Techno

Octo Åeterna debuts on Danza Nativa with "Evolutiva EP". Monument premieres track "Abstra" from the release, that will be out on January 31st.

@danza-nativa
@octoaeterna

Evolutiva

MNMT Premiere: Octo Åeterna – Abstra

ᴘʀᴇᴍɪᴇʀᴇ:
Track Name: Circe
Artist: Laima Adelaide
Release name: Women Everyday Vol. I
Catalog Code: [MLF005]
Mastering: Arthur Bohl
Format: Digital
Release Date: March 03, 2022

Buy Link: https://melifera-records.bandcamp.com/album/women-everyday-vol-i-mlf005

Laima Adelaide:
▫️ SC: https://soundcloud.com/amlia
▫️ FB: https://www.facebook.com/laimaadelaide0
▫️ IG: https://www.instagram.com/laimaadelaide

Melifera Records:
▫️ SC: https://soundcloud.com/melifera_records
▫️ FB: https://www.facebook.com/meliferarecords
▫️ IG: https://www.instagram.com/meliferarecords

Crescent London:
▫️ www.linktr.ee/crescent.london

Full Tracklist:
1. Jana Sleep - Šahrzād.
2. Laima Adelaide - Circe
3. Polygonia - Mariana Trench
4. Emika Elena - Stella

Press Release:
We are delighted to welcome the artists Jana Sleep, Laima Adelaide, Polygonia and Emika Elena for this first volume accompanied by the visuals of Daisy de Montjoye.

In this EP composed entirely by women, each track bears an evocative female name. They take us on a sonic and cultural odyssey through time by inviting us to navigate the mind towards distant mystical lands.

The first track takes us gently towards the beginning of the journey. Jana Sleep's Šahrzād bewitches us with its hypnotic motif played by string instruments and accompanied by soft percussion. An atmosphere that conjures up in the imagination Persian landscapes, enigmatic and phantasmal places where nature and vanished civilisations collide.

Then comes Laima Adelaide's Circe with its aquatic, almost acidic sounds and dreamy layers. Both hypnotic and catchy, this second track prepares our ears and mind, gradually but energetically, for the rest of the journey.

Mariana Trench by Polygonia then guides us into oceanic depths, off the coast of our imagination. Rhythmic and mischievous, it awakens the ear with its psychedelic effects and swaying tempo.

Finally, Emika Elena's last track Stella incites a trance from the very first notes with its shamanic cadence. Like a ceremonial closing, its tribal rhythm and percussion recall forms of primitive music, resonating through wood
metal and hide.

Support

PREMIERE: Laima Adelaide - Circe [MLF005]

Unheard Music

Indefinite Pitch PREMIERES. Edition 603

Mown - Dallol

Mutnovsky
[Not On Label]

Written and Produced by Mown
Mastered by Max Telaer
Artwork by Thuline

Self-released by Mown from France
Release Date: November 20, 2023

Mown

https://soundcloud.com/mownofficial
https://www.facebook.com/mownofficial

Indefinite Pitch. Yantai

https://www.indefinitepitch.com

Mutnovsky

Dallol

Buy & Support

Indefinite Pitch PREMIERES. Mown - Dallol [Not On Label]

𝑷𝒓𝒆𝒎𝒊𝒆𝒓𝒆: Inskape - Harmonizer [Bøne.FM]

Established by Bønehead in 2021, New Delhi based community driven record label, magazine & internet radio - Bøne.FM presents the label’s debut compilation with the effort of artists from around the world showcasing their most ambitious work. Being a genre fluid label the V/A goes from progressive ambient to bass fueled club tracks, melodic house tunes and some experimental work in between. This makes the listener’s experience a quite fulfilling journey.

Visuals & Artwork by HalfDiminishedSeventhChord
Mastered by Bøne.FM

𝑰𝒏𝒔𝒌𝒂𝒑𝒆
Inskape is an electronic music producer. Since 2013, he has been producing music. His music sculpts ethereal atmospheres and landscapes with a groove element of deep techno sound. He has released his music on community-based record labels such as Aedi Records and Collective Details. Full-length album Kalopsia on Diffuse Reality and his debut EP Voyage was released on Cellar Door Records. His latest Indeciphered EP was released on Ritualism. 

Soundcloud : https://soundcloud.com/inskape_music
Instagram : https://www.instagram.com/inskape__/

Deep Techno. "I have been loving broken beats with ethnic percussion and I have used those in almost every recent release. 
I think this track gives another take in this space I am enjoying working in right now."

