Heard dozens of remixes of this classic but none comes close to this one. Nice!

I like the stabbing synth, very cool vocals too. Dig it

https://soundcloud.com/harji/bent-swollen-harji-remix

love this track.. i used it in one of my podcasts...www.houseofmonsoon.podomatic.com

Hot Since 82 Ft. Jem Cooke - Buggin' [Silinder Remix] Free Download

Sasha ft. Krister Linder - Cut Me Down (Kastis Torrau & Donatello feat. Arnas D Remix)

Across The Sea

Across The Sea (Full Musical Vibe)

DC Promo Tracks #1745 "Stay" by Nate08 is part of the upcoming release Stay on Needwant  @seanneedwant 

Pre-Order: https://www.junodownload.com/products/nate08-stay/7263035-02/?ref=dc

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DC Promo Tracks: Nate08 "Stay"

Sasha - Cut Me Down (Kastis Torrau & Donatello feat. Arnas D. Remix) [Last Night On Earth]

Terry Lee Brown Jr & Greg Parker – Eclosion (Aqua Bassino Deep Chill Remix)

Ricardo Villalobos vs Luciano Live @ Cocoon Closing Party, Amnesia, Ibiza - 29-09-2008

Aural Float - Still Here

A little re-edit of a classic, free download...

Everything But The Girl - Wrong (King & Early Sunset Mix)

The Verve - Bitter Sweet Symphony (Amonita & Makebo Remix)

Music for Freaks celebrates its 20th anniversary with a third instalment in the label's 'Let's Do It Again' series. Hear the menacing minimal bass and warped vocal work on Ricardo Villalobos' discordant edit of 'He's Angry' now.

More info: https://djmag.com/music/premiere-freaks-angry-villalobos-techmix

Premiere: Freaks 'He's Angry (Villalobos Techmix)'

https://cocada.lnk.to/CM001

English

Cocada, a project which emerged as a diffuser of the musical talent present throughout Latin America, quickly spread its sounds to the four corners of the world, becoming a great initiative for electronic music. We couldn't be happier by this time, Cocada's first release as a record label is born with some respected artists and a beautiful story behind. 

The wonderful artwork was illustrated by the Brazilian artist Paula Dornelles, who dedicates herself to the production of experimental artworks, she was able to convey through all her creative potential the depth of the meaning present in the word "freedom", a small sample of Latin American talent also in the visual arts.

On the album, who begins the work is the Brazilian duo, Diogo Vaille and Marcelo Abreu aka Bruce Leroys, with "Liberdade" (Original Vocal Version), a rework of a classic MPB song. The artists managed to perfectly merge the melancholy voice present in the song with a deep and dense bass line, bringing all the emotion present in the lyrics, causing goosebumps.

However, the duo isn't alone in this release. None other than Ricardo Villalobos has also left his trademark with a great remix, featuring fuller grooves and inserting multiple textures for the track. Finally, Trepanado brought all his dance floor experience and rich musical baggage to print a delicious version, worthy of a good Cocada! It was the plurality that the debut release needed. Enjoy it without moderation!



Português

O Cocada, projeto que surgiu como um difusor do talento musical presente em toda a América Latina, rapidamente propagou suas sonoridades para os quatro cantos do mundo tornando-se uma iniciativa grandiosa para a música eletrônica. Não poderíamos estar mais felizes por este momento, o primeiro release do Cocada como gravadora ganhou a luz do dia com a participação de alguns artistas ilustres com uma linda história por trás.

A belíssima capa foi ilustrada pela brasileira Paula Dornelles, artista dedicada à produção de artes experimentais que conseguiu transmitir através de todo seu potencial criativo a profundidade do significado presente na palavra liberdade, uma pequena amostra do talento latino-americano também nas artes visuais. 

No disco, quem abre os trabalhos é o duo brasileiro Diogo Vaille e Marcelo Abreu aka Bruce Leroys com “Liberdade” (Original Vocal Version), uma releitura de um clássico da música popular brasileira. Os artistas conseguiram unir perfeitamente a voz melancólica presente na canção com uma linha de baixo densa e profunda, evocando toda a emoção presente na letra que chegam a causar arrepios.

Mas a dupla não está sozinha neste release. Ninguém menos que Ricardo Villalobos também deixou sua marca registrada com um ótimo remix, apresentando grooves mais cheios e inserindo múltiplas texturas para a faixa. Por fim, Trepanado trouxe toda sua experiência de pista e rica bagagem musical para imprimir uma versão deliciosa de saborear, digna de uma boa cocada! Era a pluralidade que o release de estreia precisava. Aprecie sem moderação.

Bruce Leroys - Liberdade (Ricardo Villalobos Nao Ficar Com Deus Remix) (Snippet)

2002:
16B, the name used by producer Omid Nourizadeh is probably one of the hardest working men in dance today. In addition to a hectic DJ schedule, and many high calibre productions and also remixes for the likes of Jamez, CM and many other artists, he has made a name for himself, with his unique deep grooves and gorgeous melodic basslines. In addition to this he runs the label Alola, Amongst all this he has found time to follow up on the 1998 debut ´Sounds From Another Room´ and his recent Alola compilation, ´Everything, All Of Them And Every Year´ to unleash his second solo album upon us, ´How To Live 100 Years´.

´Inbetween Your Choice´ eases us in at the start, but unlike most albums, Omid decides to whet the appetite with this opener, which can only possibly be described as a musical masterpiece that refuses to stay within the confines of dance music. Amidst the deep trickling bassline and glorious melody lay all matter of drum arrangements and eastern sounding strings that will quite literally dazzle your senses and leave you breathless. 

