the songs it introduces. The forthcoming album - ‘Afal’ - is interspersed with many such interludes. I hope they’re interesting companion pieces.

When I released my previous single ‘Mary Sees UFO’s’ last April, the album pressing was due to arrive imminently. However interminable delays at the vinyl plant meant that the pressing didn’t arrive until mid-December. Then - upon closer inspection - there was a blemish in every copy of the vinyl that meant I had to wait even longer, while it was re-pressed.

The pressing has now arrived and is blemish free. I will release ‘Afal’ on Friday, 18th. April 2022.

The Cloudburst E.P cover was designed by SafariArt (Jon Mlynarski) 
https://instagram.com/safariartdesign

‘Cloudburst II’ was recorded at Orange Sound Studios in Penmaenmawr by Russ Hayes (Kidsmoke, Campfire Social, Peaness). All other tracks were recorded at home by me.

The EP will be available via the usual download / streaming outlets from Friday, February 25th 2022.

Thanks for listening / diolch am wrando.

Cloudburst E.P tracklisting
27 (instrumental interlude)
Cloudburst II
Aspartame
Rainy Sky Sunday

 All songs ©2022 written by Adam Walton (Copyright Control)

Cloudburst E.P

BUY/STREAM:
https://found.ee/johanna_lessons

"I'd Be Orange" is the first single off of Johanna Warren's album 'Lessons for Mutants', out now on Wax Nine.

Johanna Warren - I'd Be Orange

B side that'll be exclusive to an upcoming single release.

Thanks for listening / diolch am wrando.

Aspartame (B side)

Rainy Sky Sunday (B side)

Cloudburst II

Rambling
written by Cosmo BoY and Mathew Samuel
produced by Cosmo BoY and Matt Thirlwell
mixed by Matt Thirlwell

Rambling

Tu M'as Trop Menti (Chantal Goya cover)

Insta: @itsbbygoose_ 

Booking email: mrmistbookings.com


#hardhouse #house #techno #trance #acid #90s #eurodance

♡´･ᴗ･`♡𝒊𝒕’𝒔 𝒈𝒐𝒐𝒔𝒆𝒚 𝒃𝒊𝒕𝒄𝒉 ♡´･ᴗ･`♡

Back To The Beginning

One of the deepest and most popular tracks from the last Amanda Whiting album on Jazzman Records gets a very special remix treatment from Brighton-based producer Chris Cracknell. But this really is much more than a remix. 

With two new vocal additions from PEACH. and Mat Lloyd, this is a reimagining in so many ways.

"The original track felt like it gave me space to reflect on the question ‘where would we be?’ We have such brilliant minds and have the solutions to most of the worlds problems, but yet, here we are. I’m guilty of spending a lot of time in my own mind imagining better futures, personally and globally, and I got thinking maybe if we were more present, instead of imagining these futures we could build them. I wanted to use Amanda’s original track to create a context into which I could present PEACH. and Mat, and their take on these ideas."

Hypnotic drums and bass leave endless space for the poetry to take a powerful centre here, all wrapped in the beauty of Amanda's beguiling playing. 

From Wales, the home of the harp, Amanda has taken her classical roots and forged them in the path of jazz harpists Dorothy Ashby and Alice Coltrane. With her unique style resulting in a nomination for the Jazz FM “2021 Instrumentalist of the Year” award.

She has toured extensively with Matthew Halsall and the Gondwana Orchestra performing at Jazz festivals around the world. More recent collaborations have included recording and touring with Chip Wickham, Greg Foat, D J Yoda and Rebecca Vasmant, with performances at Ronnie Scott’s, Manheim, We Jazz Helsinki and XJazz Berlin to name a few.

Her debut album ‘After Dark’ sold out and was met with great reviews from DJs including Jamie Cullum with a Take 5 appearance on his BBC Radio 2 show.

Where Would We Be (Chris Cracknell Remix)

Amanda Whiting - Where Would You Be (Chris Cracknell Remix feat. PEACH. & Mat Lloyd)

Pan Ddaw'r Nos

Elbow Grease is taken from the forthcoming Secluded Bronte album Incidental Games. 

