Name: First Ones by AeTopus in Minimal Electronica
Duration: 4 min 52 s
Description: Melodic | Soundscape | New Age feel. A hypnotic and mysterious melody opens this quiet, melancholy piece. Sparse percussion, acoustic elements, and vintage electronic accents are woven into the relaxed, reflective pace.

Minimal Electronica

When something occurs in your life that sets everything off balance. You take on a different perspective. This is the storm that challenges your beliefs and your future.

Storm

Much Love To The Plastic People (DJ mix December 2009)

Melodic | Soundscape | New Age feel. A hypnotic and mysterious melody opens this quiet, melancholy piece. Sparse percussion, acoustic elements, and vintage electronic accents are woven into the relaxed, reflective pace.

First Ones

Meter Down with RJ Sayan [Mon-Sat/6p.m.-9p.m.] only on Fever104FM Facebook Page : www.facebook.com/pages/RJ-Sayan/166871216779888
Email : sayanghosh.official@gmail.com

Happy To Disturb - Mesor Mess

ISRC: GBWUL2483774
Written by Rollah Mack, Milan André Boronell and Wilhpun
Produced and Mixed by Milan André Boronell
Mastered by Kristofer Harris
Translation: Tatala
Vocals by Rollah Mack
Harmony vocals: Nuskmata (Jacinda Mack)
Background vocals: Tatala, Qwaxw and Wilhpun
Native American Flute: Wilhpun
Drums: Tatala
Piano: Milan André Boronell
Bass Guitar: Milan André Boronell

Nusximta

It7Nuxalkmctmacw

ISRC: GBWUL2483859
Written by Wilhpun
Produced and Mixed by Milan André Boronell
Mastered by Kristofer Harris
Vocals by Wilhpun
Translated by Tatala
Native American Flute: Wilhpun

Anutsnmilh

ISRC: GBWUL2483869
Songwriter (Lyricist) Umq’umklika Evangeline Hanuse
Produced and Mixed by Milan André Boronell
Mastered by Kristofer Harris
Vocals by Ts'ikwalhm and K'ipt
Translation: Tatala
Acoustic (Nylon) Guitar: Milan André Boronell
Kalimba: Milan André Boronell 
Singing Bowl: Qwaxw

Xiku

ISRC: GBWUL2462800
Written by Ximana Nola Mack
Produced and Mixed by Milan André Boronell
Mastered by Kristofer Harris
Vocals by Ximana Nola Mack
Translation: Tatala

Axw Ku Kwmanu

From the "Trialogue" EP, out now on All In The Family Records

Trialogue

From Zero

EDX - Want You (HK/MoS/Sirup)

House producer and DJ EDX has unveiled his debut release for Ministry of Sound's sub label HK Records with 'Want You'. Set for release on April 13th, 'Want You' follows a string of Beatport chart successes - his massive remix of Nora En Pure & Sons of Maria's Uruguay is currently at number 8 in the overall chart - and paves the way for what's set to be another promising year for the Swiss.

Well-known for exploring different genres within the electronic scene, 'Want You' comes through with EDX's poignant signature style but also brings a darker undertone that demonstrates his multifaceted skills as a producer. Whilst there are still remnants of the electro basslines found in the summer smashes of 'Make me Feel Good' and 'Cool You Off', EDX's latest offering certainly favours a deeper sound of house that's in tune with Ministry of Sound's forward thinking music policy.

With a career thats spanned over 10 years, Maurizio Colella aka EDX has a longstanding dedication to the scene that's been built around his distinct progressive flair - counting remixes for the likes of Calvin Harris, Avicii and Kaskade as well as recently referencing the old school for 'Remember House'. After joining Ministry of Sound's 23rd Birthday celebrations last September alongside Benny Benassi, he's also set to round off his huge 25-date 'Progression of Sound' tour at this year's Miami's Winter Conference - moving into spring with strong momentum.

EDX - Want You

EDX - Want You (Radio Mix)

Chaos Maw - Part 1 - fast paced and busy - it hits 

Chaos Maw - Pt1

Aphex Twin-Xtal

Sea Monkey Dew

A brave, dark strain of ethereal instrumental electronic music wafts from a former chicken breeding warehouse in the wee hours of the morning. Inside the downtown Bellingham, Washington compound, composer/producer Bryan Hughes labors over his latest works in a modest, uncluttered art studio space. He’s an artist who has hit that elusive creative milestone of garnering prime industry acclaim and accolades from a fiercely original music that defies genre classification.

Since 2002, Bryan, under the AeTopus moniker, has released six albums and two EPs. AeTopus’s artistic continuum stretches from a traditional new-age pop approach to the minor-key moodiness and elongated song structures characterized by his most recent work. The project has won a Zone Music Reporter Award for Best Electronic album, earned three ZMR Best Electronic album nominations, and garnered one nomination for the NAR Lifestyle Music Awards for Best Electronic album. Despite this acclaim in the new age marketplace, AeTopus music doesn’t conform to the radio-oriented format—a more apt description of its genre might be “electronic instrumental goth.”

AeTopus compositions feature the drama and overture of classical music and film soundtracks, the ambience and experimentation of pre-Ableton electronica, the aggression of hard rock, and the mystical majesty of world music. The tracks are shadowy, emotive, and rife with intrigue without being specifically thematic. The overall effect of AeTopus songs is disquieting, which puts it at odds with most of the meditative or relaxing music that populates the new age genre.

Bryan’s current pair of releases, the full-length VARIANT, and its bass-heavy companion EP, Deep Variants, signal a fresh era of intrepid creativity. The compositions here are akin to sonic essays that feature loose melodic narratives. These tracks breathe, and feature delicate dynamic shifts and, at times, ominous ethereal textures. “My goal was to apply my existing musical instincts to longer-format pieces, and to not feel confined by my long-standing bite-sized, radio-friendly style,” Bryan shares. The EP Deep Variants powerfully reimagines the VARIANT source songs with a haunting low-end quality.

Today, Bryan plans to continue his musical voyage exploring more sublime and eccentric long-form compositions. “I think most serious creative people like to see evolution in their work. I've learned to let go of the expectations that come from being associated with a genre, or that come from having established a certain sound on past albums. When I give myself that permission to experiment, those darker and grittier influences find a way to sneak back into the mix.”

- Lorne Behrman

First Ones

AeTopus

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