The whole album a white mysterious sin ❄️

smooth

Recordat recorded on Radio Alhara in Bethlehem for @Menqui 

"Menqui is a Berlin based dj & musician with a remarkably broad interest in music. Besides sharing his discoveries from behind the decks he has also been involved in a variety of different projects. Since 2019 he takes care of the the label called R-i-O along Nadia D'Alò and Benedikt Frey. The three also collaborate together as „Dolphins“. Rumors are that there might even be a connection to the infamous, yet mysterious 'Serious Trouble' releases. Additionally he hosts „Past Forward“ a monthly radio programme on cashmereradio together with his colleagues kryptic dj and hendrik stein."

This episode was curated by @captain-of-none
Artwork by @Mothanna

This is the 26th session of a series of sessions Recordat is hosting on Radio Alhara every other Sunday from Berlin.

recordat:invites: Menqui - #0026

"Breezeblocks" by Alt-J.
Remixed by Sebastian Carter.

"If you listened to a "Breezeblocks" remix before chances are you think it's downtempo electronic tune, and you're right. This remix by Sebastian Carter is no exception and that's actually a good thing. If you're gonna remix this track this is the way to go. A mellow mood remix with a trap-like beat, simple, but effective."
-EARMILK

Alt-J:
Facebook: https://www.facebook.com/altJ.band?fref=ts
YouTube: http://www.youtube.com/user/Altjband

Sebastian Carter:
Facebook: www.facebook.com/SebastianCarterMusic
YouTube: www.youtube.com/user/SebastianCartervideo

According to 17 USC § 107:
This remix is a personal take on the original track "Breezeblocks" by Alt-J and should merely be an interpretation or comment on the meaning and nature of original song.
I do not own the original stems and I do not make any kind of profit off this remix.
The Stems and Information about this song are handled in a fair use and everything that has to be credited is credited to the band and the original song.

Free Download

Alt-J - Breezeblocks (Sebastian Carter Remix)

Blue Bird

Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm] 2019–23

a landscape of ever amusing contradictions on unstretched canvas: – of predictable rhythms (day and night, high tide and low tide, routine and intuition, rent and bureaucracy) and unpredictable rhythms (good fortune, bad poetry, chance, mistakes and chaos).

Berlin-based Syrian musician Khaled Kurbeh makes his Research Records debut with Likulli Fadāin Eqāéh, a tapestry of soundscapes written, performed and recorded across four years as part of his practice muhawalāt [attempts, variations] and hawāmesh [margins]: an outlet of gestures, sonic footnotes and observations from the everyday.

Kurbeh’s first release in seven years departs from his largely acoustic debut, Aphorisms, a collaboration with oud player Raman Khalaf and ensemble with elements of maqām and jazz.

Likulli Fadāin Eqāéh offers a collection of 10 electroacoustic compositions – they’re brooding and experimental with hints of musique concrète. The tracklist implies a mapping or an itinerary. Field recordings of swallows and the snapping and un-shelling of sunflower seeds on interlude Nuzha I [Excursion I] are countered by sparse composition of low-end synth, harmonium, upright piano and prepared fender rhodes played with mallets on Darb I–II [Path I–II]. Patterns of cymbals and agitated bells appear on Jauqét Ajrās [Choir of Bells], while currents of bowed strings shiver and stutter on al-Ajrāf [The Cliffs]. The release captures four years of overlapping sonic wanders, finely balancing tensions of harmony and dissonance, stillness and resonance, texture and rhythm – recorded inside and outside.

The gatefold vinyl features artworks by Ida Lawrence and includes a booklet of 10 painted variations of the one scene. On the outer cover, paths stretch under a dramatically accented and vivid sky; while inside, the same landscape appears over and over in another light.

Likulli Fadāin Eqāéh لكلّ فضاءٍ إيقاعه [to each space its own rhythm], is set for release on June 27th 2025 via Research Records, Naarm/Melbourne. A follow up solo piano album by Kurbeh, recorded in his studio in Kreuzberg, Berlin, will be released later this year.

