Awesome solo cream wah wah feel and sound!

I dig your Jack Bruce Bass so much my friend!

Wow so supercool this solo it beams me straight into the 70ies! Such a super playing!

Beautiful work HK! This is one of my all time favourite pieces of work and you have totally honoured it!

Fantastic cover song - your guitar work is always top notch!

No Techno

The Future

The Future  (ADE LA ROSSE)

This song is mainly based on the great tune from the demo scene group on amiga called
Wild Copper, from the demo called Wild Copper's Megalo Demos.

RELEASED JULY 1988 on the AMIGA computer

The song: Bodykiss by Bug Vindicator
ALSO KNOWN AS
Laurent
Location: France

BODYKISS

Music, Lyrics, vocals and production done by this guy....enjoy....


Follow the dark, light is not pure
Its absurd, a cure deterring many kills from the hurt
Distilled and working, a systematic decline
You resign from the time your eyes become blind
To the senseless connotations that your mental reflects
Until you speak the latin language with a poor mans respect
Its all a game, nothing is real
Not even the social definition of love that you feel

I appeal to you and try to make a solid case
You follow pace, deface the mask, deny the rape
A matter of fact the dim shadows form your soul
You've got no control as to where your energy goes
Energy flows lava anger let it explode
And corrode the lines their feeding from your head to your toes
Like a puppet they love it making you jump
Until you feel like nothing more than a waste of your lungs
Now you don't breathe let it all go
Suffocate breathe air is no more

I'm in your mind

My core is dead the spark inside cannot persist
I exist only to witness the sense of this bliss
Dismissed as a failure, done, a bitter shit
A heart ripped, let go slip 
More am I more I can know your thoughts
Before you know them and expose them 
Making me distraught

Lonely defies hurt, the pain is no more
The key to my love lies in dust heart sore
Blame the fact that I'm filled with emotions displaced
I've abandoned all this hope for the cycles to change

Follow The Dark

Hold Me.Tonight We're Gonna Move.

This is the sound of the future
This is the sound of the past

Where do we go when the world ends
What do we do if it lasts

Will you hold me in the darkness
Will you kiss me in the cold

So little time left for changes
So many stories untold

Only one train to tomorrow
Only one track in the night

Got no time got no ticket
Drifting slowly out sight

Will you hold me in the darkness
Will you kiss me in the cold

So little time left for changes
So many stories untold...

 

(Music/ Lyrics/ Field Recording: VSS; Image VSS: Kottbusser Tor Subway-Station, Berlin)

Night

Surfers like us - Guitar soundcloud.com/user-411502040/tracks
Well - synths
This time our duo invites you all again into space. We suggest you chase the comet, which sparkles with colors and escapes from us to the unknown territories of the galaxy. We hope you will enjoy this atmosphere. See you aboard our spaceship 🌔
26/3 2024

Hale-Bopp Comet over Indian Cove
JOSHUA TREE NATIONAL PARK

Chasing a Comet - w/Surfers Like Us

Amanecer

Cover (Karaoke version) of Cream's "White Room" from the album "Wheels of Fire" (released in 1968).

Please check as well the vocal version featuring B. Conover : https://soundcloud.com/conover/white-room-cream-cover-by-conover

[WHITE ROOM]
Song Writer: Jack Bruce, Pete Brown , Originally Played by Jack Bruce:  Lead Vocal, Bass Guitar/ Peter Edward "Ginger" Baker:  Drums,Chorus / Eric Clapton: Lead and Backing "Wah-wah" Guitars, Chorus.
Artwork is borrowed from the original Album, its copyright owned by the artists and PolyGram Records.
----
Arranged and Performed by Hiroshi Kohno (Guitars, Drums,Keyboards) +Mr. Omoro(Bass Guitar)
[ Home Recording ] Lead Guitar, Backing Guitar, Bass Guitar / Keyboards(=only for the intro & interludes)
[ Studio Recording ] Drums
[ Desktop Program ] Mixing: only noise cleaning, arrangement of pan, volume envelop and of EQ (compression), no editing/ no posterior-effect.
- In the vocal version featuring Conover, Choir(s) for the intro/interludes were done by me afterwards (which is not included here).
- Except Keyboards, all tracks were recorded through the open mics (not the line-rec through the digital audio-interface nor the rig) set in front of the hard-amp's speaker or drum-kit (6-mic for drums)...thus the guitar effects were all anterior-use (analog effectors including crybaby wah pedal) to the amps. Keyboards were recorded with/through AUX converter into PCM.