𝑩ø𝒏𝒆.𝑭𝑴
Soundcloud : https://soundcloud.com/boneheadbangers
Website : https://www.boneheadbangers.com
Instagram : https://www.instagram.com/bone.fm/
Facebook : https://www.facebook.com/bonedotfm

B​ø​newax Vol. 1

Harmonizer

Support & Buy

𝑷𝒓𝒆𝒎𝒊𝒆𝒓𝒆: Inskape - Harmonizer [Bøne.FM]

Sandwell District - Immolare - Function Version (1)

the first episode of our mixserie is from Caroune, a London-based DJ and the co-founder of Osmura podcasts and parties. Navigating between deep, hypnotic and raw techno and tinted with dark prog, this mix invites you on a spellbinding journey, between introspection and sonic exaltation…


★ links ★
@caroune-dem
@osmura

minuteuf 01 ★ caroune

Tribute to Zodiac Music by @monochromeasso

Pour cette vingt-et-unième émission, Monochrome se penche sur Zodiac Music.
Originaire de UK, l'ensemble du catalogue représente plus de quatre-vingt sorties autour des esthétiques Ambient, Drum & Bass et Jungle.

Bonne écoute !

Bandcamp : zodiacmusicofficial.bandcamp.com/

Selection & Mix by @axymt

Tracklist :
01. OrueN - Extraterrestrial
02. Draven X Riddle - Will Eat Your Brain
03. Bereneces & LuK - Basement Ghost
04. Izora - Unknown
05. Aikanã - El Tunchi
06. Aikanã - Yurok
07. Aikanã - Jarawa
08. Aikanã - Bone Snatcher
09. Aikanã & Bereneces - Uncontact
10. HEFT - Moscow
11. Bayou - Dombo
12. Bereneces - Manningtree
13. Hidden World - Riots

Distance C

Tribute to Zodiac Music by Monochrome (25.03.24)

𝑷𝒓𝒆𝒎𝒊𝒆𝒓𝒆: bleu noir - Diverted Current Then Landscapes [LVR001]

bleu noir. First and foremost, a friendship, composed of Edouard-Marc and Bastien. Two companions who, in their distinct singularities, come together to converge towards a common universe. Complementarity is created from the beginning of the project to the finishing touches of their musical collaborations. A sincere, imaginative, and heartfelt approach. Random but shared experiences, such as numerous musical events ranging from concerts to festivals, inspire them. All of this leads to beautiful creations like this EP named: Naviguer à vue.

“Naviguer à vue” is the story in a fictitious and picturesque imagination, of a collective adventure taking place on a boat. The construction and launching of it, welcoming "Hordes" of people, are represented by "Recherche hivernale". A long aquatic journey through "Brume épaisse", filled with “Emergences of details”, as beautiful as they are stressful. Presented to the people on the boat is an internal and collective struggle, "Psychomachia". A battle between vice and virtue, between the humble human and the one of a self-centered and selfish society. “Inno”, floating on the surface and swimming, between two worlds, unable to leave the fluid and yet aware that it exists. A track that could have been called “Innolude”. The sound translations of these different emotions and sensitivities, vectorized by “Diversions currents then landscapes”, make this EP a true journey.

Produced & Mixed by Edouard-Marc Bartkowiak & Bastien Bonnafous
Mastering by Little by Little
Artwork by Edouard-Marc Bartkowiak
Low Volume Randomization 001

𝒃𝒍𝒆𝒖 𝒏𝒐𝒊𝒓
Soundcloud : https://soundcloud.com/user-676721263
Instagram : https://www.instagram.com/bleunoirr/


𝑳𝒐𝒘 𝑽𝒐𝒍𝒖𝒎𝒆 𝑹𝒂𝒏𝒅𝒐𝒎𝒊𝒛𝒂𝒕𝒊𝒐𝒏
Soundcloud : https://soundcloud.com/lowvolumerandomization
Instagram : https://www.instagram.com/lowvolumerandomization/

Naviguer à vue

Diverted current then landscapes

𝑷𝒓𝒆𝒎𝒊𝒆𝒓𝒆: bleu noir - Diverted Current Then Landscapes [LVR001]

https://never-late.bandcamp.com/album/clouds-are-the-better-birds

Forget the city's clamor, the endless to-do lists, and the weight of daily pressures. Close your eyes and imagine yourself lying in a sun-drenched meadow. Above you, clouds ever-so-gradually drift by, shape-shifting like melancholic ambient undercurrents. Tranquility is all that’s there. You are in a different place, a better place..

That's the feeling one gets listening to Mjulev’s ‘Clouds Are The Better Birds’, a wonderful eight-track album by the Basel, Switzerland-based sound architect.

Mjulev's ambient playground unfolds like a dreamscape; each meticulously crafted layer weaves in and out organically, drawing you deeper into a world of introspection. As you listen, the stress and noise of daily life melt away, replaced by a profound sense of peace and connection. "Clouds Are the Better Birds" is an invitation to escape, reconnect with your inner self, and find solace in the simple beauty of the universe.

