Name: Salí porque salí - Cheo Feliciano by Adriana Deffenti
Duration: 4 min 13 s
Description: Música do show "Las Canciones de Almodóvar", de Adriana Deffenti

 LOS GUSTOS MUSICALES DE ALEX LIRA DJ 
(GERMÁN VILLAREAL Y LA ORQUESTA MAMBO BIG BAND) 
Colombia y su musica

Me gusta boogalo(GERMÁN VILLAREAL Y LA ORQUESTA MAMBO BIG BAND)(ALEX LIRA DJ)

Severa-Cortijo Y Su Combo Con Ismael Rivera 1978

This Rough Guide explores the heady influence of psychedelia on salsa, from the fuzzy tropical guitars of the sixties and seventies to today’s cutting edge bands experimenting with weird & wonderful psychedelic sounds.

For sound samples, videos and further information, visit: www.worldmusic.net/psychedelic-salsa

Psychedelic rock and salsa came of age together in the mid to late 1960s under parallel socio-cultural circumstances of upheaval, unrest and experimentation within the respective youth cultures of their core audiences. 
Historically there are direct connections between the world of the hippie counter-culture and Latin music (from Fania’s Jerry Masucci being friends with Woodstock’s Michael Lang to ‘mambonik’ Bill Graham urging Santana to cover Tito Puente. In places like Mexico, Colombia, Venezuela, and especially Peru, non-Latin global youth culture – or at least some of the music, dress, art, and social attitude – was quite influential as well, producing tropical music with fuzzed out guitars, echo effects, and electric keyboards
In the late 1970s through to the 1990s, discotheque remix dance culture spawned the psychedelic extended salsa mixes of studio wizards like Baron Lopez and the wild playing of Cuban violinist Alfredo de la Fé (featured here with Orchestra Rytmo Africa-Cubana), both of which factored in trippy dub effects borrowed from another Caribbean music with psychedelic leanings, namely reggae.
This collection explores not only those early connections and cross-pollinating influences but also the resurgence of interest in the subject of the psychedelic sound today, from a revival of the experimental vibe that made the early years of salsa so varied and interesting to the equally intriguing phenomenon of retro analogue aesthetics that seems to be on the rise. 
Current Latin artists like Bio Ritmo, La Mecánica Popular, Bacalao Men, Quantic, Fantasma and San Lázaro have found themselves looking back to the days of progressive, open attitudes when the emphasis was on message and music, not on singer as star or producing bland pop for mass consumption. This is, perhaps, a reaction to the fallout of the over-commercialisation and dilution of salsa in the 1980s and the concurrent ascendance of merengue, bachata and (later) reggaeton. The influence of rare groove collecting, DJ-driven investigations into the golden era, and a spill-over from the success of retro funk and soul acts like Sharon Jones have shaped current ‘indie’ salsa production as well.

Nelson Y Sus Estrellas: Londres (taken from The Rough Guide To Psychedelic Salsa)

[Verse 1]
Pulled up in a car like the movies roll by
You stepped out in silk with that look in your eye
Champagne in your hand, stars in your hair
The world disappeared, nothing else there

[Pre-Chorus]
A string quartet played our favorite tune
While candles flickered beneath the moon

[Chorus]
It was a fantasy night, dressed to the nines
Dancing in moonlight, your hand holding mine
The finest of places, but nothing compares
To the spark in your eyes, the love that we share
A dream wrapped in velvet, a wish on the breeze
You and me, darling—just pure elegance and ease

[Verse 2]
Waiters moved quiet like scenes in a play
Rose petals scattered along our walkway
Your laugh echoed soft like a song from the sea
In that moment, time bent for you and me

[Pre-Chorus]
The world could’ve ended, we wouldn’t have known
We built our own heaven beneath that moon’s glow

[Chorus]
It was a fantasy night, dressed to the nines
Dancing in moonlight, your hand holding mine
The finest of places, but nothing compares
To the spark in your eyes, the love that we share
A dream wrapped in velvet, a wish on the breeze
You and me, darling—just pure elegance and ease

[Bridge]
And I whispered a promise with stars as our vow
To relive that night, then and now
No need for riches, no castles or kings
Just this love, and the joy that it brings

[Final Chorus]
It was a fantasy night, a love so refined
Hearts in rhythm, your soul next to mine
The moon smiled down, the stars wrote our name
In a story of passion that still burns like a flame
A dream wrapped in velvet, a wish on the breeze
You and me, darling—just pure elegance and ease

[Outro]
So here’s to that evening, and every one after
To midnight waltzes and echoes of laughter
Forever starts under skies like those
With you in my arms, in that midnight glow

Fantasy Evening

Música do show "Las Canciones de Almodóvar", de Adriana Deffenti

Salí porque salí - Cheo Feliciano

Africando - Yay Boy

Some of my favourite Eddie Palmieri & Ismael Quintana tracks. Roughly chronological, 1963-1970

No Critiques..Eddie Palmieri & Ismael Quintana

Agua Que Va A Caer - Tromboranga

Habana con Kola - Vente Negra

One Edit Once Again For Free Download via mediafire
This is the link
http://www.mediafire.com/?j50gam1cal3zeoq

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Salí porque salí - Cheo Feliciano

Adriana Deffenti

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Paolo Moscatelli

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