Necesito superar esta esquizofrenia contra el hartazgo, contra el dogmatismo de la austeridad. In vino veritas http://wp.me/pzgf7-JN  Love Chicho

Remarkable tone production, Viva La Beethovon!

Beethoven Cello Sonata No. 4 in C Major, Op. 102 No. 1
II. Adagio- Allegro Vivace
Adi Tal- Cello
Nadav Hertzka- Piano

Beethoven Cello Sonata No. 4 in C Major, Op. 102 No. 1 II. Adagio- Allegro Vivace

Mozart Violin Sonata K.301 Hilary Hahn & Natalie Zhu

George Frideric Handel - Ariodante, HWV.33, Act II: Scherza Infida In Grembo Al Drudo

Enregistrement live du « Récital à la jeunesse » du 26 mars 2013 donné à la Grange Sainte –Geneviève à Rungis.

Ce concert est dédié à mes élèves avec un programme composé de pièces illustrant leur parcours instrumental et musical au cours des trois cycles d'étude au conservatoire.
Ce projet a été réalisé en partenariat avec Alexandre Douvry responsable de la Bibliothèque musicale Arlette Sweetman (La BmAS est située dans les locaux du conservatoire de Rungis)
Pour mettre en valeur ce formidable outil pédagogique, nous avons recréé son espace autour du piano : http://goo.gl/apqnJW


La sélection des ressources autour des œuvres : http://goo.gl/wimtR

- - { Vous pouvez retrouver cette œuvre sur Youtube avec une sélection de photos de Serge Salach : http://goo.gl/W614Ni } - -

Prise de son : Marc Bénard

Médiateur numérique : Alexandre Douvry [@_BmAS_ sur Twitter]

F. Chopin - Nocturne op.9 n°1 - Florence Robineau - CC by sa

Franz Liszt must have really been blown away by the cities of Venice and Naples on his travels with Marie d'Agoult, because he ended up composing four pieces named after them: Venezia e Napoli. But apparently, the original four pieces weren't good enough for old Franz, so he went back and revised them until only the last two were left: the Andante placido (aka Gondoliera) and the Tarantelles Napolitaines (aka just plain ol' Tarantella). Then he stuck a sad song called Canzone in between them and voila! The triptych known as Venezia e Napoli was born. It was published as a supplement to Deuxième Année in 1861, so if you want to check it out, you better hit up this recording!

Liszt must have been feeling pretty darn romantic when he composed Gondoliera, because it's based on a love song by Giovanni Battista Peruchini called "La biondina in gondoletta." But unlike the original version, Liszt's revision starts off with a fancy introduction in the key of F-sharp minor. The music sounds all calm and serene, like a peaceful Venetian canal (or at least what I imagine one would sound like). And then, once it hits that F-sharp major chord, it's like BAM! The melody comes in and it's all lovey-dovey and stuff. And let me tell you, it's so sweet and soft, it'll make your teeth hurt. But don't worry, there's some fancy flourishes in there to keep things interesting.

The Canzone that comes after Gondoliera (or "Gondolier's Song") is actually part of a larger piece, and it leads directly into the Tarantella without missing a beat. It's based on a song called "Nessun maggior dolore" from Rossini's opera Otello, which is weird because the opera is set in Venice but it premiered in Naples. Anyway, Liszt messed around with the melody and rhythm a bit, and he also changed the key from G minor to E-flat minor, which makes it sound all dark and moody. It starts off with some creepy tremolo, and then the melody comes in and it's all woe is me. But don't worry, it's not all doom and gloom, because there's some fancy piano stuff in there to keep things interesting. And at the end, the music gets all happy and major-key-y, so it's not a total downer.

The Tarantella is like a firework show on piano. It's based on some themes by a French composer named Guillaume-Louis Cottrau, who lived and worked in Naples. It starts off with a Presto tempo, and the introduction leads you from the E-flat key of the Canzone to the G minor key of the first theme. And let me tell you, this thing is full of energy! The music shifts between different meters, so it's like a never-ending party. Then the second theme comes in, and it's like BAM! Fortissimo! And then the music goes to the relative major key, but it doesn't stay there long because it sidesteps into D-flat major with a funny little passage in contrary motion. And then it's back to G minor, and the first theme returns, and it's like a three-part design or something. And then the music closes in B-flat major, and there's a pause, and then there's a new theme in E-flat major, and it's all lyrical and stuff. And then there's some fancy flourishes and variations, and then it goes to E major, and then to G major, and then there's a coda and it's like WHAM! Prestissimo! And the music is rushing towards the end, and it's all virtuosic and impressive.

I. Gondoliera
II. Canzone
III. Tarantella

Recorded live from Dublin City Gallery - The Hugh Lane on July 27th, 2014 as part of the concert series of the Dublin International Piano Festival & Summer Academy.

My SoundCloud Channel: https://soundcloud.com/archie-chen
Official Website: http://www.archiechen.com
Youtube DIPF https://www.youtube.com/c/PianofestivalIe
Youtube Archie https://www.youtube.com/c/ArchieChenPianist
Festival Website: http://www.pianofestival.ie
Teaching Website: http://www.pianoacademy.ie

Piano: Bluthner Model 1
Piano Technician: Martin Walsh
Recording Engineer: Darby Carroll
Piano provided by Bluthner UK

Franz Liszt Venezia e Napoli, s. 159

#1 iTunes Classical (9.22.14)

Steinway artist, Chad Lawson, introduces a new spin on 10 beloved Chopin works. With the undeniable resurgence in classical/instrumental music, Lawson felt compelled to show how Chopin's masterpieces are as spellbinding in most simplest form as they are in their original nature.

Disc One (tracks 1-10)
Chad Lawson - piano
Judy Kang - violin
Rubin Kodheli - cello

Disc Two (tracks 11-21)
Chad Lawson - solo piano

iTunes

Chopin Prelude in E Minor-Op. 28, No. 4 (Variation Arr. for Piano, Vioin and Cello) - Chad Lawson

Cello - Deryn Cullen
Piano - Paul Gardner

Rachmaninoff - Andante From Sonata For Cello & Piano

Johann Sebastian Bach: Violin Concerto in A minor, BWV 1041

Thomas Gould, violin
Senesino Players

Johann Sebastian Bach: Violin Concerto in A minor: 3. Allegro assai

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

European Melodies

Andante Spianato et Grande Polonaise Brillante in E-Flat Major, Op. 22

Chopin - Andante spianato et grande polonaise brillante in E-flat major, Op. 22 (Live)

After I couldn't sleep...I decided to arrange for this amazing concerto by the grand master - Bach,
to relax myself....after I made the mix and heard it, I slept like a baby...   
Recommended to listen with eyes closed. 
Enjoy 

BACH CONCERTO NO 5 - GUITAR ARRANGEMENT

Bach concerto n°5 BWV 1056 - Largo, Guitar arrangement

BON SOIR, PARIS - vinyl lp. I LOVE PARIS (COLE PORTER) - AME DES POETES (CHARLES TRENET) - LA VIE EN ROSE (PIAF - LOUIGUY) - PL 
LUCERNE FESTIVAL ORCHESTRA, ERNEST FALK (CONDUCTOR)
Grabado en 1963. 
Fue parte del Circulo Musical de Aldemaro Romero. 
La escuché a mediados de los '90. Hará como cinco años que compré el disco usado en remate por internet en USA y lo digitalicé. Una joya.

Beethoven Cello Sonata No. 4 in C Major, Op. 102 No. 1 II. Adagio- Allegro Vivace

Adi Tal, Cello

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