Secluded Bronte - Richard Thomas, Adam Bohman, Jonathan Bohman - formed in London and launched in New York City in 2002. The trio have been likened to This Heat, Wire, The Specials, Talk Talk, The Residents, The Fall, John Cage and Sun Ra, but this doesn’t really touch the sides, Secluded Bronte are unclassifiable.

Since 2020 Secluded Bronte have released six albums on the Ffordd Allan label, an album on Cafe Oto’s Takuroku label, a 7” EP on Felix Kubin’s Apolkalypso label, contributed to several compilation albums and toured extensively throughout Europe and the UK. A new album, Incidental Games, is imminent in late 2024.

PRESS
“What is this? The pop group we always wanted.” - Jennifer Lucy-Allan, The Quietus/BBC Radio 3, October 2023.

"People who hate my stand-up often deny it even constitutes ‘comedy’. Doubtless many would wonder if the work of the veteran improvisatory trio Secluded Bronte should be considered ‘music’. Instruments may be involved, perhaps furniture, maybe even words, or all three in a chance collision of calculated heterogeneity.  All that is certain – time will pass, and something will happen. Start your day in a right state.” - Stewart Lee, Brighton Psych Fest publicity blurb, June 2024.

“Metronomic electrical pulses are made beautiful by multiple layering into complex rhythms with melodic pitch changes, accompanied by spoken words as if walking through a hall of mirrors or a scene from Alain Resnais’s Last Year in Marienbad.” - Jo Hutton, The Wire Magazine, December 2022.

RECORDINGS
https://fforddallan.bandcamp.com

VIDEO
youtu.be/IRaf9rhmybw
youtu.be/_zpg5E-72Gc

DISCOGRAPHY 2020 – 2023
The Horns of Andromeda - re-issue (Ffordd Allan)
Live at Acid Horse (Ffordd Allan)
Live at Supernormal (Ffordd Allan)
Live in Zurich (Ffordd Allan)
Queens (Ffordd Allan)
For Entertainment Everyone Dies (Apolkalypso)
The Horns of Andromeda (Takuroku)
Magnetic Crochet (Ffordd Allan)

LIVE: SELECTED CONCERTS

Rough Trade East, London, Sónar Festival, Barcelona, Das Institut, Zurich, Les Ateliers Claus, Brussels, OCCII, Amsterdam, Cave 12, Geneva, Instants Chavirés, Paris, Papiripar Festival, Hamburg, Blow Out, Oslo, Supernormal Festival, Oxfordshire, Queens University, Belfast, Wysing Festival,
Oxfordshire, Gerlesborg School, Sweden, WORM, Rotterdam, The Knitting
Factory, New York, Le-non Jazz, Paris, All Tomorrow’s Parties, Prestatyn,
Cafe Oto, London, Wharf Chambers, Leeds, The Cube, Bristol, Close-Up Cinema, London, Musik Aktuelles Festival, Bremen, Kongsberg International Jazz Festival, Kongsberg, Eastville Project Space, Yeovil, Klang Tone Records, Stroud, Audiograft, Oxford, Rammel Club, Nottingham, Le 102, Grenoble, The Old Hairdressers, Glasgow, FON, Barrow-in-Furness, Fuel, Manchester, Acid Horse festival, Wiltshire, LCB Depot, Leicester, Shift, Cardiff.

RADIO
Secluded Bronte have recorded sessions for BBC Radio 3, WFMU, Radio Worm, Concertzender, Resonance FM. Their music has been played on broadcast channels throughout the EU and North America.

Incidental Games

Secluded Bronte - Elbow Grease

For my dad, Graham, who's been gone too long, and for anyone missing their dad today, or any day.

Dad took us all to Italy in 1977. He borrowed John Selby's Maxi and we drove from Nannerch to Lucca. It took three or four days: three or four days of a leaky tent; little bro Danbles demanding fish 'n' chips from bemused French, Swiss and Italian waiters; me completely refusing to go to the toilet. 

