this is lovely.  nice intro/tuning.   beautiful easy vibe to this.   best thing ive heard on SC today x

☎️  FOLLOW ALL THINGS FAVOURS - https://withkoji.com/@Favours ☎️
Spotify: https://open.spotify.com/artist/6ITmkLaaKOscYl6M2Btipq
Bandcamp: https://bandfavours.bandcamp.com/music
Instagram: https://www.instagram.com/favoursband/
Apple Music: https://music.apple.com/au/artist/favours/1402042236
Soundcloud: https://soundcloud.com/favoursband
Facebook: https://www.facebook.com/favoursband/ 

☎️  “Call Me” ☎️ 
Written by Favours
Produced by Mark Andrade + Favours 
Vocals + Guitar: Alexander zen 
Vocals + Synths: Jacq Andrade 
Guitars + Synths : Mark Andrade 
Bass: Brendan Canning 
Drums: Kevin Correia
Mixed by Alex Bonenfant 
Recording engineer: Dylan Franklin 
Mastered by Phil Demetro
Recorded at Amos Waits Studio in Toronto 2020. 

☎️  LYRICS ☎️ 
Dream weaving, strange feeling, every time it's like time doesn’t exist.
Wrong direction, mixed impression, we’ve been here so many times before.
 
You don’t call, you don’t call, you don’t call me anymore.
You don’t call, you don’t call, you don’t call me anymore.
 
The wind was wild, love like a child, we opened doors I cannot close or ignore. 
Moment passes, but I'm not past it. Spending nights alone with Alice. 
 
You don’t call, you don’t call, you don’t call me anymore.
You don’t call, you don’t call, you don’t call me anymore.
 
That you are and you won’t be. Never anything I want to be. 
And you want but you’re searching holding on to anything. 
(holding on to anything) 
 
That you are and you won’t be, never what you wanted really to be.
You are but your searching in the wrong place for me.
 
You don’t call, you don’t call, you don’t call me anymore.
You don’t call, you don’t call, you don’t call me anymore.
 
But you are, but you won’t be, never anything I want to be
And you want but your searching holding on to anything.  
(holding on to anything) 

That you are, and you won’t be, never anything I want to be.
But you are and you won’t be, never what you wanted really to be. 
You are but your searching in the wrong place for me

CALL ME

easy love

Observatory

Alpine Drive

At The Wheel

Like A Dog

From 'Exquisite Corpses":
https://schoolkidsrecords.com/UPC/634457082823

Exquisite Corpses

Leonard Cohen's Roses

Orange Drink’s second release Narcolepsy takes you on an out-of-body experience as a narrator takes you on a flashback, detailing his self-implosion in 5 genre-jumping songs.

The Skies Have Turned Red

I was restless, needed company, too long on the road, you see,
Coming home was mostly on my mind.
Didn’t call, wasn’t sure if I was welcome at your door;
When I left, both of us were crying.

If I’m gonna win, gotta play it by the rules, you see
And that means you’ve got to be strong.
When I’m on the road, I’ll be thinking ‘bout you baby, all night long.

I was due that night, she knew that, She not care? She forgot?
Doesn’t really matter any more.
Lights were on, she’s not there, couldn’t find her anywhere.
Has she really walked right out that door?

If I’m gonna win, gotta play it by the rules, you see
And that means you’ve got to be strong.
When I’m on the road, I’ll be thinking ‘bout you baby, all night long.

I knew when it came to us - I was gonna have to learn to trust.

If I’m gonna win, gotta play it by the rules, you see
And that means you’ve got to be strong.
When I’m on the road, I’ll be thinking ‘bout you baby, all night long.

I believed you see, she cared for me, made me blind, I couldn’t see,
She had something else on her mind.
She’ll be moving on, that’s fine, guess this isn’t the first time,
And prob’ly it will not be the last.

Prob'ly Not the Last

Quand dans la nuit le Fils de Dieu.m4a

Aeon Station’s Observatory is an epic statement more than a decade in the making, with miles of timeless melodies and the kind of overpowering songwriting that will reaffirm your belief in life itself. Longtime Wrens member Kevin Whelan’s first solo album draws heavily from the perseverance of the soul, resulting in rock music possessing an infectious and inspiring sonic uplift. If you’re familiar with Whelan’s past work, these ten tracks bear a certain and unmistakable familiarity—but they also mark an exciting new chapter in Whelan’s musical career, as he steps out with more vulnerability than ever before.
 
Observatory came together carefully for Whelan—over the course of 14 years, specifically, as clusters of demos and sketches were eventually assembled and recorded largely by Whelan himself, with assistance from Wrens bandmate Jerry MacDonald and Greg Whelan as well as Tom Beaujour in his Union City recording space. Additionally, his wife Mary Ann provided backup vocals. “It’s the best I’ve done and may ever do frankly,” Whelan states. “It’s written over such a long period of my life. Music I did in the past was tinged with expectations or presumptions, but this time, it was just for me.”
 
The long gestation of Observatory means that a lot of lived experience went into making this album. As time passed, Whelan got married, started a family, and moved to the Asia Pacific region for a period of time; at 15 months old, his son (now eight) was also diagnosed with autism, and the title of Observatory itself is inspired by Whelan’s own relationship with his son.
The album title reflects upon the stories within the songs — each one observing a certain situation or feeling.” Whelan’s scope of musical vision on Observatory is wide open and free with possibilities.

Alpine Drive

Aeon Station

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