Name: Orchestre Rock A Festival -- Mwana Mawa by afrixotica
Duration: 6 min 44 s
Description: Orchestre Rock - A-Festival -- Mwana Mawa

Exclusive giveaway track with Mop Mop's podcast: 
http://electrocaine.com/podcast/065

Super-Sonic Jazz was the first album to be released on El Saturn Records, the label run by Sun Ra and his business partner Alton Abraham. Set up in 1955, they released their first singles, including a doo-wop group The Cosmic Rays and the Arkestra's Saturn, at the beginning of 1956, and had recorded the whole of their first album by the end of the year, to be released in March 1957. El Saturn is now considered, along with Charles Mingus and Max Roach’s Debut label and Harry Partch’s Gate 5 label, "one of the very first and most active artist-owned record labels." Often pressed in editions of 75 — sometimes as few as 20 were made for specific concerts — the records would be manufactured using local black businesses, and often put together in Abraham's own home.

*Sun Ra And His Arkestra - India (Mop Mop's Rework)*
Additional production and remix by Andrea Benini
Used Equipment :
MFB Tanzbär Drumcomputer
Roland Space Echo RE-201
Monacor EEM-2000 Analog Echo
Boss KM-60 Mixer
WEM Audiomaster Power Mixer

www.mopmop.com
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Sun Ra And His Arkestra - India (Mop Mop's Rework) (FREE DOWNLOAD)

TERANGA BEAT proudly presents the ROYAL BAND de THIÈS in their first ever and entirely unreleased 1979 recording. Singers and composers JAMES GADIAGA & SECKA will guide you through the sweet melodies, wicked rhythms and vocal traditions of Senegalese music, in a fabulous performance that combines MBALAX with AFRO-JAZZ.

While many bands in the world claimed the title of “Pacesetters” none can stand next to ROYAL BAND de THIÈS. The 9-member band with its dynamite percussion and horn sections will twist you like tornado! Tracks like "HOMMAGE À MBAYE FALL" will take you on a musical journey to the cultural crossroads of Senegal, West Africa’s meeting point of European, Latin American and African musical traditions. This real-time, two-microphone recording gives the impression that the group is playing live in front of you, making it hard to believe it dates back 33 years ago!

The liner notes of the double gatefold LP and CD booklet include more interesting details, outlining JAMES's & SECKA's musical careers along with the past and present of the band. We hope you will enjoy!


Royal Band de Thiès - Hommage À Mbaye Fall

heavy groove from Trinidad - record found in Columbia ! 

Trini groove - Brother Superior

Ultima Caccia - Giuliano Sorgini

After the success of their previous albums Owiny Sigoma Band’s forthcoming long player “Nyanza" continues to bring eclectic and intriguing musical ideas to the table.

Following from the release of "Changaa Attack", Owiny Sigoma Band bring fresh perspectives to cross-cultural collaborations. To make this record, master Luo musicians Joseph Nyamungu and Charles Owoko, invited the London contingent of the band to the Nyanza province of Kenya in the heart of a region called Luoland, to discover the roots of Luo Music. Travelling with a suitcase full of recording equipment the band set up studios on the fly. Louis Hackett the bands bass player produced this hypnotic response after a 12 hour changaa fueled session of hard Nyatiti soundclash. Utilising Owoko’s fierce Nyiduongue drumming and a one take vocal workout from Nyamungu, “Luo Land" is another wayward dancefloor workout for the late night freaks. 

Luo Land and Changaa Attack are available now as instant downloads with pre-orders on “Nyanza” which gets a full release on the 28th August. 

pre-order link
smarturl.it/owinynyanza

Owiny Sigoma Band - Luo Land

The Kondi Band - Powehnd Bingade

Orchestre Rock - A-Festival -- Mwana Mawa

Orchestre    Rock A Festival -- Mwana Mawa

Rehwe Mie Enyim

Premiere: Y-Bayani & Baby Naa - Rehwe Mie Enyim

A great compilation can open the gate to another world. Who knew that some of the most exciting Afro-funk records of all time were actually made in the small West African country of Benin? Once Analog Africa released the first African Scream Contest in 2008, the proof was there for all to hear; gut-busting yelps, lethally well-drilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space with the same electrifying sureness as any favourite blues or soul or funk or punk sampler you might care to mention.

Ten years on, intrepid crate-digger Samy Ben Rejeb unveils a new treasure-trove of Vodoun-inspired Afrobeat heavy funk crossover greatness. Right from the laceratingly raw guitar fanfare which kicks off Les Sympathics’ pile-driving opener, it’s clear that African Scream Contest II is going to be every bit as joyous a voyage of discovery as its predecessor. And just as you’re trying to get off the canvas after this one-punch knock out, an irresistible Afro-ska romp with a more than subliminal echo of the Batman theme puts you right back there. Ignace De Souza and the Melody Aces’ “Asaw Fofor" would’ve been a killer instrumental but once you’ve factored in the improbably-rich-to-the-point-of-being-Nat-King-Cole-influenced lead vocal, it’s a total revelation.

