incriveeeeel! Tem disponivel para baixar??

Adria Praiano - Caminhos do Orun

Amaro Jose - Obatala

Letra: Luiz Tatit
Música: Jonas Tatit
Voz: Juçara Marçal e Luiz Tatit
Trilha do Espetáculo Senhorita Ó, inspirado na personagem Ofélia, de Hamlet.
Gravada no CD Sem destino, de Luiz Tatit

Quem gostou de mim

Melancolia
Autoria: Assussena Assussena

Eu lia...
e enquanto eu ia
Lia melava meu corpo de solidão
levava minhas veias e vias de nome alegrias,
egresso meu grito, um sepultado grão
e Lia linhava as agruras,
num corpo rasura
usura em seus tons ,
e mais as tristonhas tinturas
mais tarja censura,
enlutando meus dons.
e nem as dondocas de Augusta,
donzelas ou putas
cassinos de Vegas
coloria um rosto melado
por Durer colado
de cores de Degas.
E Lia beijava e benzia de bile o semblante
o beiço bulia no breu sibilante
pro meu assovio não dar mais um pio, um pio, um pio
ela a mim me mela feito cola
colando a tristeza em meu couro
e o tempo a foice de aço amola,
apressando meu melaço sangradouro
douro, mela e doura
a doce cor de minha pele moura
louro, o sol, louro insulta minha melanina
louro sultão, que então minha dor ilumina
mina mina mina mina de solidão

MELANCOLIA

Essa é a história de uma menina 
que gostava de dançar 
todo mundo se admirava com seu jeito de quebrar 
argelina, pequenina, nordestina, malucona 
maquiagem boladona 
brilho de cortar 

se liga nessa nega, meu bem 
sua performance na night rende notas de cem 
na escola da maloqueiragem tem passagem também 
fumando o verde sua mente pode ir mais além 

artista, exibicionista 
faz sua grana dando close certo na pista 
parece até capa de revista 
e coleciona varios likes e no insta 

uma noite de lua ela ficou louca 
arrancou a peruca ficou de touca 

vai toma, vai grita fica rouca 
vai toma, vai grita fica rouca 

O nome dela é Vekanandra 
ela toca numa banda 
onde o sentimento espanca 
e alquimia é rima franca 
as mazela tudo arranca 
se liga nessa carranca 
que protege as ferida aberta 
e o sangue logo estanca

Vekanandra

01 - Vekanandra (part. Jéssica Caitano)

Se prepare pra essa party 
se dispare nesse baile 
sou mulher que abana o leque 
bem na cara dos muleque 
vou abrindo meu caminho como posso, pode crer 
cantarolando a minha rima vestida de paetê 
(2x) 

el humo en el aire ya se puede sentir 
acercate yo lo recién predí 
mueve te que puse mucha onda en el beat 

Hierba, massa, porro, taba 
marijuanera linguas fala 
onivá fumé some weed 
equivocada nas gramatic 
desenrolada no style jamaican classic 

Se prepare pra essa party 
se dispare nesse baile 
sou mulher que abana o leque 
bem na cara dos muleque 
abrindo meu caminho como posso, pode crer 
cantarolando a minha rima vestida de paetê 
(2x) 

Não tem dose de martini 
mas a caipi ta da hora 
então segura essa trip 
não precisa ir embora 

nessa festa não tem área vip 
to bailandoigual videoclipe 
tudo misturado cada um por si 


perdida nesse bar 
sensível pra valer 
se é pra me jogar 
eu quero ver ferver 
na noite borbulhar 
até o amanhecer 
e depois acordar 
sozinha e deprê

02 - Se Preparty

KFD008 – Maga Bo Apresenta Samba de Coco Raízes de Arcoverde

Release Date: January 30, 2018
Format: Digital
Label: Kafundó Records
Artist: Samba de Coco Raízes de Arcoverde
Catalog #: KFD008
Produced: Maga Bo
Mastering: Krishnin at Blissonance
Cover Art: Depoté
Cover Photo: Alfredo Portugal
Press Contact:  us@kafundorecords.com
Website:  www.kafundorecords.com

The latest Kafundó Records release is from one of the oldest running coco groups in Brazil, Samba de Coco Raízes de Arcoverde.  Building on decades of tradition, for this release they have taken a new path working with producer Maga Bo.  The results respect and preserve the original afro-brazilian rhythmic structure, while simultaneously introducing a new electronic pallette to their work.  Think folkloric, afro-brazilian vibes produced and mixed for big sound systems!