** 
I made this as a private tribute to favorite Basist Jack Bruce... but, actually couldn't complete for many reasons...you can imagine how I missed him. So, there are some lacks of a track that I wanted to add afterword; for example, small Arpeggio pattern of Backing guitar..also, I wanted to re-record the Lead guitar track since I found that the last "solo" phase had some small-detuned notes (I think 3rd string had been detuned coz of many chokings...). 

All instruments were played and recorded respectively (independent 6 tracks : Drums, Bass Guitar, Backing Guitar, Lead Guitar, Keybord and Chorus), but I lost those individual files coz of PC trouble. So, I only have this mix of incomplete version. Also Choir(s)-track for the Intro/interlude is not included in this version.

If you feel OK with these, I can send you the file. You can send the message on SC.
Thanks

White Room - Cream Cover (Instrumenal)

Mtlsir https://soundcloud.com/user-434699157 and me are Glitchy dot Phong !!!!

Glitchy Dot Phong - Welcome To The Jungle

www.milanazilnik.com/albums/thelittleprince

THE ALBUM IS COMING AUGUST 2nd!
As a child, I had a truly magical time with stories, and my mom reading them to me. The way she intonated and impersonated each character was just so fascinating to me. Her voice was the music I always heard before falling asleep, and as soon as I would actually fall asleep, the music kept going. Which was and still is sometimes a torture as much as a pleasure.

As an artist, I always come back to that child and those stories. They still resonate with me but on a much deeper level. The notes now combined with colors and smells, patterns become a dance or a soundscape rather than just a melody. So, I splash with my watercolors palette and watch the music as it merges with the world, and I invite the listener to this never-ending journey.

“The Little Prince” was one of my favorite stories, one filled with quiet moments and hidden meanings, mystery, and gentleness, and humor - the kind of story that haunts you all your life. This story holds a philosophy that I resonate with: I feel myself just like the main character - wishing to create my own worlds, organize my thoughts according to my personality, and not to be put into the frame of adulthood. I feel the rebellious urge to wake myself up from a grey existence and use all the colors, humor, sounds, and smells that exist in the story of the Little Prince.

It became even more special since my son was born. We painted the Little Prince on the window in a daycare room, the home daycare I used to run in our own house before embarking on the journey of a composer. At that time, we were surrounded by music and art all day long as my children grew up, and I was experiencing their enchantment with music and the Little Prince once more. In 2021 another miracle happened that was also related to the story: I received an email from Leipzig Ballet, asking for permission to use two of my compositions for their ballet show based on "The Little Prince". All that inspired me to write an entire album dedicated to the story.

I am extremely grateful to my family: parents, children, and a wonderful husband who allows my inner child to grow into an artist. I believe we all need the magic of a storytelling experience, and I tried my best to awaken all the senses into it.

"The Business Man" from "Piano Stories of the Little Prince" by Milana Zilnik

Sand Riders

Thank you for your visiting, listening and supporting.

I'm a spare-time musician, usually working as an architect (running own atelier) on an average day.

I play: Guitar & Drums (respectively since 11 years old & 9 years old, since late 70's, quite intermittently, though; skipping some years not playing them while dedicated myself completely to architectural study and practice incl. working in  Europe),
and a little of Keys & Bass guitar (both of the later were started 10 years ago or so)

Roots: Classic Rock, R&B and Funk Rock, 70's Progressive Rock, 70's-early 80's HR/HM, also interested in many kinds of music and sound-art.

White Room - Cream Cover (Instrumenal)

aerogene070

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