Synthetic yellow trip (2019) - Santiago Diez-Fischer (*1977)

Supernovæ:

Agustín Nazzetta, e-guitar
Adrián Albaladejo, trombone

Audio: Phoebe Bognár & Santiago Diez-Fischer

Synthetic yellow trip (2019)excerpt - Santiago Díez-Fischer / Supernovæ

Daniel Apodaka - Fantasia, quasi un concerto. Eufonio e nove strumenti in eco. (2017) Premiere
 
Adrián Albaladejo, Euphonium 
Diana Muela,	Flöte
Vicente Moronta,	Oboe
Azra Ramic, BassKlarinette
Hsiang Chi Lee, Horn
Maria Cofan, Posaune
Antonio Viñuales,	Violin	
Mirka Scepanovich,Viola
Alessandra Gallo, Violoncello	
Romana	Uhlíková, Kontrabass

Daniel Apodaka - Fantasia, quasi un concerto. Eufonio e nove strumenti in eco (2017)

Karlheinz Stockhausen	(1928-­‐2007)- In Freundschaft, für Klarinette(1977) Kapelle Adullam ‐Stiftung Basel 2017

Karlheinz Stockhausen- In Freundschaft, für Klarinette(1977)

Daniel Apodaka (*1990) - Cinq Poèmes De Houellebecq
pour soprano, alto et euphonium(2015)

V
Par la mort du plus pur
Toute joie est invalidée
La poitrine est comme évidée, Et l'œil en tout connaît l'obscur. Il faut quelques secondes Pour effacer un monde.

Cinq Poèmes De Houellebecq V-Presto, festivo e agitato

Daniel Apodaka - Cinq Poèmes De Houellebecq
pour soprano, alto et euphonium(2015)

I
Dans le matin, chaste et tranquille, L'espoir suspendu sur la ville Hésite à rejoindre les hommes. (Une certaine qualité de joie Au milieu de la nuit
Est précieuse.)

M. Houellebecq

Cinq Poèmes De Houellebecq I-Tranquillo, sospeso

György Kurtág (1926) A kis csáva (1978)4 mov. Nachtstück /(dans la cave avec Fédor Mikhaïlovitch [Dostoïevski])

Piccolo: Tatiana Timonina
Trombone: Adrián Albaladejo
Guitar: Agustin Nazzetta
Audio: Jan Gubser

György Kurtág - A kis csáva (1978)4 mov. Nachtstück. Piccolo, trombone, guitar

Sala Polivalente Universidad Pompeu Fabra, Barcelona.

Pablo Fredes - POP (2015) Tuba-Euphonium, electrónica

Video:

https://www.youtube.com/watch?v=8TInTO5_iYQ


The French composer and pianist Carlos Alsina, who was born in Argentina, worked with Luciano Berio, Bruno Maderna, and, together with percussionist Jean- Pierre Drouet, the clarinetist Michel Portal, and the trombonist Vinko Globokar founded the improvisation group ‘New Phonic Art’ in 1969. Consecuenza was written for Globokar, who premiered the work and – not by chance – also recorded the Sequenza V from Berio in the same year, 1966. Beyond the obvious lending in the title, there are parallels between the two solo works for trombone in the use of the mute, the voice, and various actions of the performer. Globokar went on to use very similar sonic and extra musical material in his Discours II from 1967.

Consecuenza Op17 (1966) - Carlos Roqué Alsina

Yolanda Fernandez, Clarinet
Cristina Orts, Tenor Saxophone
Adrián Albaladejo, Trombone

Elena Mendoza - Geografías soñadas(2011)Clarinet in b, Tenor Saxophone, Trombone. Excerpt

