Nebula Sequence Remix15

Four small example clips of files used in the sculptures

clip of Audiogentry. Now fully available on Bandcamp and electrocd.com

Audiogentry Soundcloudclip

Junky (1996). From Traces on Empreintes DIGITALes IMED0053 www.electrocd.com

Junky

Bee from the back garden in a pyrex bowl with MS mics pointing through hole in A3 sheet of paper. Cross fade to Bee convolved with M1 ambience and bee granulations. 

Bee2swarm

Vocal sounds originally used in live improvisation piece with Juxtavoices, subsequently deployed to concert work. 

The Wolfs Glen2444 - 2012

bee sound developments, one that worked well, one that did not. 

Workerbees - Nonworkerbees

Binaural master of 7.1 - ATK 7.0 to Bformat, Harpex to binaural, some further mastering - hopefully not messing too much with the imaging, re-insertion of the mono filtered sub channel.  

Inside and out...again (binaural)

Superstrings1644

Piece for violin and triggered soundfiles. More information and score at 
http://www.adrianmoore.co.uk/music/music.html


Fields of Darkness and Light

Short work based upon a recording of a small brook called the Moss in South Yorkshire. It's the valley shown in the picture.

Riverrun (2002)

Stereo acousmatic music. Originally meant to be a very sustained work but the sustains in question (wind noise and a strong synthetic pitch shifted drone) never allowed themselves to be restrained in this way. Consequently a title that doesn't quite describe its content but then titles never do. 

Sustain

3Pieces comprises three abstract works based on recordings of violin, horn and piano which can be played separately or together. They were written as part of a collaborative creative event focusing around a horn trio. Originally conceived as ‘electroacoustic interludes,’ 3Pieces evolved into something much larger, taking in a research project exploring the nature of free play and improvisation within fixed medium works. As with earlier works, my concerns whilst composing 3Pieces were focused towards cataloguing and choosing usable material from a vast array of experimental sounds. Whilst methods involving improvisation with material may lend themselves to bricolage, composers of electroacoustic music rarely resort to something so serendipitous. However, it remains difficult to describe and justify the decision making process through anything other than the medium itself. I approached this problem from two angles. The first was to create a performance instrument (using a graphics tablet) that would possibly enable more ‘human’ interaction with material. The second was to begin to investigate recording, tracking and cataloguing the composition process. 3Pieces relies heavily on the former process. Whilst each piece is focused upon one instrument, the spectre of the ‘horn trio’ remains.

https://electrocd.com/en/piste/imed_11112-1.4

Adrianmoore 3pieces Horn Binaural

I am a composer of electroacoustic music. A vast majority of my music is published at Empreintes DIGITALes. You can listen to clips of everything there. 


adrianmoore

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