Boneyard

Oliver Huntemann - Schatten

Recondite - Caldera

Clint Stewart - Throwing Stones EP
[SECOND STATE: SNDST006]

A: Clint Stewart - Throwing Stones 
B: Clint Stewart - Come Undone

For Clint's second solo effort on Second State he brings us two big room jams. With the Throwing Stones EP he takes the same approach as he did with the previous Warpaint EP by going for two different vibes on either side of the record. 
On the A side we have 'Throwing Stones'; a peak time club tune perfect for dark spaces and strobe lights. With giant rolling sub bass, a heavy kick, crisp hi hats and crunchy hand claps the groove slowly grows into a big break with atmospheric chimes and vocal snippets. Soon you are lost in an ethereal break, but suddenly snapped back into reality as the bass changes and a single looping synth takes center stage creating a driving yet euphoric peak time floor filler. 
With the flip side, Clint goes for a warmer, uplifting tone with 'Come Undone'. Starting with finger snaps and a growing arpeggio, the vibe slowly builds as big toms and dreamy atmospherics introduce a massive sub bass line. As a shaker creeps up and another synth blends with the original arpeggio the beat finally drops. A solid four to the floor groove ensues and culminates into a wash of delayed chimes as the breakdown introduces the lead; an unforgettable brass line that is sure to have all the hands in the air at a sunny open air or a morning at the club. 

VINYL
Decks.de: http://goo.gl/QXWTnx

DIGITAL
Beatport: http://goo.gl/pKDa5s
iTunes: http://goo.gl/VuZDCv

Clint Stewart - Throwing Stones

Buy on bandcamp

Acedepik - Air

GOT ASKED TO DO A TRACK FOR CRAIGIE KNOWES, WHICH IS A CHARITY LABEL WITH ALL PROCEEDS GOING TO WAR CHILD. 

EXPERIMENTED A BIT AND WANTED A TRACK THAT WAS A BIT OF A JOURNEY WITH THE HELP OF OUR KORG POLY 800, MPC 2000XL, TR606 & SOME PAN DRUMS! 

RELEASE DATE IS THE 15TH

JUNO LINK - HTTP://WWW.JUNO.CO.UK/PRODUCTS/THE-FIRST-ANNUAL-FUNDRAISER-WAR-CHILD/585110-01/

CLONE.NL - HTTPS://CLONE.NL/ALL/LABEL/CRAIGIE+KNOWES?ACTION=BUY&IID=36268

BICEP | MALIMA

http://honestjons.com/shop/label/Berceuse_Heroique

Hodge - Forms Of Life

Tony Rohr - Eden Acid

♬ Klick für mehr ☞ http://trndmusik.de/2015/11/powers-of-ten-stephan-bodzin-bekommt-remixe-von-pan-pot-und-co/

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2

Mit der Veröffentlichung von „Powers of Ten“ bewies @stephanbodzin, dass der gebürtige Bremer noch immer zu den Meistern seiner Gilde gehört. Im Dezember 2015 legt der Musikproduzent, Liveact und Labelbetreiber nach: Am 18. erscheint eine Ansammlung von Remixen zu seinem im Juni 2015 erschienenen Longplayer. (...) „Wir haben uns für den Original-Titel „Zulu“ entschieden, nachdem wir uns alle Albentitel angehört haben und bei diesem Stück sofort wussten, wie unsere Version dazu aussehen sollte“, verdeutlicht Tassilo Ippenberger vom Produzenten-Team @pan-pot. (...)

Click for more

Stephan Bodzin - Zulu (Pan-Pot Remix)

Digital Download available here: http://bit.ly/1RbyJpq

JUNGLE GYM Records presents "Willrijk Remixed," a collection of works inspired by Willrijk's self-titled debut. Available on vinyl CD-R as part of the Willrijk cassette package, "Willrijk Remixed" features tracks from @d-tiffany, @bessiekat, @tlimshug, @lac-seul-district and @trp111, and is exclusively from JUNGLE GYM. 

