Obra para guitarra sola, escrita para Rubén RIera

Silencios (1989)

Electric Guitar played by Rubén Riera. Live electronics played and designed by Adina Izarra.
Score by Adina Izarra

Grabado para Césped Electrónico, Espol

LorosIzarra - Live

5 piezas cortas para orquesta, estreno mundial con la sinfónica simón bolívar de Caracas. Dirigida por Alfredo RUgeles.

Cinco piezas para orquesta / SSB. Dir: Alfredo Rugeles

Vojm, (1988) para vojm y delay (soprano, Maria Josefina RIera)

Vojm

Obra colaborativa del proyecto online Sistema Poliedro no. 11, http://sistemapoliedro.blogspot.com/
Elaborado por Rosa Nolly, Yoly Rojas, Elsa Jusel y Adina IZarra, para ser mezclada online.
Esta mezcla está realizada por Rubén Riera en 2022

DicenPorAhí

Dedicada al dúo de RUbén RIera y Luis Julio Toro (1998). Flauta y Guitarra LafiPublishers, ltd

Izarra  Tres Cortos para flauta y guitarra

Dedicada al dúo de Rubén RIer ay Luis Julio Toro, 1991 Flauta y Guitarra LafiPublishers, ltd

A Dos, para flauta y guitarra

1986     Flauta Piccolo sola   dedicada a Luis Julio Toro Editada por LafiPublishers, ltd

Izarra Adina Plumismo para piccolo flauta solo

Dedicada a Luis Julio Toro, 1992 Flauta Sola LafiPublishers, ltd

El Amolador, para flauta sola

Dedicada a Luis Julio Toro 1992 Flauta Bajo y Delay LafiPublishers, ltd

Luvina, para flauta bajo y delay

Para dos piccolo flatuas, o dos instrumentos sopranos. 1989   Dos piccolos o Piccolo y Oboe LafiPublishers, ltd

Querrequerres

Convenio andrés bello

Concierto para guitarra y orquesta de cámara

Cuarteto de cuerdas basado en obras de la pintora venezolana Marisol Escobar: La fiesta, mi madre y yo, autorretrato

Tres Miradas a Marisol  (Cuarteto de cuerdas) Adina Izarra Par Quatuor Cobalt

Homenaje a Armando Reverón (1991)
Dirigida por César Iván Lara

01 Homenaje (El Árbol)

concierto para flauta y orquesta de cuerdas.

Pitangus SUlphuratus Sharon BEZALY

Parte del proyecto AUTOCTOFONIAS del cmmas obras para bandola llanera y elctrónicos


La Periquera

based on a Venezuelan bird, it develops on a synthetic ambient.

Para que el canto permanezca

Ritmos De Vuelo (Adina Izarra)

Marisela González, del CD "Desde una ventana con Loros"

A Través De Algunas Transparencias

Conclave

Obra mixta para archiluto y electrónicos en vivo. Adina Izarra y Rubén Riera.

Zibaldone

HOmenaje a Alfredo Del Mónaco realiado por Adina Izarra y tocado a la guitarra por RUbén RIera.

Ciclos Circadianos

10°29´N obras electroacústica basada en un amolador, unas guacharacas y piedras de playa nórdicas, parte de un proyecto colaborativo entre compositores sur americanos y nórdicos.
http://elektronrecords.com/wordpress/releases/em1013
http://nortesouth.blogspot.com/2008/12/adina-izarra-1029n-castellano.html


01 10º29N

COncierto para flauta y cuerdas PITANGUS SULPHURATUS, con Manuela WIesler

08 Concerto For Flute And Strings,  Pitangus Sulphuratus

Mix de Suite en re de RObert de VIsée
http://youtu.be/pA_2sC_6HTM

1preludioDeVisee

obra de guitarra sola escrita y grabada para y por Rubén RIera
http://rubenriera.com/
COntenido del CD completo
http://prof.usb.ve/aizarra/Pag11.htm

03 Desde Una Ventana Con Loros

Introducción y tema de Folías de España para guitarra sola. RUbén RIera, guitarra

Folias De España  Intro Y Tema

Venezuelan Composer born in Caracas in 1959. 

In 1989 she obtained a PhD from York University in England and since then she returned to Venezuela where she has taught at the Simón Bolívar University, where she now a days directs  the Digital Musical Laboratory.
Adina has written extensively for the flute and the guitar among other genres, nowadays she is concentrating on electronic music and video art, and many of her works are being played at festivals of this genre.
She has been part of organizations such as Venezuelan contemporary music, the ISCM (executive committee) and the Venezuelan electro acoustic music. She is also part of RedAsla (a very active net of Latin-American sound art composers organization) and also is the only woman at the Collegium of Latin American composers.

Her work has always been related to consonance, rather than tonality. Lately she has researched on early music materials and composers such a Machaut and Landini. In the electroacoustic work she has predilection for sound of nature, especially birds, together with street calls, particularly those of Spanish origin still present in Caracas streets.
At the moment she is working on a video Opera based on a love poem of the XI century in Toledo, Spain, where she mixes her version of early music (using baroque guitar and tiorba), puppets, electronic music and love poems read by ordinary women.
Her music has been recorded by BIS Grammophon, and Elektron, Sweden, Leonardo, (MIT, USA), RedAsla, (México) and Equinoccio, Caracas, Venezuela, among many other independent record companies in Venezuela, Argentina, Denmark and Colombia.
She is currently teaching a programme of electronic music for non-musicians based on the Supercollider programme, within a philosophy of freeware for young people, and runs regular courses of Max/Msp for the postgraduate composition programme at the Simón Bolivar University.

She has represented Venezuela many times at the ISCM, and has participated in other latinamerican festivals such as Visiones Sonoras and Manuel Enríquez Contemporary Music Forum (México), Sonoimágenes and EMS 09 (Argentina), and also in San José de Costa Rica, Montevideo, Uruguay, Cuenca, Ecuador, Medellín, Colombia, United States, Fylkingen, Estocolmo and Canada. Her flute works are frequently mentioned in academic works on contemporary latinamerican compositions.

Adina Izarra

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