Instrumental B-side with a wonderful stack of lush pads & bubbly synths, reminiscing Vladimir Cosma's "La Boum" moments.

This one is the closing track of my latest mix for Radio TNP - favorite!

1 spare copy stands by.

Dímelo - Private 12" - 1980's - SOLD

We’re delighted to welcome Bellamy on our traditional Apparel Radio Show. The French producer and DJ, hailing from Toulouse, is hosting the 247th episode to date and bring his innate talent as a selector, delivering a perfect selection to mark his debut in the Apparel Music family.

Link: @itsbellamy

Tracklist

Radio Show #247: Bellamy

Download/Vinyl/Stream: https://toy-tonics.lnk.to/BabysBerserk

There are many shades of funk in dance music. Berlin’s Toy Tonics label brings up artists that reflect many of these different aspects of dance music. Now the label comes up with a band! A band that is inspired by 1980ies New Wave as well as the Y2K Indie dance scene. Two guys and two girls from Amsterdam and Montreal called Baby’s Berserk.
Baby’s Berserk is about taking the freedom to be who you want to be, about being comfortable. Having played in all-girl punk bands since the age of 14, the bands singer Lieselot is an expert on female empowerment. “Dress like a girl and act like a boy,” is a catchphrase she lives up to every day and it clearly is a message that resonates with the band’s wild fans.
In the great tradition of Roxy Music, Throbbing Gristle and Malcolm McLaren, Baby’s Berserk is not just about the edgy music but also about a very strong own visual style. They readily blend their sounds with underground fashion. What you see is what you get and seeing Baby’s Berserk is feeling right at home. Lieselot is a visionary when it comes to stage presence. Have you always wanted to see an electronic band with a punk attitude perform wearing a mix of haute couture and Flintstone-style rags? Look no further, it’s Baby’s Berserk.
Following on the critically acclaimed singles ‘What I Mean’ (2020) and ‘Toxic Kisses’ (2022), Baby Berserk’s highly anticipated self-titled full-length is now finally about to see the light on Berlin’s Toy Tonics records. Sonically designed for gritty rock venues as well as up-to-date edgy dance clubs, Mano’s lush compositions smoothly intertwine with the highly associative lyrics written by Puggy and Lieselot. Poets and literary addicts may think they’ve just discovered the rock & roll equivalents of Sylvia Plath, Kurt Vonnegut and Allen Ginsberg. To tell you the truth: their wild guess is pretty accurate as the works by these greats lie scattered around the Baby’s Berserk studio for inspiration.
The band was born in a laboratory back in 2019. Tired of being in bands with unruly and unpredictable humans, Mano Hollestelle set out to create a group of high precision robots to create the post-punk sound he had in mind. His outdated technology of floppy disks and cassette tapes worked well to program the androids, until one day a 90s rave mixtape was mistakenly entered into his computer. House music is a feeling and the punk bots instantly got hooked on it upon hearing it for the first time. They could never be reset to factory settings again. Mano worked tirelessly with his androids, currently known by their humanoid names of Lieselot Elzinga, Puggy Beales and Eva Wijnbergen, to fulfill his evil plan to make the rockers dance and the dancers rock. Baby’s Berserk is the fiendish extension of this plot. Beware, the band’s bass driven grooves and computerized beats have been known to cast a spell upon all within earshot.
So what do the songs on ‘Baby’s Berserk’ tell you? That it’s totally fine to have lots of fun in life! To have a boyfriend as an accessory (‘Accessories’), to get inspired by Sponge Bob (‘Dancing with the Fish’) and to blend your spirits with mixers whenever the hell you feel like it (‘Rum ‘n’ Kola’).
Baby’s Berserk member Puggy Beales on ‘Limousine’: “Decant the wine from my tip jar to yours. Soon we'll be on easy street, chauffeured home from the rat race each evening. Is it everything you'd hoped it would be?”
Check not only the debut album but also the forthcoming Remix EP with remixes by Each Other, Niklas Wandt, Sam Ruffillo, Kris Baha and Nicolini.

Album released: 29.09.23

Baby's Berserk - Eat Your Dollar

Taken from "When Love Comes Around".  
Official release date December 15th

When Love Comes Around

Keita Sano - Special Time [Local Talk]

Edinburgh based producer, Rai Scott, returns to Ornate Music, previously releasing on the imprint back in 2014. This long overdue followup to her Innershift EP brings ethereal atmospherics and hypnotising percussion. The opener is a dreamy and celestial vibe with gently rolling beats, while Version 2 is more defined by the smeared chords which spiral to the heavens. 'As Honest As She Lived' is another electric lullaby with well-crafted ambient pads and 'Nina' ends with layers of bells, glistening keys and shimmering melody that soothes the soul.

Nina

Awake is the second single from Ross' upcoming EP Rebirth. I was looking for that sweet spot between dancey energy and the kind of sound you can close your eyes to and get lost in. Something addicting that pulls you in immediately.

Buy on Bandcamp

Awake

emanation and hypostasis

Marcellus Pittman ft Theo Parrish - Selector's Theme

DOWNLOAD LINK HERE: https://www.dropbox.com/s/pf9lpq7q7y3ko1c/Nalad%20%28Em%20Vee%20Edit%29.wav?dl=0


Hello.... thought i start handing out a few of these edits that otherwise won't have a life. I guess I like the tunes ( hence the edits ) but they dont really align with what I do... It's probably save to assume, that some of you lovely peopls are a bit more adventurous and eclectic in your tastes. So instead of deleting them, let them eat cake ! Free download and everything. x


PS: whats this language?

Marcellus Pittman ft Theo Parrish - Selector's Theme

Agathe Yeli Jouveaux

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