مواقع تنهایی

Shadow of the sun (part 2)

Should or Should nots…

the old strange argue in your mind…

that never ends… that makes you not to sleep…

who is behind it… your confusion… who has set us up…

even sky is not sure what he is up to these days… 

I’m seeing those clouds moaning to cry… but there is no tear…

the have surrounded the sun… it’s almost melt into them… going down…

lonesome evening of Sunday… the man... looking at the sunset... with his heart in his hands... 

showing it to the sun... maybe she never leaves her... but sun's heart is full of stone...

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This song is from a post rock band called Leech. you may check their other works out and support them with your purchase.

to read my other writings while listening to a song chosen by me while writing it out check http://www.blog.hazaveh.net/category/postrock-and-quotes/

Hands Full Of Hearts, Heart Full Of Stones

Producer: yasspacee
Telegram id : @yasspacee

Moonlight

Bridges _ Transmission Zero

Taijin Kyofusho

La música es el impulsor a abrir nuestros sueños, nuestra compañera de viaje. Que seríamos sin ella?

El-retorno-al-valle-sagrado

April Rain - Leave Me No Light

The Lost Memory

Raining Yu - The Past Memory (Orchestral)

April Rain -  A Sailor Without The Sea

THE FREEMARTIN CALF (an original soundtrack) 
original music by Frédéric D. Oberland with Gaspar Claus
poetry & film by Jayne Amara Ross 

Out on Deluxe LP+DVD & Digital - September 23th 2013 via Gizeh Records
ORDER: https://fredericdoberland.bandcamp.com/album/the-freemartin-calf-ost

FILM TRAILER: https://vimeo.com/14898901

///

“An arresting film narrative and  a provocative stand-alone soundtrack. Moments of beauty are many." Textura

“Delicate and very effecting. A comparison would be the spoken elements of Swans and lyrically it shares much with the film noir cool of Enablers." Nine Hertz

“Shot in stark black and white and imbued with a mesmerising dreamlike fragility, the film’s look brings to mind some of the great Expressionist movies of 1930s Germany as well as Tarkovsky’s Stalker and the work of modern masters such as Béla Tarr”. Decoder Magazine

“Elegant, harrowing, and consistently captivating." A Closer Listen

“Deeply evocative and dangerously sensual.” Fluid Radio

///

The film The Freemartin Calf was shot on super 8, hand-processed and edited at home by Jayne Amara Ross between 2009 and 2010.

The music was composed and recorded at Magnum Diva Studio by Frédéric D. Oberland with Gaspar Claus /// Mixed on an analog console at Le Fresnoy by Maxime Champesme /// Mastered to tape at Durton Studio by Nils Frahm /// Jayne Amara Ross: narration /// Frédéric D. Oberland : electric bowed guitar, fender rhodes, piano, kalimba, harmonium, theremin, bowed glockenspiel, bells, electronics /// Gaspar Claus: cello /// Maxime Champesme: sound design, field recordings

///
www.fredericdoberland.com
www.jayneamaraross.com
www.myspace.com/gasparclaus

ORDER LP+DVD

The End / Credits (feat. Gaspar Claus & Jayne Amara Ross)

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قصه ما، از آلبوم تمام تو - هوشیار خیام و امیر اسلامی

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Ney: Amir Eslami

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