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Add Pool 10.04.16

Fort Lean - Beach Holiday

One Wall Above Them All (R)

Produced, Recorded, and Mixed by Scott McDowell @fadersolo
Written and performed by @dotvom.

Buy on Bandcamp

Dot Vom - Legz For Days

Heart on Hype Machine : http://hypem.com/track/2e3q8/Saltwater+Sun+-+Wild

'Wild' EP out now.
D/L: https://itun.es/gb/9N5N-
Stream: https://open.spotify.com/album/1Sn6GVmW5RRPDQz8dZvK9O

www.facebook.com/saltwtrsun
www.twitter.com/saltwater_sun

Recorded and mixed by James Bragg. 
Mastered by Antony Ryan.
Artwork by Andrew Richards.
© Hand In Hive 2015

Wild EP

Wild

Natural

Burning In The Desert Burning

Release Date 10/21/2016
Mastered By: Kevin Kearney (xokk.uk)
Artwork: @DannySobor (Instagram)

Special Thanks - Treehouse Studios for Drum Tracking

Download

CAN'T SLEEP

Spaceface's first single off of their forthcoming debut LP "Sun Kids" set to be released early in 2017.

Cowboy Lightning

Rare Attractions

Lyrics:
Your kind of love, it can get me down love
Such a heavy love that I'm often smothered
You might think it's all a game but
Pretty soon there'll be no one to play you
Cause your kind of love it's gonna bring us down love

But there's something beautiful about the way you lie

Your kind of love it's a lost and found love
I'll never know just how you really feel about us
You've been chipping away at the edifice
So pretty soon there'll be nothing left of us
Your kind of love it's gonna bring us down love

But there's something beautiful about the way you lie

Your kinda love

I don't own this song
All rights to this song go to Scott Mannion and Clara
Enjoy

Scott Mannion - Your Kinda Love (feat. Clara Viñals)

Deserted

Harar 1883

Into the Sun

How Many Stars

CD/LP/DL: https://goo.gl/2ric8A
digital: https://idol.lnk.to/Mekons_Deserted

This legendary group from Leeds, have written contemporary music history for the last 40 years as radical innovators of both first generation punk and insurgent roots music. Their new album was recorded in the desert environs of Joshua Tree, California and is drenched with widescreen, barbed-wire atmosphere and hard-earned (but ever amused) defiance.

The return of one of the planet’s most essential rock & roll bands.

When punk exploded in London, fast and brash and full of fury, up in Leeds the Mekons came blinking into the light at a much slower pace. Singles like “Where Were You” and “Never Been in a Riot” (both from1978) fractured punk’s outlaw myth with the ordinariness of real life. During the next decade, as country singers donned cowboy hats and slid into the stadiums, the Mekons celebrated the music’s rough, raw beginnings and tender hearts with the Fear and Whiskey album (1985) and went on to demolish rock narratives with Mekons Rock’n’Roll (1989). For more than four decades they’ve been a constant contradiction, an ongoing art project of observation, anger and compassion, all neatly summed up in the movie Revenge of the Mekons, which has ironically brought an upsurge in their popularity around the US as new audiences discovers their shambling splendour. And now the caravan continues with Deserted, their first full studio album in eight years.

And desert is an apt word. This time there’s an emphasis on texture and sounds, a sense of space that brings a new, widescreen feel to their music, opening up songs that surge like clarion calls, like the album’s opening track, “Lawrence of California.”

“We were recording at the studio of our bass player, Dave Trumfio,” Langford recalls. “It’s just outside Joshua Tree National Park. Seeing Tom [Greenhalgh, the group’s other original member] wandering in that landscape looked like a scene from Lawrence of California.’ And then, ‘Wait a minute, there’s a song in that.’”

The band arrived with no songs written, only a few ideas exchanged by email between Langford and Tom Greenhalgh, the group’s other original member.

“Things emerged. At one point we had a sheet with a few words written here and there. Everyone added bits and by the time it was finished, it only needed a few changes to be able to sing. Somewhere else there are two lyrics sung over each other.”

“Even during the mixing, Dave pushed us into some new sonic territory all the way through,” Langford recalls.

The tweaking and effects take them about as far as they can go from 2016’s Existentialism, which saw all eight members crowded around a single microphone in a tiny theatre in Red Hook, New York, recording live in front of an audience. Deserted offers a different kind of freedom. Of space and stars and wide-open land. Of possibilities and past. But mainly of the future.

It’s fresh territory. But that’s always been what attracts the Mekons. They show that four decades doesn’t translate to becoming a heritage act. Instead, they keep experimenting, from the jagged, spaced throb that powers “Into The Sun,” revolving around the drums of Steve Goulding and Trumfio’s bass to the barely controlled anarchy that’s “Mirage,” or a countrified homage to “Andromeda.” Everything is possible, everything is permitted. 41 years after that first single they’re still moving. Still defiant, still laughing, still joyful. Never underestimate some happy anarchy, and never write off the Mekons.

Deserted, perhaps, but they’re back to tip the world on its axis. Again.

How It Feels

Ages and Ages

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