sound good

PRIMITIVE MAN - "Rags" from the album 'Scorn'
SUBSCRIBE to RELAPSE:  http://bit.ly/RelpaseYouTube

Pre-Order from Relapse: http://bit.ly/PrimitiveMan
Pre-Order on Bandcamp: http://primitivemandoom.bandcamp.com/

Coming August 20th on CD/LP/Digital via Relapse Records

Lyrics

Agnus Dei your rags are stained red
with the blood of my shattered faith.
I hate your people - dumb & deaf.
Crushing the brass of your declaration.
All the rage in my Catholic blood
in a guilt ridden nameless grave.

Official links:
https://www.facebook.com/primitivemandoom‎
http://primitivemandoom.bandcamp.com

http://www.Relapse.com
http://www.youtube.com/RelapseRecords
http://www.facebook.com/relapserecords
http://www.twitter.com/relapserecords

PRIMITIVE MAN - Rags

Dracula Omnivora - Television Is The New Religion

(You Think You're) John Fucking Locke

Move Shake Hide, the new single from Marmozets, is released on 18th November via Roadrunner Records.

Lyircs:

Move shake move shake and hide (alright)
Stop trying to pressure me (alright)
Everything is gonna be (alright)
I know it doesn't say vacancy but I hope you don't mind.
I hope you don't mind us.

Can you really see everything? Like my fingers and in between?
A lonely heart equals a lonely mind.
But that means nothing, nothing to me.

Easy on the eyes my friend, you don't wanna mess with this.
Sometimes the bleeding sun bleeds red and thick, colour in my only way to find it.
So come at me son, and pull the trigger on the gun.
I'm alive, I'm alive, I'm alive (and it's alright)

Now I've got you where you need to be and the dark has left your eyes.
Move shake move shake and hide.
Move shake move shake and hide.
Move shake move shake and hide.

Easy on the eyes my friend, you don't wanna mess with this.
Sometimes the bleeding sun bleeds red and thick, colour in my only way to find it.
So come at me son, and pull the trigger on the gun.

I'm alive, I'm alive, I'm alive (and it's alright)
I'm alive, I'm alive, I'm alive (and it's alright)
Move shake move shake and hide.
Move shake move shake and hide.
Move shake move shake and hide.

Move shake hide, move shake hide, move shake hide.

Easy on the eyes my friend you don't wanna mess with this.
Sometimes the bleeding sun bleeds red and thick, colour in my only way to find it.
So come at me son, and pull the trigger on the gun.

http://www.marmozets.co.uk/

Move Shake Hide

Purchase from Relapse: http://bit.ly/ToxicHolocaust
Purchase on Bandcamp: www.http://toxicholocaust.bandcamp.com

Toxic Holocaust - "Out of the Fire" from the album 'Chemistry of Consciousness' OUT NOW via Relapse Records on CD/LP/DIGITAL

www.facebook.com/ToxicHolocaust
www.http://toxicholocaust.bandcamp.com/

www.Relapse.com
www.facebook.com/relapserecords
www.twitter.com/relapserecords
www.youtube.com/user/RelapseRecords

Toxic Holocaust - Out of the Fire

Finland’s apocalypse-anticipating post-punk outfit, BEASTMILK, will release their Climax LP, worldwide on Black Friday, November 29th. Recorded, mixed, and produced in July of 2013 at GodCity Studios by Kurt Ballou, Climax conveys a true, genuine excitement and all-consuming state of euphoric thrall in the face of the bleak, end-of-days thematic narratives. Instead of stereotypically brooding and glacially plodding through the inherent darkness cast from Kvohst’s poetic spells, the instrumentalists of BEASTMILK apply a unique, surging catchiness composed of infectious anthemic charges and unbreakable spirit from beginning to end. True to form, when the end finally comes and consumes all else, Climax stands as the enduring battle hymn for the exhilarated survivors of a cold world.

Climax will see release in North America via Magic Bullet Records and on Svart Records for Europe; both labels will unleash the album on LP, CD and digital formats.

“Apocalyptic visions and a wicked sense of humor populate audio nightmares as BEASTMILK create visceral, unsettling death rock for the elite... a jangly post-punk death wish.” - Pitchfork

“The album is endlessly, almost dizzyingly climactic — a series of soaring peaks that combine the moody, precise darkwave/post-punk of Interpol or Cold Cave with the maximalist bombast of Arcade Fire.” - Stereogum

"BEASTMILK’s guitars are alive with bits of Siouxsie and The Banshees, Misfits and Cramps, but folded within structures straight from angry Echo And The Bunnymen, Joy Division and Bauhaus. I feel like I’m sixteen, sitting in my room in the dark listening to music. At the same time it’s completely modern. What the fuck?... BEASTMILK has entered the battle for my top album of 2013 with a machete. An astonishing debut. 9/10" - Crave Online

http://www.beastmilk.me
http://www.magicbulletrecords.com
http://www.facebook.com/magicbulletrecords
https://twitter.com/magicbulletrecs


BEASTMILK "Death Reflects Us"

Superheaven - No One's Deserving

Taken from the forthcoming LP - Rooms of the House, released March 18th, 2014. 
Pre-Order the new record at http://www.ladisputemusic.com/store
or on iTunes at http://smarturl.it/ladispute

Rooms of the House

Stay Happy There

Orange Goblin "Some You Win, Some You Lose"

Not Afraid

Following countless years of personal hardships, studio disasters and times of music industry indecision, New Orleans’ own EYEHATEGOD, with much relief and excitement, are proud to announce the release of their brand new full-length! Entirely assembled and financed by the band, the self-titled, eleven-track long player will be released on May 27th by their partners at Housecore Records in North America, May 26th by Century Media in Europe, Australia and New Zealand and May 21st by Daymare in Japan.