The screaming does not stop there, in fact it’s only just beginning. But the strange thing about African Scream Contest II’s celebration of unfettered Beninese creativity is that it would not have been possible without the assistance of a musician who had been trained by the Russian secret services to "find and destroy" enemies of the country’s (then) Marxist-Leninist president Mathieu Kerekou.

Already familiar to fans of the first African Scream Contest as a mainstay of ruthlessly disciplined police band Les Volcans de la Capitale, Lokonon Andre vanished in a cloud of dust at Ben Redjeb’s behest with a list of names and some petrol money, only to return a few days later having miraculously tracked down every single name he’d been given. The source of this Afrobeat bounty-hunter’s impressive people-finding skills - his training with the KGB - highlights the tension between encroaching authoritarian politics and fearless expressions of personal creative freedom which is the back-story of so much great African music of the 60s and 70s. Happily, in this instance, Lokonon was tracking the artists down to offer them licensing deals, rather than to arrest them.

Where some purveyors of vintage African sounds seem to be strip-mining the continent’s musical heritage with no less rapacious intent than the mining companies and colonial authorities who previously extracted its mineral wealth, Samy Ben Redjeb’s determination to track this amazing music to its human sources pays huge karmic dividends. Like every other Analog Africa release, African Scream Contest II is illuminated by meticulously researched text and effortlessly fashion-forward photography supplied by the artists themselves. Looming large - alongside Lokonon Andre - in the cast of biopic-worthy characters to emerge from this seductive tropical miasma is visionary space-nerd Bernard Dohounso, who laid the foundations for Benin’s vinyl predominance by importing and assembling the record players that would play the products of his Bond villain-acronymed pressing plant SATEL, a company that would revolutionise the music industry in the whole region.

The scene documented here couldn’t have been born anywhere else but in Benin, and the prime reason for that was Vodoun. It’s one of the world’s most complex religions, involving the worship of some 250 divinities, where each divinity has its own specific set of rhythms, and the bands introduced on the African Scream Contest series and other compilations from the region were no less diverse than that army of different Gods.

African Scream Contest Vol.2

African Scream Contest Volume 2

Get The Record !

A Min We Vo Nou We // Les Sympathics (All Comments will be forwarded to Herman Laléyé, the founder)

Available on Analog Africa No.13 - The Skeletal Essences of Afro Funk
Release date: April 30th

Ecoute ma Melodie - Orchestre Poly-Rythmo de Cotonou

Soundway Records present Kenya Special: Selected East African Recordings from the 1970s & ‘80s - a treasure-trove of rare and unusual recordings from East Africa. Spread out over two CDs and one triple LP, Kenya Special is accompanied by detailed liner notes, original artwork and photographs.It follows on from Soundway’s much acclaimed African ‘Special’ series that to date has focused on the highlife and afrobeat output from 1970s Nigeria and Ghana.

Kenya Special is a collection of 32 recordings (most of which were only ever released on small-run 45rpm 7" singles) that stand out as being different or unique as well as some classic genre standards. From Kikuyu language ‘liquid soul’, Luo benga and Swahili afrobeat to genre-bending Congolese and Tanzanian tracks recorded in Nairobi, Kenya Special sees Soundway yet again taking the less trodden path. Many of the tracks featured here are peppered with innovation and experimentation highlighting how diverse the music scene in Kenya was at the time. 

In 1970s Kenya the two threads of rumba and benga loosely dominated the music scene. Benga quickly became Kenya’s unique contribution to afro-pop; spreading like wildfire through the interior countryside with it’s fast, 4/4 machine-gun beat and intricate electric guitar layers. The Congolese take on Afro-Cuban rumba was introduced by touring bands many of whom settled in East Africa - influencing bands from Kenya and Tanzania to come up with their own take on this popular style. Alongside these styles were small ensembles and hotel-sponsored bands, playing a blend of music that often included rock ‘n’ roll riffs, elements of ‘afro’ music (influenced by West African musicians like Fela Kuti), and multiple other combinations from South African and Zambian guitar styles to disco, funk and Swahili coastal rhythms like chakacha.

Painstakingly compiled, assembled and researched over two years by a team of five people from five countries (Kenya included), Kenya Special is a collection that looks beyond the mainstream and brings new life and recognition to some little known gems and forgotten classics of Kenya’s past. 

Orchestre Rock A Festival -- Mwana Mawa

afrixotica

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