nice track- keep it up, gud tones, good mix, keep it goin

The acoustic intro song's got chill energy

i’m liking how the intro starts nice guitar

cool vibe it's different and just peaceful

Your Mix 1

Written and Performed by Leo Bull and the wonderfully talented Anya. 6.3.22

Girl.
The train slowly pulls away
I find you at the window
Your breath fogs up the pane 
And just like that you fade away
 
Snowflakes and teardrops
At war just like my thoughts
As I'm left waving you goodbye
Your scent still on your scarf
You gave me this morning
As first snow was falling
When I was almost yours...
 
Boy.
I wave, your blackberry kiss I taste
The snow blows wild around you
Your bright red hair ablaze 
I hate it has to end this way
 
Too many mountains
And oceans between us
And time was never on our side
We knew it couldn't last
But still we kept falling
From summer through autumn
When I was almost yours
 
Bridge. (Together)
Nights were bright
In St Petersburg
Found your hand in mine
Lost in the warmth
of your wildfire smile 
In sweet denial.
 
Verse (together)
The train moves along its way
A postcard of a moment
The one that got away
But in my heart I know you'll stay
Far from this weather
I'll always remember
The nights, by your side, in the light
Of that midnight sun
When I was almost.....yours.

Almost Yours (Duet with Anya)

Smooth Traditional African Compositions

1 -  Afrocubism - Eliades Tumbao 27
2 - Malouma - Nnew
3 - Geoffrey Oryema - Makambo
4 - Sia Tolno - La Penque Choevuh
5 - Toumani Diabate ft Ballake Sissoko - Kanou
6 - Asa - There's A Place
7 - Ladysmith Black Mambazo - Hello My Baby
8 - Mariam and Ahmadu - Djuru
9 - Pierre Tchana & Orchestra Poly-Rhythmo - N'est Jamais Trop Tard
10 -Baaba Maal & Luciano - Africa Unite
11 -Kayamba & Linah - Umeniweza
12 -Rokia Traore - Laidu
13 -Afrocubism - Mariama
14 -Fatoumata Diawara - Nayan
15 -J'dess - Mmiri

Davabs Afro Beat 2 (Mellow)

"you are the conduit between the spiritual realms and the physical realms - You are the #convergence of #science and #spirituality. The choice is up to each of us, but the answer is yours, and yours alone. Will you choose fear, or will you choose love? That is the only question..."

Dustin Vandehey on #guitar
 ~Dr. Sam Osmanagic, founder of the Bosnian Pyramid https://youtu.be/K5csEZY5D34

CHOICE

Free Download

Honeyfox, lost., Pop Mage - La La La (Cephas Remix)

Yalla Glam was born from a simple desire to capture the magic of life in energetic and stylish cities like Dubai and London. I wanted to create something that makes you dream, feel like you're on your own runway, no matter where you are.

The song blends influences from modern electro pop with rhythms that evoke the vibrant spirit of the Middle East. The Arabic and English lyrics reflect two worlds coming together, just like me – someone who loves tradition but lives for modernity.

While writing and composing, I thought about people chasing their dreams, daring to shine. The chorus with Yalla and Come on is a push – a call for action and courage. For me, Yalla Glam is not just a song; it's a state of mind, a celebration of confidence, dreams, and unforgettable moments.

Yalla Glam

Verse 1:
I traced my name in the window fog,
A kid with a dream, but the dream felt wrong.
Kept reaching out for a hand to hold,
But every touch left me feeling cold.

Pre-Chorus:
And maybe I built my life like a house of cards,
Chasing hearts that were never ours.
But what if love was never something to chase?
What if it’s been staring me right in the face?

Chorus:
What if I was always enough?
What if I didn’t need to earn their love?
Every word, every move, every battle I fought,
Just a shadow of who I thought I was.
But I’ve been here all along…
I was who I was supposed to love.

Verse 2:
Left every party just a little too soon,
Hoping someone would notice the quiet in the room.
I broke myself just to fit their mold,
Thinking love was something bought and sold.

Pre-Chorus:
And maybe I built my life like a house of cards,
Chasing hearts that were never ours.
But what if love was never something to chase?
What if it’s been staring me right in the face?

Chorus:
What if I was always enough?
What if I didn’t need to earn their love?
Every word, every move, every battle I fought,
Just a shadow of who I thought I was.
But I’ve been here all along…
I was who I was supposed to love.

Bridge:
I see me now, clear as glass,
Every piece I thought wouldn’t last.
I’ve been holding out for someone else,
When I was supposed to love myself.

