K-Rai - Do It

K-Rai - Acidic

K-Rai - Augmented

https://soundcloud.com/v1984

https://www.instagram.com/v1984_/
https://v1984.bandcamp.com/
https://glacialindustries.bandcamp.com/album/becoming-n-one

v1984 - 08162014

Footwork Fetish does exactly what it says on the tin.

Huge selection of footwork and juke to satisfy all those 160 fetishes out there.

Tracklist:
Traxman		Iron Man (re juked)
Sink Thinking		Pop It
The Bobfather		We Took Over
		Teklife Skillz
Addison Groove		Footcrab (DJ Rashad & DJ Spinn Remix)
DJ Rashad & King AG		We Run It
DJ TOYA		Get Em Girl / Boy (ft DJ DMAN)
DJ TOYA		Make Me Bob
DJ Rome		Footwork Test
Torus		Volcadonuts (Slugabed Remix)
Jhene Aiko		My Afternoon Dream (Blanco Duke Edit)
just john		Footwork
Addison Groove		Masamune
H Sik		Sonic Rage
Zadlaki		Transhumanism
Normcorps		Deejay Chainwallet
Seablaze		'97 Hyperactive (ft Lil Mystic)
HAARPS		Dubs From Everfrost
VAPERROR		Crystal Body (Juke Remix)
Izumi Kouki		SGMR
Margaret Antwood		Body Worlds
DJ Thadz		Air Tunnel
DJ Rashad		Get Down and Make Em Freak
DJ Solo		Footwurk Jazz
B.O.O.M.A		Green LEDs
Rainsdeaf		feat. Windowshopping
A.Fruit		Promises
Jill Scott & Bun B		So Gone (Lakim's Sho Yo Footwork remix)
Bowser		Famitsu
Hoofwork		Yoshinoya Beef Bowl
Ultrademon		All 44 U
Juke Of Edinburgh		Tender Love
		ShoutokuJuke is Dope
Ind_Sim_Fris		On A Ragga Juke
Mondaine		Take Me Home
DJ Hilti		Sex To Me
Prime Slime		Ain't Nobody
Sammwise		Vibin'
Rashid From Lima		Cuckold Times
Kozee		Let's Ride

Footwork Fetish

On ACEN043 we welcome Istanbul-born, Strasbourg-based artist Vod Kasat. On their debut solo release, they showcase their broken, leftfield sound with an expansive 6 track EP.

Title track Mavi Maskara opens the record with glitched breaks and pummeling sub bass before propelling into the groove. Cavernous, fluctuating pads enter the mix, adding an atmospheric edge to this rolling percussive work-out.

Next up, Soap enters with staggering percussion and dubbed-out chords before launching into a high-octante electro-inspired rhythm. Cutting arpeggios drive us forward as disorientating sound design drifts through the mix.

Passenger Princess lowers the tempo significantly, alternating between super-time-stretched breaks and slo-mo gabber kicks. The disorientating groove progresses as a whirring siren hovers above.

Dur U kicks off the second half of the record in a tom-driven house groove. Overdriven, haunting vocals glide through the mix as Vod Kasat hits us with arresting, industrial percussion.

15 Feb opens with mangled breaks before entering into a chaotic, high tempo rhythm. A heavily distorted synth provides the hook as hard-hitting kicks command the dancefloor.

Closing track Raindrops On My Tongue opens in contrastingly serene fashion with waterdrops and ethereal pads. Heavy kicks and hectic percussion dance between glitchy melodies before experimental sound design brings the EP to a close. 

Released 21st February

Vod Kasat - 15 Feb

Jue6ons - Nowhereman (Vocal Version)

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”.
More info and music: https://kioskradio.com

NAJIB @ Kiosk Radio 13.12.2022

Premiera w Radio Kapitał!
Elektroniczny duet IFS / @ifs_raps , tworzony przez Mateusza Wysockiego / @fischerle i Krzysztofa Ostrowskiego łączy siły z japońskim raperem MA / @ultrama00 . Na albumie “REIFSMA” mającym premierę we wrocławskim labelu outlines / @outlineslabel przedstawiają muzykę pełną wielowymiarowych bodźców, wychodzącą z post-footworku i abstract rapu, ale przekraczającą wszelkie gatunkowe granice. Premiera 17 lutego > https://outlineslabel.bandcamp.com

Albumy tygodnia, nowości i przedpremierowe odsłuchy co wtorek o 12:00 w audycji Świeżynka > radiokapital.pl/shows/swiezynka

REIFSMA

IFS MA - MADOROM (outlines)

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

'A Seagull's Hymn'
Electric guitar - Felix-Florian Tödtloff
Drums – Will Ballantyne
Bass – KIM KHAN
Chains & vocals – Ican Harem

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

TRANCE BAND - A Seagull's Hymn

LIL PEEP U SAID TECHNO REMIX (LIAMW1)
Original song: U said - LIl peep

K-Rai - Do It

Aeronema

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