Excelente interpretacion y que bello acompañamiento como tu solo sabes hacerlo!!

01 - Himmelsrandt - Einklang

This piece for solo piano was first performed in 1976, in Talinn. It would later become a telltale representative piece for Pärt's signature genre,  tintinnabuli, alongside other pieces such as "Spiegel Im Spiegel". 

Pärt dedicated the piece to a friend's daughter, on the occasion of her moving to study abroad. 

The introspective, meditative, and ultimately mesmerising qualities of the piece are truly remarkable. There is no better example of a piece of music that on the sheet appears simple (and it is) - however, there is an enormous musical depth to the piece, from a technical standpoint. 

The dissonance that occurs between B and C#, D and E, and F# and G - is a musical query aimed at the pianist. There are ways to mask the dissonance through creative use of the pedals - but is that really the point of the piece? This is one of few pieces which cause a distinct, if not unique, sound characteristic from the piano, derived precisely from the dissonance. It is then, no wonder that it is usually played with the pedal depressed throughout the entirety of the piece.

There is also some really interesting symmetry to the piece. Firstly, the left hand's highest note is a B minor chord which is below the melody line. Secondly, there are mirrored notes - that is to say, when the melody is on an E or F#, the left hand is on a D, and when the melody is on a G, A, or B, the left hand is on an F#, and so on. 

There is also symmetry to be found when comparing the compositional structure to that of the harmonies. The whole piece only consists of whole notes and stemless black notes (whose time signature is not as rigid as the whole notes). These are arranged in a particular pattern which mirrors the structural alignment of the 15 bars that the piece consists of. 

I chose to play the piece once, as is the case traditionally. However, it is easy to imagine how the piece, in concert environments, usually is played so that it repeats; the low B octave that rings initially becomes a marker of a new play-through, and the piece can last several tens of minutes. The different play-throughs would of course yield variations, and offer a wide range of musical flexibility to the performer and variational fidelity to the audience, alike. 

illustration: Millais - 'Ophelia', 1851-1852, Tate Britain

Arvo Pärt - 'Für Alina' in B Minor

For bookings contact fullofjoyrecords@gmail.com

BACH - PRELUDE IN D MINOR BWV 999

No fundo do Coração 
Autor: Adauto Fernandes
Violão e Voz: Adauto Fernandes


Ver Você chegar,
Vai ser tão lindo, que eu posso até
Me apaixonar
E me entreter em seu olhar,
Mas posso morrer, se você não me amar
Porque no fundo, um segundo é um universo
A ser sempre descoberto entre o ser e o estar
Porque no fundo uma grande emoção
Não reside na razão mas no jeito de sonhar.


Ver você ficar
Vai ser divino, eu posso até me encantar
E me perder e vou gostar
Mas posso sofrer se voce não ficar.
Porque no fundo, um segundo é uma existência
E nem só a descoberta entre o ser e o estar
Porque  profundo nesse mundo de ilusão.
É o calor dessa paixão  sempre à nos embalar.


No Fundo Do Coração

Gustav Mahler - Ich bin der Welt abhanden gekommen

A. BERNASCONI, Miserere, Solisti E Coro Della Radiotelevisione Svizzera - I Barocchisti

Dark Was The Night, Cold Was The Ground (Blind Willie Johnson)

Brad Mehldau - When It Rains (Take 5)

Classical Collections The Masters, Vol. 4

Suite No 2 In B Minor

Stabat Mater D383: I. Jesus Christus Schwebt Am Kreuzel (Chor) by Symphonieorchester Des Bayerischen Rundfunks & Wolfgang Sawallisch & Helen Donath & Josef Protschka.

Schubert - Stabat Mater D383: I. Jesus Christus Schwebt Am Kreuzel(Chor)

When i started to play piano two years ago les Trois Gymnopédie have been one of  main my goals. This is only the first one and probably is to be  fixed  somewhere sooner  or later.  In spite of this I'm happy of this first result. Some of my original dreams as a pianist are  becoming true !

Erik Satie - Gymnopédie N°1

Singer/Songwriter/guitar player
São Paulo - Brasil


No Fundo Do Coração

Adauto Fernandes

Recent comments

Fisherkings

MarkFields PacNW

cam-o the chameleon

Stonecraft

Related tracks