Noble Circuit Selects: Modular Synthesizer Explorations

Soft Touch

Bandcamp: https://wavefiler.bandcamp.com/album/farads

Streaming Links: https://lnk.dmsmusic.co/wavefiler_farads

“Farads” (feh·ruhdz) is a meditative reflection on how energy is stored and released in the realms of electronic components and beyond.

Synthesizers were recorded live to a Teac-3440 1/4” 4-track tape machine except for Steady Stateful, recorded to Fostex R8 1/4" 8-track tape machine. A pseudo-Frippertronics tape loop system was used on Lithospheric. Write for more equipment details.

All tracks composed, recorded and mixed by Wavefiler, 2022-2023, IG: @wavefiler

Mastered by Keith Milgaten @ Formed by Glaciers, IG: @formed_by_glaciers

Album cover art by Adrian Johnson, Chicago, IL, IG: @art4.lif

Thank you Mystery Circles, Formed by Glaciers and everyone for your encouragement & support.

Wavefiler - Farads

Melo

QV-41, Q.V. 050325a

Inwards Folding Sky

Not quite sure how to define this one — went headfirst into the lesser-known corners of my record collection: oddballs, recent favourites, and classic nibbles. An anything-goes selection with no real aim other than to dig through the overlooked and the in-between.
 Check www.discrepant.net 


Discrepancies 2.0 • Time and Tide w/ Gonçalo F. Cardoso (17.11.2025)

Exploring what’s new and exciting but also tracing how we got there. No dogma.

Feloneezy (17.11.2025)

Patterns Radio is kicking off their fourth season on Stegi Radio with a meditative one-hour mix of most recent ambient favorites by Niclas Gillich.

Patterns Radio • Clearing w/ Niclas Gillich (17.11.2025)

In “Wings of Desire,” two angels descend upon divided Berlin in the 1980s, listening to the stories of its inhabitants. Damiel falls in love and decides he wants to live as a mortal.
Wim Wenders’ first film after his American period finds him returning to Germany with an improvisational ode to life itself.
Yorgos Zois, director of “Interruption” and “Arcadia,” which represents Greece at this year’s Oscars, sees in the film a dream, a story about all stories, and a portrait of a city that no longer exists.

With Yannis-Orestis Papadimitriou.


Wings of Desire feat. Yorgos Zois w/ Yannis-Orestis Papadimitriou (13.11.2025)

Philip is unable to complete the text he has undertaken to write about America. Instead, he takes Polaroid photos that never seem to match what he sees. 
In a twist of fate, young Alice’s mother leaves her in his care, and together they embark on a journey across Germany, one that becomes a lesson for him. 
Rinio Dragasaki sees in Wim Wenders’ “Alice in the Cities” a film whose themes feel strikingly contemporary, as well as a cinematic childishness that she herself has explored in films such as “Cosmic Candy” and “Dad, Lenin, and Freddy.”
With Yannis-Orestis Papadimitriou.


Alice in the Cities feat. Rinio Dragasaki w/ Yannis-Orestis Papadimitriou (14.11.2025)

Robert is depressed. Bruno is a drifter. Bruno picks up Robert, and together they set off on a journey without a destination. 
On the often discordant relationship between the two men, Wim Wenders builds “Kings of the Road,” an abstract road movie set in the most ordinary and unremarkable landscapes of provincial Germany.
However, in this film, which concludes Wenders’ so-called ‘Road Movie trilogy,’ Syllas Tzoumerkas—creator of the films “Homeland,” “A Blast,” and “The Miracle of the Sargasso Sea”—discerns the greatest possible freedom a filmmaker can claim in cinema.
With Yannis-Orestis Papadimitriou.