@will_rijk

3.  Merci, Agathe // Willrijk (TLIM SHUG Remix)

Church FDL010 - Warren Raww - DFLFHT

@warren-raww

Warren Raww - DFLFHT

Solee - Impressed

Available to stream & buy: https://KompaktRecords.lnk.to/PentagramSD

It’s been over 10 years since the release of Gui Boratto’s breakthrough full length debut 'Chromophobia'. As to what its title suggests, he shook up the techno game with a contrast of lushly coloured minimal grooves and melody, whilst many will recall that the album included the highlight single “Beautiful Life” which became a dance floor anthem for that era. Four albums in and countless EPs and remixes under his belt, the Brazilian producer's unique savoir-faire in carving out a functional album out of diversely routed singles and features is back at it on his fifth studio LP, 'Pentagram'. Here Gui Boratto lays down a nuanced 12-track narrative that reinvigorates his signature sound into a refreshingly different perspective that feels all too familiar – including the return of “Beautiful Life” vocalist (and Gui Boratto’s wife) Luciana Villanova on the single "Overload".

Through his signature kaleidoscopic approach, Boratto delivers an album built as a far-reaching hub-and-spoke system, broadly inclusive as can be. From the opening cut, 'The Walker' - hot on the trail of Tears For Fears 'Elemental' (one of Boratto’s "favourite 80's bands") - to the hi-NRG euphoria of 'Forgotten' and its pounding tech alter ego 'Forgive Me'. "I was going into 2 different directions", Boratto says; "the typical “indie- electronic-rock” Boratto kind of production like “It’s Majik” or “Like You” and a much more techno approach." He goes on, "I decided to split them into two twin sister songs. When I play live I always put these two songs together."

The Brazilian Producer further embraces the pop-friendly essence of his past work on tracks like 'The Phoenix', featuring vocalist Nathan Berger, and 'Overload', both melding acidulous synthlines with laser-precise breaks, vox hooks and drops calibrated for extended radio and club use, although sieved through his distinctive rainbow-hued musical prism. For the symbolists out there, the album's pared-down closer '618' duration accidentally happens to equate the proportions of the said pentagram. "Coincidence?" Boratto questions, and capsulises, "not so ufanista and supporter of Brazilian neo-concretism, but I guess the brazilian sculptor Lygia Clark also inspired me a lot. Not the meaning of her sculptures, but the shape of the hinge of most of her work. I’ve wanted to transmit the scientific pentagram’s point of view. It’s not a religious kind of thing."

Whereas 'Spur' (a field-tested 808 and 909-heavy "purist track", "very, very old school" Boratto insists) and 'Alcazar' are sheer smooth-edged four-to- the-floor epics, the album also shares its lot of startling moments, such as with the John Barry'esque 'Scene 2' (with a hint of Amon Tobin, 'Easy Muffin' style, throw in) and its refined string-laden buildup, 100% fitted for a 007 opening credit sequence; or with 'Hallucination' (feat B.T.) and the further James Holden-ish title-track 'Pentagram' (think 'The Idiots Are Winning'); "one of those exercises I did when I got my Buchla modular synth" Boratto analyses, "I think I’ve used more then 30 different snares, with different delays and reverbs. The whole song is alive". And so is 'Pentagram' in its entirety: alive and definitely just as manifold and hopeful as its architectonics are the stuff of science and dreams all at once.

Gui Boratto - 618

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
http://bit.ly/wuzzelbudff

Stream:
https://spoti.fi/2NtrXkq
https://apple.co/2Nk7i2r
http://bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: https://www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: https://www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

H&T04 Robag Wruhme - Veddel Baav

We edited one of our favorite dance floor bombs of the amazing Younger Rebinds Remixes of Legowelt's 'Disco Rout'.

Hope you like it! <3

Tony Rohr - Eden Acid

AgathedeThoury

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