Very cool.... So many things going on here! I love it...

que buenos sinetizadores tienes, loving to this track

Thos is so lovely, and the melodies are great.

Like movie music, love it, fantastic ride

Nice instrumentall!!! I love the mysterious vibe

You had me at the intro but it kind of veered off after that. A lot of different beats in one. Still it was very well played and I think has the potential to be a movie track. Keep persevering

Occasionally a sound comes out of nowhere, which swings unfinished in the room as a piece of thought furniture, spins on in the listener's ear and retreats back into the blur.

Umrandungen - Vol. 1

haarmannhommelsheim - Umrandungen-01-02

Lav and Diaz

Miles To Go

Photo by Christopher Sardegna on Unsplash

Inner Peace

Heading into the studio there was one of those street preachers holding a sign "The end of the world is nigh" and as the band loaded in he was shouting across the street that they were playing the devil's music and that they were on the path of the wicked and from there the tune "The Path Of The Wicked" came about, with Sonny sketching it out on piano and the rest of the band dropping in.

The Dark Messiahs are:
Sticks Thompson - Drums
Blue Six - Trumpet
Wilt Flowers - Bass
Sonny Rhodes - Piano

The Path Of The Wicked by The Dark Messiahs. Dark jazz. Ambient noir.

Under the Velvet Sky

Play on Spotify

Under The Velvet Sky

www.roswellsneighborhood.com
www.roswellsneighborhood.com/store

Love In The Time Of Collagen

Spend the night under the moons of Neptune, as the sun sets, and a glorious neon lit skyline is revealed.

The first single off my upcoming EP, An Interplanetary Layover, out on December 8, 2023.

*** 

Composed by a.MIDI
Mastered by John Webber
Art by coppters

sunset in neptune

One journey across a galaxy, two gentle music box excursions.
Galaxy 4 - dedicated to Rick Wright (late of the Pink Floyd), an out take from Method Music.
Two paradiddles, gentle warm jolly pattern based pieces.
Music from a virtual, electronic space.

Paradiddles

Paradiddle 1

A cover of Massive Attack's 1994 song 'Protection'

Protection

Autumn Songs (for Mezzo-Soprano and Chamber Ensemble)
Duration: ca. 18'

MOVEMENTS
I. Ascension: Autumn Dusk in Central Park (Evelyn Scott)
II. Under the Harvest Moon (Carl Sandburg)
III. All Hallows’ Eve (Dorothea Tanning)
IV. November for Beginners (Rita Dove)
V. Leaves Before The Wind (May Sarton)

Performers: American Modern Ensemble, Blythe Gaissert, Mezzo-Soprano
For more information: https://robertpaterson.com/autumn-songs
Publisher: Bill Holab Music: http://billholabmusic.com/store/index...
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=autumn&main_page=advanced_search_result&search_in_description=1
View Perusal Score: https://issuu.com/robertpaterson/docs...
Also available as a version for mezzo-soprano and piano: https://robertpaterson.com/autumn-songs-version-for-mezzo-soprano-and-piano

PROGRAM NOTE
Autumn Songs for mezzo-soprano is my final song cycle celebrating the seasons. As with my previous three seasonal cycles for different voice types, this cycle contains settings of poems by various American poets.

Like Spring Songs, Autumn Songs begins with New York: a setting of Evelyn Scott’s Ascension: Autumn Dusk in Central Park, an early 20th century Imagist poem in which people seem to merge at dusk. The second movement is a setting of Under the Harvest Moon by Carl Sandburg. In this poem, Sandburg uses autumn and summer as a metaphor for people in two different periods of life, revealing beauty in both stages. Memory is the primary concern for someone who is older, and possibly for someone who is younger. The third movement is a setting of All Hallows’ Eve by Dorothea Tanning, who was not only a poet, but also a well-known visual artist whose early work was inspired by Surrealism. This is perhaps the most playful setting, and I used Tanning’s evocative, Surrealistic imagery as inspiration for colorful sounds and angular dissonances in the ensemble. November for Beginners by Rita Dove is the text for the fourth movement. In this setting, Dove beautifully encapsulates the feeling of waiting for winter in November, and the sense of anticipation one feels during the fall months. At the end of her poem, she uses the sound of zithers as a metaphor for the sounds of wind and rain when spring comes. The final movement, a setting of Leaves Before The Wind by May Sarton, is inspired by Irish jigs, and mimics leaves blowing in the wind. The penultimate section is anthemic, and the end of the movement is more calm and similar to the beginning.

Autumn Songs was made possible, in part, by generous support from the Gerson Family Foundation.

ARTISTS
American Modern Ensemble: http://www.americanmodernensemble.org
Blythe Gaissert, mezzo-soprano: http://www.blythegaissert.com/
Sato Moughalian, flute
Pascal Archer, clarinet
Matt Ward, percussion
Esther Noh, violin
Dave Eggar, cello
Geoffrey Burleson, piano
Robert Paterson, conductor

The Four Seasons

Autumn Songs - IV. November For Beginners (Text by Rita Dove)

Inspired by film, video games, and the internet, I craft sounds that take you on a journey.

an interplanetary layover ✨👨🏾‍🚀 EP out now

sunset in neptune

a.MIDI

Recent comments

Your Autopilot

Your Autopilot

Tom Dugas

jjaze

Related tracks