Comments vocalist Mike IX Williams, “I have to say I don’t believe we’ve lost nary a step in the creation of this album and we think these newer songs are a killer combination of classic EYEHATEGOD mixed along with our best production, mixing, engineering and songwriting in thirteen years. The main and total tragic break in the chain, was obviously last year’s death of our great friend and drummer Joey LaCaze. However, his original drum tracks made it onto the final master recordings and we’re fucking psyched about that… As for working with Housecore, it was a no-brainer. We’ve always been a family, and will always remain a family.”

Adds Housecore founder Philip H. Anselmo, “Being a part of the new EHG record is a dream come true. I’ve known, supported and loved the guys for almost as long as I’ve been playing music myself, and it is our pleasure here at The Housecore Records Compound to have ‘em aboard. And I gotta mention, having heard the new record, this is the EYEHATEGOD record every true fan has been waiting for…. Hail!”

As a band that helped create a genre as well as equate a city with a sound, EYEHATEGOD has always remained humble anytime words like “legend” were thrown around to describe them. The thing with legends is that they grow stronger in time and over the years, word of mouth has been kind to the band. EYEHATEGOD is bigger now than they ever have been in their twenty-five plus years as a band. Pretty impressive seeing as they haven’t released a full-length album in almost fifteen years. Most people who know the band have a story to tell or they heard a story about the guys. Whether it was them playing nothing but feedback to a bewildered White Zombie crowd during their opening stint for the arena metal band in the mid-nineties, being banned from a certain venue for attacking a promoter with a barstool or cleaning  out entire small towns of their drug supply, these stories spread  throughout the metal community over the years, usually through a game of one-up-manship, establishing them as one of the most notorious bands around.

Certainly not the first band to be surrounded by myth and lore, EYEHATEGOD’s staying and growing power ultimately comes from the music. No one riffs like Jimmy Bower and Brian Patton. Drummer Joey LaCaze grooved and held it together with numerous bass players throughout the years, doing so impeccably with Gary Mader over the past decade. Singer Mike IX Williams has always been able to encapsulate the ruins of life through his lyrics and vocal delivery.  All combined, the music is the most genuine, distressing cacophony of sound around.

“Black Sabbath mixed with Black Flag with a little bit of Skynyrd and the element of blues thrown in there,” Bower once said of the band’s sound. In 2014 that style might sound somewhat commonplace. In 1988 it most definitely was not. The band’s second album, 1993’s Take As Needed For Pain is the pinnacle album that other bands of this genre to this day try to reach. Today, EYEHATEGOD sounds as fresh and innovative as ever. When the band released its first new track in over a decade, “New Orleans Is The New Vietnam,” it was clear that nothing about the band had changed. They were touring more than ever and used that time and energy to work on an album’s worth of songs. At the end of 2012 they were ready.

The recording process for Eyehategod started with producer Billy Anderson back in the fold (he recorded 1996’s Dopesick). The session saw both producer and band not quite on the same page and at the end, the album was unfinished. A few months later, the band reconvened at longtime friend Phil Anselmo’s home studio with producer Stephen Berrigan (Down). Both Anselmo and Berrigan helped draw out the missing pieces to one of underground metal’s most anticipated albums in years.

An unexpected tragedy occurred shortly upon returning home from a recent five-week European tour in the Fall of 2013: Joey LaCaze passed away due to respiratory failure. An outpouring of condolences and tributes spread online. Enough can’t be said of the loss felt by the band, family and friends. Fortunately, LaCaze’s drum tracks were captured by Anderson and appear on the album, creating the definitive tribute for the member of the band who encapsulated best just what EYEHATEGOD was all about; seriously not taking yourself too seriously. New Orleans native, Aaron Hill (Mountain Of Wizard, Missing Monuments), took over for Joseph LaCaze without missing a beat, both figuratively and literally. The band hit the road after wrapping up the record and plan to embark upon their most exhaustive touring schedule to date.

EYEHATEGOD:
Mike IX Williams – vocals
Jimmy Bower – guitars
Brian Patton – guitars
Gary Mader – bass
Aaron Hill – drums

http://www.eyehategod.ee
http://www.facebook.com/OfficialEyeHateGod
http://www.thehousecorerecords.com

EYEHATEGOD - "Robitussin And Rejection"

BREEDING HATE from 
our new cd OUT FOR BLOOD

Speed Kill Hate Out for Blood 02 Breeding Hate 128kbps

Cold Summer

Travis barker ft. yelawolf. twista. busta rhymes & lil jon - lets go (final version)

As I Lay Dying - This Is Who We Are

From Maps & Atlases new album, 'Beware and Be Grateful,' available now on iTunes:  	http://glob.ly/2ou. 

sound good

adityawicax