The laid back mood is continued with the familar guitar riffs and gravely vocals of ´Escape (Driving To Heaven)´, featuring the vocals of the excellent Richard Morel who´s performance still sounds as fresh today as it did upon it´s intial release. ´Keep On Changing Shape´ alters the flow of the cd slightly with its upbeat percussion and rolling groove which culminates in the trippy funktastic bassline of ´De-Org Song´, adding a slightly darker edge to the album.

´Doubt´ is one of those tracks that you could quite easily melt to at your favourite pre club bar, favourite drink in the hand, good company, good vibes and a general happy feeling being emitted by the soulful vocals being belted out coutesy of the mysterious Stephan. 

´Colours´ on the other hand is a downbeat drum ladden beauty that just shimmers softly and makes your mind just to drift away to the sound of Kate Jackson´s evocative vocals, but unfortunately this is cut way too short by the acidic loops and grooves of ´The Room´ which teases a more uplifting pace before ´We Will Again´ cuts that vibe short in a subtle way with the cinematic strings and atmospheric sounds that are carried over nicely into the rapid fire percussion of ´Virus´ and into the rough melodic layers of ´Behind The Face´, a soft vocal murmuring away in the backdrop and nicely complimenting the groove which brings the album to its penultimate high before the vocaless vesions of ´Colours´, simply entitled ´Reprise´ brings the album to the perfect end.



Following on from ´Sounds From Another Room´ this surpasses that debut in every way, and showcases that Omid 16B is not just a talented DJ, not just a talented musician or producer, but is quite simply the fking don.

02 Escape (Driving To Heaven)

02/04/2012

Sonja, how are you keeping – please tell us about the mix..

How am i keeping? as usual, slowly ;) I’m going on in my own flow, where my interest leads me. I’ve been working the last 5 months on a soundtrack for the Swiss tv’s new branding. that was a new experience, quite challenging I must say. Now it’s over and I can focus on electronic music again. A couple of remixes are in the oven, amongst them one for Adil Hiani, a great Marrocain artist from Cosmo Records and I do my little techno travels, as I say, as usual.

This mix is a very long tale, but I doubt anyone has the interest in reading about it! To make a long story short, when Daniel asked me to provide him with a mix for the 11th Lomidhigh Mixtape, I was very pleased and remembered our few encounters, like at Culture-Box in Copenhagen, where it sounds raw. I don’t do many podcast, the few I did were always going everywhere, from quiet sounds to jumping tunes so this time I decided to make a complete club mix, from beginning to end. raw and straight! For sure it’s not one to be listen to in the bedroom on Sundays ;)

Where was the mix recorded? How was the atmosphere?

It was recorded live in one shot at the Milk Klub – r.i.p – in Geneva at the end of February, on a sunny Friday morning, when the club was actually closed. I’ve spent many nights in there, although the club only existed for less than a year, felt really happy to do it there at this time.

What got you into dj’ing?

I think as every DJ, I was first a clubber, or maybe better said a raver. As your musical taste refines, you slowly feel the need to feed yourself with that particular sound you might not find at every party, so I started to buy records, and equipment. At this time, Geneva had a great underground scene, and it was not difficult to ocupy free spaces to throw parties. basements, warehouses, openair gravel pits.. I was 17. At the end it’s like a teenage hobby that lasts forever. or do we call it passion?

How is the techno/house scene in Geneve ? Daria told me that you used to play together at Weetamix with Luciano and herself… Was that when you started as a dj?

No, actually that was already like a good 5 years later. Weetamix is the only good and real club we’ve ever had here. As I said before we had a fantastic alternative scene in Geneva, but that was a long time ago. When I started to play regularly at Weetamix, that other underground scene was seeing it’s places disappearing one after the other, to a nearly total vanishing point today. The potential has always been there, and it’s still the case today, but our politicians have decided differently. They prefer a clean international image to a vibrant and creative alternative society.

What was your childhood dream to do as a grown up?

oh, I had many, but it always had to do with gathering people together in order to share something in common.

You’ve been playing a lot of different places around the world, which city do you enjoy the most?

Every city has it’s ups and downs, and what I like the most is despite the small size of our electronic community, you will find the same dance moves, groove knowledges and smile over the faces in every one of them.

What is your favourite club?

always this question ;) I don’t really have a favourite place to play in particularity, I already have many in mind while writting these words! so, ok, to name just a few, past, present and future: Club der Visionaere in Berlin, for that so special freedom feeling you don’t get anywhere else – Kruthuset in Stockholm, for the ever changing creative structure – Arma 17 in Moscow, for the massive, yet sensual effect – Weetamix in Geneva, for all the memories..

..and for you, what makes a club a good club?

well, a balanced mixture of everything, good audience, good promoters, good artists, good soundsystem, good lightening.. and that little plus you can’t really name, that makes it rumble just dirty enough to get yourself loose.

and then please come up with your top 5 picks.. (can be anything you choose)

ok, so let’s do a top 5 bedroom afterhour classics!

He said (Graham Lewis) – Pump
Ketty Lester – Love letters
Maurice Ravel – Ondine (Gaspard de la nuit)
Miles Davis – L’ascenceur pour l’échafaud (Soudtrack of the movie by Louis Malle)
Chris Isaak – Wicked games

Lomidhigh Mixtape 011 Sonja Moonear

Bent-swollen (Ben Watt Vocal Mix)

Just promoting
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Bent-swollen (Ben Watt Vocal Mix)

A4A Productions

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