https://www.nts.live/shows/benedek/episodes/benedek-19th-august-2022

Benedek - 190822

14:00 @ffffichon (@planispheresound)
15:00 @amelie-nilles
16:00 @theasoti(live)
17:00 @protokolofficiel b2b @oreijan (@planispheresound)
18:00 @lydiavilas

200 Quai de Valmy, 75010 Paris
www.radio-sofa.com

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Cet été, Radio Sofa installe sa Méridienne dans le nouveau booth du Top à @point-eph-m-re, le temps d’une résidence radiophonique estivale. Dans ce studio transitoire, orienté vers des univers phoniques non-dansants, nous recevrons sur six dates invité.e.s et résident.e.s pour des sessions exploratoires à écouter assis.

La Méridienne entend mêler, quelques après-midi durant, lumière zénithale et poésie sonore. Les sélections de nos convives, ouvertes au public, seront retransmises en direct sur nos ondes depuis les toits puis disponibles à la réécoute. Amateurs et amatrices d’ambiances lancinantes et de rythmes voluptueux, la Méridienne s’ouvre au grand jour le 3 juillet.

[EN] Radio Sofa sets its Méridienne on the roof of the Point Ephémère for a summer radio residency. In this transitory studio, oriented towards non-dancing phonic universes, we will receive guests and residents for exploratory sessions to be listened to sitting down.

La Méridienne intends to mix zenithal light and sonic poetry for a few afternoons. The selections of our guests will be open to public and broadcast live on our airwaves from the rooftop. Lovers of haunting atmospheres and voluptuous rhythms, La Méridienne opens on the 3d of July.

Méridienne - Lydia Vilas (27.08.22)

Colin (Maybe Tonight)[08.10.2022]

Since starting in a basement apartment in Seattle back in 2001, Light In The Attic has established itself as one of the best and brightest reissue labels around. With releases ranging from D’Angelo to Serge Gainsbourg, Lewis to Betty Davis, Sly Stone to Karen Dalton, LITA prides itself on the breadth of its output.

Light In The Attic 231222

12th Isle co-founder Fergus Clark runs a monthly session through chaotic record shelves, tascam nightmares, label related tracks and unreleased music from the global sphere.

https://www.nts.live/shows/fergus-clark/episodes/fergus-clark-6th-february-2023

Fergus Clark w/ DJ Table Table 060223

Hello, everyone! It's been a while since I've posted, but I've been very busy the last few weeks. However, I'm excited to be back with another fantastic Mondays mix.

This week's mix is inspired by the arrival of spring, as well as the lonely days I've been spending in Berlin studying and feeling a sense of melancholy. I think this mix reflects those feelings and will hopefully help you get through any similar moods you may be experiencing.

So sit back, relax, and enjoy the music. And if you're feeling inspired, feel free to share this mix with your friends and loved ones.

Thanks for listening, and I can't wait to share more mixes with you in the future!

Adrian Norén Almén - Fantastic Monday #6

Live recording at Radio Tempo Não Pára (26.05.2023)

Artist: @classicalllove

Classical Love @ Radio TNP 26.05.2023

Pender Street Steppers mark our 100th podcast with a mix recorded live recently at Cafe Du Mer on Hornby Island of British Columbia, Canada. Last year we felt a really strong connection with what Jack Jutson & Liam Butler doing with Mood Hut and we look forward to hear more stuff this year (and it’s already happening — RAMZI 12″ is one of our February picks). Guys’ own mixes and Libramix series give us feeling of nostalgia and a lot of inspiration at the same time. The mix for us is a lazy journey from dub, reggae, Japanese oddities to guitar ambience, dreamy downtempo and Italo. Sounds like what we really like, and what about you?