A1. Khaled Kurbeh - Darb I–II (دَرْب ١–٢)

Carrier feat Gavsborg - The Fan Dance

Mandy Pixel’s sets are like being around many strangers: awkward and stimulating. 


Mandy Pixel @ Kiosk Radio 30.08.2025

Skee's insight through his daily listening habits, from guilty pleasures to casual recommendations and in between... 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/skee-mask/episodes/skee-mask-10th-october-2025

Feierabend w/ Skee Mask 101025

Info and Tracklist: https://radioflouka.com/shows/terms-conditions-episode-9-mdb-17-10-2025

Terms & Conditions episode 9: MDB - 17/10/2025

Mika Oki is a visual artist, Dj and producer born in Paris.
With a background in sculpture and electro-acoustic music, she explores the notion of intangible spaces and emotional landscapes through AV installations, music and mixes.
As a DJ, Mika Oki knows how to surprise the dance floor with a selection ranging from jungle, uk bass and gqom to dark electro, mesmerising trance and heavy EBM. By animating a wide range of voice samples, experimental sounds and electroacoustic music extracts, she plays like a sculptor with a duty to create an unsettling atmosphere.


Mika Oki @ Kiosk Radio 21.10.2025

A slow-burning glide through hazy reverie - @leifsounds’ Patterns of Perception 123 blurs the boundary between waking and vivid dreamscape. 
Spectral melancholia suffused with gentle insistence. Sultry percussion whirs. Reflections dissolve, rhythms build.

---

- Hey Leif, how’s it going? What’s been happening lately?
Hey, I'm good thanks - enjoying spending some time focusing on producing / mixing again after a bit of a break! There are a few things on the horizon including some new material and some radio shows this winter.

- Tell us a bit about this mix - what was your idea or direction behind it?
It was a chance to weave together a few dreamy slow burners around the 100bpm mark I've been really enjoying recently, and feature some fresh bits from Duckett and others along the way.

- ⁠Are there any tracks or moments in the mix that feel extra special or defining to you? 
'Pick a Headline' - one I made together with Duckett will always feel like a special track - it's a few years old now but still brings serenity every time I listen.

Links:
@leifsounds
instagram.com/leifsounds
www.leifsounds.bandcamp.com
www.leifsounds.com

---

Tracklist:
Azu Tiwaline - Canopée Imaginaire
Clay Kin - 46°27'36.2-N 6°57'52.5“E
In Transit - A.2829
Sabla + Đ.K. - Totem Society - A Minute
Aleksi Perälä - FI3AC2410202
Duckett - Will You Hear When The Lion Within You Roars
Leif - Yes No
Valentino Mora - IIIIIIIII1IIII2IIIIIIIII
Leif & Duckett - Pick a Headline
Ido Plumes - To
Duckett - Grant Me Time To Let My Enemies Grieve
Dino Sabatini - Soul Capture
Baba Stiltz - Hotel Exile
Chants & Dave Schoepke - Cavernicole

Patterns of Perception 123 - Leif

1. Late bloomer
2. Calm on the surface
3. A little tenderness
4. Encounter (with Pieter Nooten)
5. Things of glass
6. Unsettle
7. And leave me alone

Written, produced & mixed by Oaktree

Violin - Hester Bolle
Harp - Laura De Jongh

Oaktree - Calm On The Surface

Buy Album ● https://parraforcuva.lnk.to/darwis

BUY CYAN 2LP/CD/Digi

Parra For Cuva & Senoy - Darwīš (Darwīš - Project: Mooncircle, 2016)

François Ier “Hotel Du Nord” 
Pre-order this EP : apple.co/1U8mX1d

Tracklist : 
1. Insomnies
2. Aurora 
3. From Roubaix
4. Out Of Africa
5. Insomnies (Joy Remix)
6. Out Of Africa (Saycet Remix)

Label: HAUT CINQ
Catalog#: HC002
Release date : 13 mai 2016

François Ier - Insomnies (Joy Remix)

Provinces of CHAMPASAK, ATTAPEU, SEKONG & SARAVAN.
Recorded by Laurent Jeanneau, 2006-2013.