Chorus:
What if I was always enough?
What if I didn’t need to earn their love?
Every tear, every scar, every moment I lost,
Just proof that I never was lost.
I’ve been here all along…
I was who I was supposed to love.

Who I Was Supposed to Love

Lyrics:

What are your thoughts on
What are your thoughts on
What are your thoughts on how it feels to be weak
Why do you hold on
Why do you hold on
Why do you hold on to that piece you don't need
Call me
So we can discuss our needs
I plead
Lightly
We can hit the road next week

How it grows dry in vain
Building hope all the same
You're my dope and what I need
You were cold and afraid
How we grow dry in vain
Till it feels all the same
Now we're numb to this day
What a lovely decay

What a lovely decay
What a lovely decay

What are your thoughts on
What are your thoughts on
What are your thoughts on how it feels to be weak
Why do you hold on
Why do you hold on
Why do you hold on to that piece you don't need

What a lovely decay
What a lovely decay

LOVELY DECAY

My Baby

Klangmoebel - Soundtracks, Vol. 3: Misophonia - Hatred of Sounds

Transformer

pop punk/rock

co-produced, mixed, mastered and cover art by @a7-recording-studio

www.a7recordingstudio.com

a7recordingstudio@gmail.com

Don't Wanna Find Out

watch the video here : https://vimeo.com/1076474289

TRACK: "Run Through the Fire, Climb Over the Dead"

A sonic war relic from the novel "Behind Us the Land" – fusing post-industrial brutality with raw rap storytelling to score the Feyerabend family's 1945 escape.

Sound:

Bass as Trauma Pulse: Switches between 808-like dread and metallic shrieks (like Stuka sirens)

Drums as Death March: Snare hits mimic MG42 bursts, kicks echo refugee footsteps

Rap DNA: Half-sung verses morph into typical Rap flows (think Clipping. meets Protomartyr)

Archaeological Sounds: Authentic WWII bomb impacts, Danzig's cobblestones cracking

"Post-rock's despair meets rap's urgency – my mother's diaries ('...and then the guns fell silent') spat back as survival rhymes over collapsing basslines."

For fans of:

The Body's bass-driven doom with Billy Woods' historical lyricism

Godspeed You! Black Emperor scoring a war documentary

Music that doesn't entertain – it testifies

📖 Soundtrack to the novel "Behind Us the Land"
🎤 Lyrics sourced from my mother's survival diaries

---


TRACK: "Run Through the Fire, Climb Over the Dead"

Ein klangliches Kriegsrelikt aus dem Roman "Hinter uns dem Land" – verschmilzt post-industrielle Wucht mit Rap-Erzählkraft zur Vertonung von Flucht 1945.

Sound:

Bass als Trauma-Puls: Pendelt zwischen 808-Drohnen und Stuka-Sirenen-Schreien

Schlagzeug als Todesmarsch: Snares wie MG42-Salven, Kicks wie Flüchtlingsschritte

Rap-Einfluss: Zeilen im typischen Rap-Stil (zwischen Audio88 und Author & Punisher)

Sound-Archäologie: Echte Bombeneinschläge, splitterndes Danziger Pflaster

"Post-Rock-Verzweiflung trifft Rap's Dringlichkeit – meine Mutter's Tagebücher ('...und dann schwiegen die Waffen') als Überlebens-Reime über kollabierenden Basslinien."

Für Fans von:

Swans mit der lyrischen Wucht von Haftbefehl

Einstürzende Neubauten vertonen ein Geschichtsbuch

Musik, die nicht unterhält – sondern bezeugt

📖 Soundtrack zum Roman "Hinter uns das Land"
🎤 Textfragmente aus den Flucht-Tagebüchern meiner Mutter

Run Through The Fire, Climb Over The Dead

Umrandungen, Vol. 1

Umrandungen-01-08 (Remastered 2025)

Lunchtime

contAinerneid

Happy Funk

A very friendly company of versatile DJs, Broadcast Journalists, Audio Engineers, Musicians & Producers with eclectic taste in music. 
With us, integrity first, then creativity. Consequently, we don't publish profanities. Thus meaning we aim to support, by reposting progressively creative and creatively progressive artistry "without explicit lyrical" contents, especially the b and n-words!!
 Best wishes and one love to all.

Davabs Afro Beat 2 (Mellow)

AFRICARE PRODUCTIONS

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Malcolm Lewis

KOSTOMAN

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