Set for release on April 12th via Never Late, Mjulev's latest offering is an essential companion for anyone seeking a haven from the world's noise.

Written & produced by Carlo Thommen
Artwork by Griff Fulton
Mastered by Sven Weisemann
Released by Never Late: never-late.bandcamp.com

Mjulev - When Birds Dance

Sub.spiele

Ritou

Strawberry Lime Dj set @ SubRadio Bcn / 20.09.24 / 20.00.-21.30

Recorded at RUSC

Live Transmission On Fridays from 7.30 to 9.45 PM

Check out the full audiovisual set here: https://youtube.com/live/tVbwt-zSHgA?feature=share

Artwork: @ Antonio (IG: @ aaantonioxyz )

Supported by Suburbia Bcn, Absenta del Raval & RUSC

Strawberry Lime @ SubRadio Bcn / 20.09.24

get it here: http://www.beatport.com/track/too-far-marcel-dettmann-definition-1/3129210

Morphosis - Too Far (Marcel Dettmann Definition 1)

from 'Negative Fascination' [Hospital Productions]

I do not own this! As always, if you like what you're hearing, please buy the release and support the producer. 

Silent Servant - Invocation Of Lust (Original Mix)

With ‘Wordplay for Working Bees’ Lucy creates a blueprint, not just the departure point for the full length format according to Stroboscopic Artefacts, but he also lays down new possibilities for the techno album. Refusing the obvious 4/4 route, Lucy traverses the widest possibilities of electronic music. ‘Wordplay for Working Bees’ encompasses IDM that leans towards drone, puckering, dub-filled techno and ambient in its most oblique forms. The beloved character of Lucy’s DJ sets, the way he layers tracks to find unique timbre and tone, is reflected in his studio approach. Lucy’s debut album results in the most delicate and delicious juxtapositions, as the unexplained and unexpected tangle together in the ear.

The search for hybrid structures begins with ‘Thear’. Through Stockhausen’s words Lucy hints at a manifesto: Whenever we hear sounds we are changed, no longer the same. The record is textured with riddling vocals –be it the slither of a UN summit speech to heard on ‘Eon’ or the wisps of Le Corbusier on ‘Gas’— and none are used with idle intent. Just as on ‘Eis’, where the samples appear to be engaged in discussion but the thread of their argument is lost in the granular synthesis, the tracks are abstracted enough to provoke your own interpretations and critical judgements. The vocals’ inclusion gives rise to questions, and the ambiguity of ‘Wordplay for Working Bees’ creates an architecture that facilitates debate.
It’s not just escapist or hedonistic dance music, but a concerted, dissonant effort to challenge the listener’s preconceptions. David Toop’s Sinister Resonances can certainly be heard.

This mood of provocation with no certain resolutions is a fitting description of ‘Es’. It’s a track with a long half life; it resonates, poised and pertinent. ‘Es’, the German for ‘it’, is an apt title for the indescribable mood where the ecstatic meets the melancholic. It’s hard to know what this ‘it’ is, but ‘Es’ transposes it perfectly.
Amid these ambient, dubby tracks it’s rare and also somehow exotic when the 4/4 techno of ‘Bein’ does emerge. Equally ‘Torul’, which sounds as if it samples the swinging of a meat hook, has the potential to be devastating on a big sound system. To close the record ‘Ter’, with its pattering percussive-line full of hypnotic persistence, is a stunning ending. It seems to be the sound of melting ballerinas.

As a body of work it’s cohesive and impressive, a result of Lucy’s process. With the release of the very first vinyl on Stroboscopic Artefacts he began laying down the inital sounds for the album. Over the label’s first year he worked across all eleven tracks. In a way the record charts the development of his sound and the
strengthening identity of his record label. It’s certainly not a portrait of the artist, it’s a landscape. Composed as it is of field recordings from parks, streets and Lucy’s apartment, it’s difficult not to see this as --at least in part-- a depiction of Berlin. ‘Wordplay for Working Bees’ is certainly influenced by the sounds coming from
Berlin’s clubs, galleries and forgotten pockets. Lucy holds a mirror up to the Hauptstadt, only to distort and redefine its reflection. The abstraction and processing of the album’s subject matter has a painterly quality and it’s evident that in creating ‘Wordplay for Working Bees’ Lucy slaved with technology to master it so brilliantly.

Co-mixed and mastered by Artefacts Mastering, Berlin.

Words: Clare Molloy

bein

(BP030.1) O/V/R - Post Traumatic Son [Blueprint]

Ritou

advanced dreams

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