@pender-street-steppers
@mood-hut

Krossfingers Podcast

Krossfingers Podcast 100 - Pender Street Steppers

A Month Of Sundays (wednesday)

We are kicking off the series after a short summer break with someone who we hold very dearly. We have always seen Basso as an ominous idol, someone whose Discogs -Ratings we used as a firm guidance when discovering new records on Germany’s flea markets. His very own Growing Bin is arguably one of the most consistently excellent vinyl-shops, Youtube-Channels and record-labels out there. 

Now about a year ago, the role-model became a friend, with who we share a subtle sense of humour and a refined taste for the perfectly placed “cheesy-yet-amazing”. This sentiment was somewhat reflected in a mix we did for Basso back then, and he brings it to perfection in this contribution to 5918mins. In his own words, he often used to work place-specific as an artist and tried to do this mix specifically for us, while staying true to himself. So what is the truth of Basso himself? Maybe it is just that he’s a bin – albeit a growing one. And what could be better than that?

Basso (Growing Bin)

Coming in from across the ocean it's our pal DJ D.Dee (@derekdee) with his 'Sounds From The Patio, For The Patio' mix. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Dee, great to have you on board! Living in Vancouver since 10+ years, could you name some of the city's most relevant cultural changes? 

DD: Happy to be here! Hmm, tough one. I’d say the biggest one for me has been the natural growth and progression of the underground scene. When I was first introduced to the scene here it was quite small and consisted of a dedicated core of like-minded individuals with a penchant for deeper music. Since then it’s grown and grown and there’s scenes within scenes and it feels like there’s more of a place for everybody to do their thing, which is nice. Then again, it may have always been this way and I just didn’t notice, scenes are so subjective and everyone here tends to live in their own little bubble. It can be quite an isolating place, especially in the winter months.

MFM: You've been running Pacific Rhythm since 7 years, did you expect/plan it to be where it is now?

DD: Honestly I’m still figuring it all out and learning along the way. When we started we only put out a record once a year and this year it’s looking like we’ll put out at least 6. I’m very grateful to have so many other friends who run labels now, when we first started I didn’t really have anyone to go to for advice that wasn’t also learning the ropes themselves. It’s a tricky industry to navigate, especially from Vancouver where you’re so far away from the manufacturing, distribution process, and frankly most of the places that actually stock your releases. People really aren’t buying records like they used to and honestly I feel like the whole process of creating them is a bit archaic and convoluted. Pacific Rhythm will always produce physical artifacts because I think that’s important but I could see us drifting away from producing vinyl in the long-term. The reality is there are so many better ways to share music in the modern world and we’re often all kind of just caught up in this nostalgic haze. 

MFM: What is it like being both a DJ and promotor, and could you share some of your highlights with us? 

DD: To be honest I think way more DJs in North America have to do both if they want to make a living in dance music. There’s way more of a club and festival infrastructure in Europe and in my experience most good events in North America are a lot more DIY and grass roots, especially in underground music. I started being a promoter because there weren’t really other people around that were interested in the kind of music I wanted to hear and I’ll likely continue being a promoter for that same reason until I inevitably age out of the scene and focus on something more daytime oriented. I just got home from touring Australia and that was really something special. They have such a well developed scene down there and a lot of really open minded dancers, very refreshing! Big love to Mike (Planet Trip) and Jamie (Crown Ruler). Most recently I’ve got my US visa and I’m looking forward to playing more there. I’m also planning on spending the bulk of the summer in Europe and have some interesting dates scheduled here. Truthfully though! Who knows. I think our scene is going to go through some major changes post Covid-19 and things may not normalize for quite some time.

MFM: What can you tell about the mix?

DD: I’ve been asked to self-quarantine for two weeks by the Canadian government and this mix was recorded smack dab in the middle of it. I’ve been pretty deep in the self-reflection zone and doing a whole lot of the “deep listening” thing. I wanted to record something to help people pass the time and share some new music from friends and toss in some percy’s to round it. The approach was very easy going, not so much mixing, more about trying to let the tracks breath and staying out of the way. 

Stay in mate, it feels great!

Adrian Norén Almén - Fantastic Monday #6

Adrian Norén Almén

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