And, We Move On

Slow Walk by Aedes Aegypti

Used in the Carbon Cycle Video at the DePaul Art Museum's Climate of Uncertainty exhibit, which opened January 10th, 2013. To read more about the exhibit, visit: http://www.artslant.com/chi/articles/show/33388
For more information about the DePaul Art Museum, visit:
http://museums.depaul.edu/

Slow Walk - Aedes Aegypti

Anything Out

New #Anthology Release by Aedes Aegypti.

Guilt is constructed by social observation and manifested through moral reinforcement. Coming to terms with it is real.

A Degree Of Guilt - Aedes Aegypti

Recorded on a Sony PCM-D50, 96kHz/24bit on June 26, 2015. 

This soundscape features the Grey Catbird singing it's seemingly never-ending song. There are at least two Catbirds that can be heard vocalizing, calling over one another. The Catbird singing in the foreground can be heard best in the left channel, while the other is heard best in the right. As a member of the Mimidae family, Grey Catbirds are known for their improvisation and self-taught song. At 2:46, a Yellow-billed Cuckoo can be heard for a brief moment. Other bird species present in this mid-morning recording are the Eastern Towhee, Field Sparrow and Indigo Bunting.

Recorded by Jonathan Eiseman


Grey Catbirds Singing In SW Michigan

The sample influencing this whole composition is my cousin's voice, saying, "I'm dry!" during a late morning golf match in Central California circa 2013

Dry – Aedes Aegypti

Earth is warming at an alarming rate, due to the increased levels of Carbon Dioxide (CO2)that we are spewing into the atmosphere. This piece is a sonification of what is known as the Keeling Curve (named after scientist Charles David Keeling), which represents the average amount of carbon dioxide in parts per million that is in the atmosphere.

The melody shows us that as the years go on (starting in 1958), the collection of Carbon Dioxide increases at an exponential rate, giving the listener a feeling of unease and anticipation of the melodies end. But as we know now, this is only the beginning. As human industry continues to spread across all facets of the globe, Earth will only get warmer and more inhospitable. Lest we curb our addiction to fossil fuels and elect governors who are willing to do something to prevent furthering our impact in the atmosphere, the melody will only continue to become unlistenable, so to speak.

Sonification of Atmospheric Carbon Dioxide (CO2 ) in parts per million from 1958 to 2008 as observed by the Scripps Institution for Oceanography at the Mauna Loa Observatory, HI, USA by Jonathan Eiseman (2014, Workshop on Algorithmic Computer Music)

The open source data used in this piece was exported from DataMarket and the credit for the collection of the data is the Scripps Institution of Oceanography and the NOAA.

Huge thanks to Larry Polansky, Daniel Brown, Dave Cope and Peter Elsea and UC Santa Cruz.



Sonification of Atmospheric Carbon Dioxide in PPM (1958-2008)

2018 works by Jonathan Eiseman aka Aedes Aegypti

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Producer, Writer and Performer of instrumental electronic music inspired by acoustic and environmental justice.

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