Based in Arcoverde in the semi-arid desert interior of Pernambuco, Samba de Coco Raízes de Arcoverde is a poetic portrait of regional northeastern Brazilian culture.  Formed in 1992 by Lula Calixto and the Lopes sisters, it was in 1996 when they managed to break out of the small town boundaries of Arcoverde and perform in other parts of Brasil as well as in Belgium, France and Italy.

A very special ingredient of Samba de Coco Raízes de Arcoverde comes from what they call the coco trupé, which consists of a rapid and strong dance step performed with wooden shoes on a wooden platform (fitted with piezo microphones) which adds a very loud and distinctive percussive element to their sound.  Xaxado and samba de roda are 2 other regional manifestations present in the music and dance of the group.  In addition to the percussive dance steps and strident vocal harmonies, the traditional instruments present in the group are triangle, surdo and pandeiro.  The simple and positive messages of the lyrics complement the frenetic coco rhythms.

Maga Bo became aware of Samba de Coco Raízes de Arcoverde after receiving a a track entitled “Afro-Brazilian awesomeness track 7” in an MP3 swap with fellow djs.  It was, indeed, afro-brazilian awesomeness and he began including the track in his sets, mixing and fusing it with dembow riddims which eventually evolved into a full blown remix.  The added low end support and international dancehall signifiers made it an immediate hit with global bass and Brazilian djs.  When asked to make a mixtape for Nike/Fader for the 2010 World Cup in South Africa, he sought out the group for permission to release the track.  The group ended up loving the remix – it was one of the only remixes that they had ever heard that brough a new sonic palette to the mix while still respecting and retaining the original rhythmic structure.  Finally, in 2012, a booking at Rec-Beat in Recife brought Maga Bo to Pernambuco where he was finally able to meet the group in person.  They agreed to try things out and record a few songs as an experiment.  This eventually turned into many trips to Arcoverde and a full album.

On this album, Maga Bo pushed them outside of their comfort zone to bring in new instruments, arrangements and sounds.  After noticing that some of the group members also played with a local maracatu group, he suggested that they bring some elements of maracatu to the album.  Initially met with skepticism and hesitation, eventually, the group warmed up to the idea and as the production of the album progressed, became more and more open to experimentation and innovation – the first time alfaias, caixas, timbaus, electronic dub fx and heavy sub bass have been included in their sound!

Recorded on a non-existent budget with a backpack worth of gear in an improvised studio over the course of several sessions in several years, this is an independent, guerilla project fueled and financed by air miles, the hospitality of others and the shear desire to see this project to fruition.

Buy at Bandcamp

Samba de Coco Raízes de Arcoverde - Canta Coco Morena

Magnata

“Macumbadaboa” unites the ancestral sounds of Grupo Bongar from Pernambuco, Brazil with the electronic and dub elements of Maga Bo, the American/Brazilian DJ/producer based in Rio de Janeiro.  The project includes the participation of various well known Pernambuco artists - Isaar, Cláudio Rabeca, Lia de Itamaracá e as Filhas do Baracho, Lu do Coco do Pneu, members from the Xambá terreiro, children from the local community as well as the Malian kora player Adama Keita.  The album explores many northeastern Brazilian rhythms such as coco, afoxé and maculelê as well as subtle elements of electronic and dub music.

The songs were recorded in an improvised studio set up by Maga Bo in the Memorial Severina Paraíso da Silva - Mãe Biu, in the terreiro of Xambá in Olinda.  The intention was to bring Grupo Bongar into a familiar atmosphere where Guitinho could compose music and lyrics on the spot, inspired by the history of the Xambá community which was represented by all of the photos, antiques and relics that surrounded them in the Memorial.  

“The lyrics emerged from observing the pieces that make up the Memorial.  The old photos, the utensiles used in the terreiro in the time of Mãe Biu, the old percussion instruments, the maps of Nigeria and Cameroon (where the Xambá folk originated) and the articles of clothing from that time.  Finally, everything that reminds us of our history and the history of our people,” explains Guitinho.  “The repertoire of this album brings traditional songs for the orixás and the entitiies of Jurema.  The original lyrics emerged in the moment, through my observation of the pieces in the Memorial, during the recording.” - Marileide Alves

Release Date:  October 1, 2019
Format:  Digital/CD
Label:  Kaxambu Records
Catalog #: KAX014
Produced, recorded and mixed by Maga Bo
Musical direction by Guitinho da Xambá
Executive production for Bongar by Marileide Alves
Mastering by Krishnin at Blissonance
Artwork by Andrianna Moulinos
www.kaxamburecords.com

Macumbadaboa

Vem Amor - Grupo Bongar + Maga Bo

Afroito - NUNCA MAIS EU VENHO

Céu - Street Bloom (Dustan Gallas Remix)

Adria Praiano - Caminhos do Orun

Adria Praiano

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