It was the most exciting holiday I've ever been on. Sometimes the smell of the Tuscan hillsides comes back to me, or the feeling of absolute contentment reading my dinosaur book by candlelight in our rickety, leaking villa.

And there were scorpions and lizards... SCORPIONS AND LIZARDS!!

Love you and miss you dad.

There is a new album coming soon. This isn't on it.

Thanks for listening.

Written and played by Adam Walton
Drums by Rachel Williams (Peaness)  https://www.facebook.com/rachelwilliamsdrummer
Produced by Adam Walton & Russ Hayes
Recorded at Orange Sound Studios, Penmaenmawr by Russ Hayes.
Field recording courtesy of Eliseo Di Malto & Roberta Musillami
Artwork by Adam Walton

Adam Walton - On a Hillside (With The Fireflies)

Squid vibes. 

Enjoy. Free to download. 

Play With Me

[For enquiries about my BBC Radio Wales music show, please email my BBC email address... you can easily guess it. Music submissions for the show should be sent via the BBC Introducing Uploader (please). I can't guarantee that I'll see messages sent via Soundcloud - thank you.]

The Immediate are a three-piece indie, power pop band from Mold in north Wales.

We release our Mold EP on Friday 3rd March 2017. The EP will be available to buy on limited edition CD and digitally via bandcamp / iTunes etc.

Mold features 4 brand new recordings, 3 of which are exclusive to the EP.

Lead track, What’s The Matter Kevin Jones?, is a song about some of the kids we went to the Alun School with, who weren’t as fortunate as us and didn’t make it into their 30’s. 

Light Dimensions is the first song we wrote when we reconvened after a long hiatus.

Manbuoy is the title track of our forthcoming debut album, however it does not feature on the album itself. It’s a mostly spoken-word piece that exaggerates all of its writer’s worst qualities.

Mold was recorded at Orange Sound Studios in Penmaenmawr, North Wales by Russ Hayes, who has worked on recordings by Peaness, Campfire Social, Kidsmoke, Catfish and the Bottlemen and Billy Bibby and the Wry Smiles.

The sleeve design was done by Paul Maurice from Wrexham. It’s a detail of Shire Hall, the brutalist former seat of Flintshire County Council that sits on a hill, above Mold town centre.

The Mold EP will be launched at a hometown gig at Theatr Clwyd, Mold on Friday, 3rd. March. We’ll be joined by our friends Campfire Social and Skellums. Tickets are £7 and available here:

https://www.theatrclwyd.com/en/whats-on/headliner-rock-night/

Mold EP tracklisting (r/d 3rd March 2017):

1.	What’s The Matter Kevin Jones?
2.	Light Dimensions
3.	Tremble
4.	Manbuoy

If you have any further enquiries, please contact:

theimmediateband@gmail.com

http://facebook.com/theimmediate
http://twitter.com/the_immediate

There is a YouTube video telling the story of the band so far, here:
https://www.youtube.com/watch?v=EtERsE3ihDg

We originally split in 1997 due to frustration, an argument over a mouth organ and the success of Stereophonics.

We released one single (unaccountably popular in Sweden), made every conceivable mistake in the How To Be A Successful Indie Band handbook, toured with some excellent bands (Mansun, 60ft Dolls, Dodgy) and flickered out, leaving behind the memory of some great gigs, a few fine songs, and little else.

In March 2016, we reconvened to repair friendships and renew tinnitus. New songs came much more easily than the old ones, probably because we are playing to please only ourselves - with no thoughts of success or acclaim - for the first time in our existence.

There is more truth and resonance in our songs now than ever before. And power. And invention. We write songs about hope and love in the face of the moribund, daily grind. 

You will possibly hear fragments and echoes of the following artists in our sound (The Jam, Wire, XTC, Pixies, Badfinger, REM, Dr Feelgood, Small Faces, Husker Du, The Who, Ride, Big Star, The Cure, Joy Formidable, The Go-Betweens, Teenage Fanclub), but nothing has been plagiarised or misappropriated to mask a deficiency of our own ideas.

Cloudburst II

AdamWaltonTheImmediate

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