Can you please provide a link to this band's profile? I couldn't tell the spelling

Disturbia (GTTG Hardstyle remix)

KALEIDOSCOPE demo - TEO x BARCA

In 1989, Congolese soukous had ignited dance floors across the continent, and in European cities, especially Paris. And now it was arriving in America. One of the most hard-working and polished of many Congolese groups was Loketo, headed by singer Aurlus Mabele and ace guitarist Diblo Dibala. Keen to document the moment, Afropop Worldwide recorded the band at SOB's in New York City, then the gateway for African groups seeking to tour in America. The presenter of that concert, Alex Boicel, recalls to this day how that SOB's show captured the magic of Loketo like no other. All these years later, the music still sounds as fresh as the day it was played!

Originally produced by Sean Barlow in 1990
APWW #16

Loketo Live in NYC

DE$APEGO

Burkina Faso in West Africa is a nation on the rise. Amid recent political turmoil, it faces the challenge and opportunity of managing vast mineral wealth, including gold. As promising as these riches are, Georges, Mukwae and Banning focus here on the country’s multicultural musical riches. We hear music from the late Baba Commandant and the Mandingo band, as well as interviews and live music from Dicko Fils and the Sahel punk experimental outfit, Avalanche Kaito. Open your ears to a too-often-overlooked major player in West African music. 

Episode #007

Planet Afropop - Three Takes on Burkina Faso

Noise Cans - Caan Dun feat. Louise Chantál (Remixes) OUT NOW on DIM MAK
Spotify: smarturl.it/caandun-rmxs_s
iTunes: smarturl.it/caandun-rmxs_i
Beatport: smarturl.it/caandun-rmxs_b

Fresh off his “Caan Dun” single, Noise Cans blesses us all with an incredible five track remix package of the islandy tune. While Anevo and Velvo both throw down trap reworkings of the tune, Boehm delivers his signature breezy sound, layering cheerful horns on top of a danceable beat. To round out the package, Vasta goes the deep house route while Yung Felix reworks the song with an inspirited Afro-beat rhythm.

@noisecans
- facebook.com/noisecansmusic
- twitter.com/noisecans
- instagram.com/noisecans

@imlouisechantal
- facebook.com/imlouisechantal
- twitter.com/imlouisechantal
- instagram.com/imlouisechantal

@IAMVELVO
- facebook.com/iAmVelvo
- twitter.com/VELVO_
- instagram.com/papivelvo

Noise Cans - Caan Dun feat. Louise Chantál (Velvo Remix)OUT NOW ON DIM MAK

The clave cuts the air, the drums triangulate in endless conversation, the singers push their voices over the rhythm, competing with daring improvisations, while a pair of dancers tease and provoke, shifting across the small space between singers and drummers: This is an Afro-Cuban rumba, a communal form of Afro-Cuban folkloric music that continues to be a crucial part of the musical life of New York City. From the inclusive to the exclusive, we also experience an original group interpreting Afro-Cuban sacred music through jazz explorations. In this podcast, we hear from two Cuban musicians, Anier Alonso and Melvis Santa, who are adding their unique voices to the New York Afro-Cuban music scene, pushing things forward with tireless creative energy.

Produced by Ricardo Luiggi and Morgan Greenstreet.
Photo by Carla A. Tomassini Quijano www.carlaojo.com

Hear full interviews, in Spanish with Anier and Melvis:
https://soundcloud.com/zonalibredjs/anier-alonso-entrevista
https://soundcloud.com/zonalibredjs/melvis-santa-entrevista

Barrio Colón to Brooklyn

JUNE27

3nyave's Album

BREATHEWITHME

BODIE$

When we talk about the influence of American performers on African music, we usually think about a few obvious examples, legends like Michael Jackson, Jimi Hendrix or James Brown. In this episode, we go beyond these stars to explore the legacy of some lesser-known inspirations. We’ll learn how the fluid guitar playing of ’70s rock band Dire Straits became massively popular in the Sahel, influencing Tuareg rockers like Tinariwen and Tamikrest. We’ll hear about the American country superstar Jim Reeves’ African career, and the unlikely story of how the pedal steel made it from Hawaii to Lagos. Finally, we’ll travel to Angola with the help of director Jeremy Xido, to explore that nation’s death metal scene. And along the way, we will try to understand just how to account for taste. Produced by Sam Backer with help from Jesse Brent.

[APWW #703]
[Originally aired in 2015]

Accounting for Taste: Dire Straits, Jim Reeves, and Death Metal in Africa

Afropop Worldwide is an internationally syndicated weekly radio series, online guide to African and world music, and an international music archive, that has introduced American listeners to the music cultures of Africa, Latin America and the Caribbean since 1988. Our radio program is hosted by Georges Collinet from Cameroon, the radio series is distributed by Public Radio International to 110 stations in the U.S., via XM satellite radio, in Africa via and Europe via Radio Multikulti. 

Accounting for Taste: Dire Straits, Jim Reeves, and Death Metal in Africa

Afropop Worldwide

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