'Berlin techno luminary, and BPitch label founder, Ellen Allien turns her attention to the romantic darkwave duo Lebanon Hanover, aka Larissa Iceglass and William Maybelline, with this triple pack of remixes...'

Read More: https://whenwedip.com/2021/12/premiere-ellen-allien-lebanon-hanover/

Follow: @ellen-allien // @lebanon-hanover // @bpitch-control

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Ellen Allien Remixes

Premiere: Lebanon Hanover - Invite Me to Your Country (Ellen Allien Remix) [BPitch]

Vespertine at ВГТРК

Produced slowly and meticulously over the last 12
months, these seven tracks are the closet thing we've
had to a new album from Andy Stott since the release
of his debut full-length Merciless five years ago.
Taking influence from an array of seemingly incoherent
noises, from the indefinable and unforgettable mindtricks
of Arthur Russell to the slowhouse of Kassem
Mosse, from the alternate VHS realities of James
Ferraro and Jamal Moss to the Linn Drum classics of the
vintage Prince era - these seven tracks create their own
pace and agenda, largely shying away from the
dancefloor in favour of something more complex and
hard to define.
Following on from the tribal malfunctions of opening
intro Signature, New Ground heads into a chasm of
layered loops, creating a decimated and re-wired funk
template coloured in with frayed percussion and
dislodged vocal samples. North To South starts off from
similar ground but adds a shuffling vibe at a deceptively
intoxicated 110 bpm.
Intermittent is something altogether different, taking
perfectly formed Boogie templates and screwing with
them until nothing quite fits, brittle elements floating in
and out of time yet somehow keeping it together,
before Dark Details delivers the most dancefloor
compatible six minute stretch of the set, all clanging
stabs and dense percussion, somewhere between
Shackleton and Bam Bam.
Execution and Passed Me By end things off on a slowed
down tip, the former deploying an anaesthetised and
padded 4/4 template sunk deeper into the abyss by
deformed, time-stretched vocals, the latter ending off
proceedings with a more delicate palette, letting go of
all that pent-up emotion with nothing but that rumbling
low-end and some strings for company.

Passed Me By

With Multiply Your Absurdities, Helena Hauff delivers her long-awaited 12-inch debut on Tresor: a multi-colored inauguration, masterfully crafted by the inimitable Hamburg producer and DJ.

The title track Multiplying My Absurdities opens the record, with a slow burn of magnetic synths and numbing acid drops.
Through its simple yet thrilling dynamics, it occasionally falls into playful skepticism, creating something truly unique, uncompromised, and beautiful.

Punks in the Gym is named after an infamous climbing route in Australia. As its namesake, the track mercilessly rises to a techno summit.
It gets steeper and steeper with every bar, resembling a volcanic dance where 303 earthquakes shake the ground before eruptions. 
Once you're halfway in, there's no turning back; all you can do is keep moving forward. 

The closing track, Humanoid Fruit, transports to an even darker prehistoric landscape.
Synths bursts remind of fossilized Pterodactyls revived—a challenging but rewarding trip through acidic rain and the alleys of your mind. 

Originally released as the soundtrack for Teslaism by artist and filmmaker Bahar Noorizadeh, a 3rd person musical racing game featuring Elon Musk and his self-driving car/lover and life coach, as they drive towards a shareholder meeting in a post-gamified Berlin landscape. It premiered at the "Tresor 31: Techno, Berlin und die große Freiheit" exhibition in 2022 and deals with stimulating skepticism about the emergence of a new era after Post-fordism that she calls Teslaism: "an upgrade to the system of production and consumption predicated on advanced storytelling, financial worldbuilding, and imagineering 'the look of the future.'" What has been once inspired by Helena Hauff's dystopian sound has now been made into an official music video for the track.

Much like the video, Multiply Your Absurdities represents a journey into futuristic uncertainty.

BANDCAMP

Helena Hauff - Humanoid Fruit

Headless Horseman Headcast 003 
Mix Recorded in Berlin, December 2024

Photo: Katrien Werner

This is a hybrid set. The mix contains loops and full tracks as well as some improvisation. The equipment used:
Elektron Octatrack
NI Maschine 
Run through an Xzone 92
2 effects on the returns:
Meris Mercury 7
Boss DD-7

Tracklist / Looplist
- Opus Daemonii / Quantum Rift
- Hiromant / Dharma
- Headless Horseman / Bed of Stone
- Metalogue / More as Dust
- Makornik /  Retribution
- Endlec / The Way Of The Brute (Original)
- EAS / Kintaro
- Kontain / Violent Paradise (Cleric Remix)
- Headless Horseman / Collision
- BR1002 / Pressuration
- Oxygeno / Dissolving into the Ground
- Oxygeno / False Mirages (Positive Centre Remix)
- NN / Sin's Of The Self
- CTSD / B1 _ ISSXII.III Sweatbox
- Tensal / Collusion
- Headless Horseman / Battle Hill
- Patrick DSP / Smokeshow
- E2NMN / Sharp Thorn
- Exium / Erosion 2
- Headless Horseman / Ghost
- Michel Lauriola & Fixeer / Drain
- Operator / Running from the Man
- Oguz / Flesh
- Reeko / A Bad Day
- Headless Horseman / At the Gates
- Endlec / Tactical Steps
- NX1 & Rommek / Foreign Bodies
- Rommek / Break The Tension
- Uun / Euclidean
- Tauceti / Minya Konka
- Headless Horseman / Solitary
- NN / Deception
- Pfirter/ They Want To Fool Us (Stanislav Tolkachev Remix)
- Headless Horseman / Cannonball
- 6SISS / Repeat
- Headless Horseman / Legend
- Kike Pravda / Singularity
- Headless Horseman / Shift in Time

Headless Horseman / Headcast 03

Quiero Mas

Infinity

Moodymann - Dem Young Sconies

Andy Stott, "New Ground"

lebanon hanover - gallowdance △Sco△

ORIGINAL SAMPLE: EDMUND MEISEL - BATTLESHIP POTEMKIN (1925)

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