Nube obbediente (2011)
for: trombone, percussion and ensemble

Divertimento Ensemble
Pablo Andoni, conductor
Elio Marchesini, percussioni

08.09.2018, Teatro Comunale, Moncalvo

Stefano Gervasoni - Nube obbediente(2011) Excerpt

https://www.youtube.com/watch?v=PRV7t-hfJ4c

video

Manuel Rodríguez Valenzuela - T(t)-Blocks, version C (+D+E)

https://www.youtube.com/watch?v=Sfgo42ew-JY

Video. Festival Ensems 2019

Carlos Mena, Contratenor
Vicente Moronta, Oboe
Adrián Albaladejo, Trombone

Stefano Gervasoni - "Busque Amor novas artes, novo engenho" (Excerpt)

trombone: Adrián Albaladejo
cello: Katarina Leskovar 

Audio: Mikael Szafirowski

Santiago Díez-Fischer - Sensitive Switch (2015)for trombone and cello

Adrián Albaladejo Díaz (1993, Alicante) has been living in Basel since 2015 and he is particularly involved in the contemporary music life in Switzerland and regularly works around Europe as a versatile brass player.

Adrián has performed with Les Trombone de Balè (CH), Basel Sinfonietta (CH), Divertimento Ensemble (IT), IEMA Ensemble (DE), Ensemble Diagonal (CH), Ensemble Courage (DE), Crossing Lines Ensemble (ES), der gelbe klang (DE), Ensemble Morph (DE) and Latenz Ensemble (CH), among others, and has participated in chamber music productions at Theater Basel.

He is responsible for commissioning more than 80 compositions written for him as a soloist as well as for their premiere at renowned festivals, including Lucerne Festival (CH), Zeiträume Basel (CH), Warsaw Autumn (PL), Huddersfield Contemporary Music Festival (UK), Musik 21 Festival (DE), Ensems (ES), Sampler Sèries (ES), Gaudeamus Muziekweek (NL), Klangspuren Schwaz (AT), Impuls (AT), Ars Braemia Music Festival (CH), PHONOS (ES), Sirga Festival (ES), Rondò in Monferrato (IT), Rondò a Bobbio (IT), and Tuns Contemporans Biennale für Neue Musik Graubünden (CH).

A professional enrichment for him was the personal collaboration with the composers: Stefano Gervasoni, Salvatore Sciarrino, Sofia Gubaidulina, Franck Bedrossian, Peter Ablinger, Beat Furrer, Vinko Globokar and Nuño Fernández Ezquerra.

In 2020, he founded Duo Signal with the saxophonist Alejandro Oliván, dedicated to the exploration and diffussion of new repertoire. He is founding member of the ensemble KlangLab Basel, which focuses on the creation of new scenic musical works through close collaboration with composers and he is a guest member of the renowned Swiss ensemble Ö!, which is entirely dedicated to contemporary music. In the field of artistic direction and organization, he has been working for the Swiss Music Association Concerts at Ausserberg since 2021.

At the age of 11, he began his euphonium studies with Jose Antonio Mira Ñíguez at the conservatory in Almoradí and at the same time played in the brass band of his village Bigastro. In Barcelona, he completed with distinction a Bachelor's degree (2011-2015) in euphonium and tuba with Pablo Fernández at the Escuela Superior de Música de Cataluña, at the same time taking additional studies in historical trombone interpretation with Simeon Galduf and private lessons with euphonium soloist Pep Burguera. From 2015-2017 he studied in the master's programme Performance on Trombone and Euphonium at the Musik Akademie Basel with Mike Svoboda (trombone) and David LeClair (tuba and euphonium) and was supported in 2016 by the Lyra Foundation, the Doms Foundation and the Haiku Foundation, among others. After 2017, he continued his studies at the Musik Akademie Basel in chamber music (2020-2021) with Anton Kernjak and contemporary music as part of the Zone Experimentale Basel (2018-2019) led by Marcus Weiss, Jürg Henneberger and Mike Svoboda.

Adrián has been awarded several prizes in competitions, including 2nd prize at Juventudes Musicales Spain, the Anna Riera Foundation Prize and 1st prize at the 2014 AETYB International Competition at the Spanish Congress for Euphonium and Tuba.

Adrián ALBALADEJO DIAZ

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