AKUPHONE. AKU1009. CD/LP/Digital
Release date : September 2018

Akuphone presents a collection of recordings of various musical practices from the Laotian provinces of Champasak, Attapeu, Sekong and Saravan. These documents are a perfect introduction to the traditional music of South Laos minority groups. Popular modern music is widely spread but visitors are barely ever exposed to ancient acoustic practices from villages. The most famous and typical one is the molam Lao, an art of singing accompanied with the khene, a mouth organ which is the symbol of Laos. This collection compels one to discover the brao gongs, the triang bamboo flutes, the Lao, Ta Oy, Alak, OI, Pacoh or Nyaheun mouth organs as well as the powerful singing accompanying these instruments. 

Caught on the spot, these outstanding testimonies were collected between 2006 and 2013 by Laurent Jeanneau, aka King Gong. Through his researches, this self-taught ethnologist has gradually become one of the specialists of the field, building up a collection of complete and fascinating sound archives which contribute documenting parts of this immaterial heritage. MUSIC OF SOUTHERN LAOS brings some light on a region of South East Asia still largely unknown from the general audience as well as the recently reborn ethnographic musical industry.

This compilation will delight both molam lovers and beginners unused to South East Asian sounds. Enclosed: liner notes in English, French and Japanese as well as a downloading code.

Music of Southern Laos

AKU1009 - V/A Music of Southern Laos (LP Preview)

Last time we heard from the Growing Bin, Basso was sat at the water‘s edge, trousers rolled up, toes in the tide, savouring a Falanghina while Eleventeen Eston went with the wave. Now we move from the shoreline to the ocean shelf, led on an underwater adventure by young Parisian Shelter. Where previ- ous releases have seen the synth-obsessed Frenchman take his inspiration from Caribbean rhythms or Balearic attitudes, this marine missive sees Shelter turn to the lavish world of the library, creating his an alternate score to Jean Faurez’ 1960 documentary short.
More submersible than snorkel, our journey begins in the very dark of the deep, mystical harp trills echoing through the inky blackness, picking up the bioluminescent shimmer of an Abraliopsis Squid. Gradually we make our way into the light, cruising past shoals of silver scales and underwater forests. ‚Immersion’ offers a placid, percolating rhythm and billowing pads, providing sonic symmetry for the dancing leaves, while the spheric soundscape of ‘La Vie A L’Ombre’ bubbles away like an underwater volcano. The optimistic ambience of ‘Plenitude Azotee’, brimming with delicate melody and glistening sequences, perfectly captures the wide-eyed wonder of a reef dive, before drifting into the serenity of ‘Parade’, an aquatic acquaintance of A.R.T. Wilson’s ‘Overworld’. A brief foray into shark fin funk sees out the A-side, before we’re back amid the beauty of the ocean floor; ‘Variation Abyssale II’ echoing the album opener but with even more poetry. The exotic and otherworldly sine waves of ‘Dans La Jungle De Varech’ simultaneously sound like a rainforest canopy, alien landscape and coral microcosm, expanding our horizons nicely ahead of the adrenaline rush of ‘Hors D’Haleine’. Shelter then sets us at ease with the tidal tonality and subtle shuffle of ‘Fumeurs Noirs’, a sublime synthetic suite, then leaves us to marvel at the soft focus splendour of ‘Synthii Outro’.
This is Jules Verne by way of Vangelis, just grab your goggles and take the plunge... 
(words by Patrick Ryder)

Oaktree - Calm On The Surface

Adriaan de Roover

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