Kings of the Road feat. Syllas Tzoumerkas w/ Yannis-Orestis Papadimitriou (15.11.2025)

In 1982, at the Cannes Film Festival, a sense of unease hung in the air surrounding filmmakers. Television was on the rise, production studios were changing the rules of the game, and the future looked uncertain.
Wim Wenders set up a camera in Room 666 of the Hôtel Martinez. In front of it, fifteen film directors, including Jean-Luc Godard, Michelangelo Antonioni, Werner Herzog, Steven Spielberg, Rainer Werner Fassbinder, and others, answered a question: Is cinema a language in danger of extinction and an art form at risk of dying?
Cinema went on, and Elina Psykou made her own films: “Stray Bodies,” “Son of Sofia,” “The Eternal Return of Antonis Paraskevas.” Yet she still finds something deeply cinematic in this dystopian prophecy from four decades ago.
With Yannis-Orestis Papadimitriou.


Room 666 feat. Elina Psykou w/ Yannis-Orestis Papadimitriou (16.11.2025)

When “Paris, Texas” opens in the vast expanses of the American desert, Travis is a lost man. He has lost his voice, repressed his memories, and wanders through the boundless nowhere.
Travis’ journey toward redemption becomes the foundation for Wim Wenders’ most famous film, which finds all its key contributors at the height of their powers: the director himself, Sam Shepard on the script, Ry Cooder on the music, Robbie Müller on cinematography, and Harry Dean Stanton and Nastassja Kinski in the lead roles.
Vasilis Kekatos, the first Greek director to win the Palm d’Or in 2019 for his short film “The Distance Between Us and the Sky,” keeps returning to this film, finding in it a powerful story and an America he himself has been chasing.
With Yannis-Orestis Papadimitriou.


Paris, Texas feat. Vasilis Kekatos w/ Yannis-Orestis Papadimitriou (17.11.2025)

In “Kings of the Road,” Wim Wenders builds a simple, linear story around two incompatible characters, Bruno and Robert, who embark on a journey through provincial Germany.
Upon this simple premise, Wim Wenders develops a series of themes haunting the postwar generation in Germany: the traumatic legacy of Nazism, the country’s interrupted history, the crushing of memory, the intergenerational rupture, and the absence of images.
Alexis Alexiou, director of the film “Wednesday 04:45” and co-creator of ‘The Lost Avenue of Greek Cinema’ initiative, speaks about these multiple layers within what appears to be a simple road movie.
With Yannis-Orestis Papadimitriou.


Kings of the Road feat. Alexis Alexiou w/ Yannis-Orestis Papadimitriou (18.11.2025)

In 1983, during a busy creative period between “Hammett” and “Paris, Texas,” Wim Wenders visited Japan with a camera in hand to search for Tokyo as it had been captured by one of cinema’s great masters: Yasujirō Ozu.
“Tokyo-Ga” inaugurated Wenders’ long relationship with Japan, which continued through his 1989 portrait of fashion designer Yohji Yamamoto in “Notebook on Cities and Clothes.” Decades later, in 2023, Wenders returned to Tokyo for “Perfect Days,” a depiction of the stoic life of a man who cleans the city’s public toilets.
As a director, translator of Japanese literature, and someone with a deep knowledge of Japan, Panayotis Evangelidis helps us understand Wim Wenders’ Tokyo as it is portrayed across these three films.
With Yannis-Orestis Papadimitriou.


Tokyo-Ga feat. Panagiotis Evangelidis w/ Yannis-Orestis Papadimitriou (18.11.2025)

Solstice III

A series of music centered around events in nature.

The Winter Solstice
The longest night of the year, an ending and a beginning.
A moment celebrated by mankind to help us understand our place in the universe. A time to reflect on our connection with nature.

Find a moment for these musical passages.
Listen, let go and be.

These passages were composed by chance, performed in the moment and captured on tape.
credits
released December 21, 2019

Written, Recorded, Mixed and Performed by Abe Seiferth

Harmonium

The project explores contrasts in human experience like love and hate, chaos and order, creation and destruction, life and death. It captures the natural push and pull of existence, using sound to reflect the complex and sometimes contradictory nature of life.

https://aetherfall.bandcamp.com

https://open.spotify.com/artist/44c4aYWujt1Ab1G5ZUAdkz?si=ryQr90wwSaaaqyCYOHmMJw

Inwards Folding Sky

Aetherfall

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