knew immediately familiar voice, went to a discussion chaired Angela last week in Edinburgh. Small world :)

She is right ... there never was a greek crisis ... always a crisis of capitalism ... capitalism kills ... https://soundcloud.com/seelensack/greek-guarjia

I made this piece during the winter months when I spent most of my days alone, digging into archives, collecting some forgotten scraps from old tape loops together and melting them with what felt present at the time, those soundscapes that vibrate most beautifully in deep silence.

It consists of two parts - one corresponding to the setting process, the other to resetting, it tells story of leaving traces and covering them up.

Trace had its very first premiere on May 6 at Rewire festival.

Trace

http//therapy.aspx pt2 (Live Version)

Limited edition of 50 copies / C-33 cassette
POINTLESS GEOMETRY 2021 / POINT#43

releases December 6, 2021
pre-order:
https://pointless-geometry.bandcamp.com/album/misty-picture-lens-blossom

Recorded, mixed and mastered by Misty Picture
Artwork by Julita Goździk / instagram.com/julitagozdzik

This album is an ode to point and click graphical computer adventures from the early 90s and their successors, and the utopian hypertext, scholastic attitude contained therein, a world of mechanical contraptions, teleportations to mysterious worlds, self contained ideal spaces...

Misty Picture is the collaborative project of Enchanted Lands and Wim Dehaen, exploring the alluring dimension of soundfonts, CG environments and digital ambience.

Enchanted Lands is a producer based in Prague, Czech Republic. Her work consists of digitally manipulated sound material, evoking ethereal landscapes, impossible beautiful harps and lush textures. Her debut EP was released on the Genot Centre label, netting her a newcomer of the year award at the Vinyla award. Her debut full length album, Cryptic Island Eco-Sanctuary was released as a digital file and game environment on the forward thinking Quantum Natives label.
Wim Dehaen is a chemistry researcher and trackmaker based in Prague, Czech Republic. He is the co-founder of the Genot Centre label and over the years has done various releases, also under alter egos such as BENELUX ENERGY and Mango Object. His interests include: dsp, systems and dance music subcultures.


soundcloud.com/wimdehaen
soundcloud.com/enchantedlands

Misty Picture - Rainwater Capture / POINT #43

The DJ plays my song and I feel alright / So I put my hands up / They're playin' my song, the butterflies fly away / I'm noddin' my head like, yeah (noddin' my head) / Movin' my hips like, yeah (ooh, yeah) / I got my hands up, they're playin' my song / They know I'm gonna be okay (gonna be okay)

Tracklist : https://lyl.live/episode/see-u-there

SEE U THERE! ;) w/ s♡$o (18/10/23)

Release as part of "Radiance" a collection between Edwin Europe and Jonathan Castro.

edwin-europe.com/blog/post/radiance-by-jonathan-castro-autumn-winter-2023

Jump the rusted stiles when no one is looking. From here, the way is downward. Past the dried-up canal, past the metal sheds, down further through the empty overpass with its coarse concrete walls. At the bottom, there’s a small pond of standing water—a reservoir, a dull mirror for the sun, casting the green in a radiant glow.

Look closely for a while. Train your eyes on the glare of the surface. Perhaps you will begin to see the opposite of your descent. The water becomes its own underside. Spindly white lines shoot upwards, pushing past the minerals, the heavy metals and the plastic remains. These are the roots of the ruderal species, the hardiest, the weeds and invasives. Like craftsmen, they take whatever they can use.

The city eats itself, again and again. There will always be another boundary to jump. Along other canals, down the slopes of railway embankments, between demolition sites, the radiance of a thousand other empty zones already shines

- Jan Egbers

Taken from LTECH008:

TCF -
415C47197F78E811FEEB7862288306EC4137FD4EC3DED8B

TCF - 54 C6 05 1C 13 CC 72 E9 CC DC 84 F2 A3 FF CC 38 1E 94 0D C0 50 5C 3E E8

an exerpt/ cut from upcoming album 
Kon:3p>UTION to: e[VOL]ution by AGF
https://agf-poemproducer.bandcamp.com/album/kon-3p-ution-to-e-vol-ution

original voice recording of Angela Dimitrakaki on Radio MACBA
http://rwm.macba.cat/en/sonia/angela-dimitrakaki-agf/capsula

Angela Dimitrakaki is a radical feminist thinker and novelist 
http://ersilialit.com/cms/?page_id=455


NEW ALBUM OUT NOW: Kon:3p>UTION to: e[VOL]ution 
bc: https://agf-poemproducer.bandcamp.com/album/kon-3p-ution-to-e-vol-ution
itunes: api.morrmusic.com/itunes/1108374495 (geo-localized link)
spotify: http://open.spotify.com/album/6FHOSXrWY7dBB32jRTvjY6
@TIDALHiFi : listen.tidal.com/album/59977323


Kon:3p>UTION to: e[VOL]ution

Pre-order

Capita - Lis - Monster EX feat. Angela Dimitrakaki

From Boli Group "N.P.D.S" LP/DL 
Posh Isolation 208 
Out May 4th, 2018

"Via negativa, not a collection of skills but an eradication of (mental) blocks
Meme sonate, winter sun fails but 'spirits bright'
Matiné meditation
A picture of fresh moringa leaves
The sound of NSA listening in on your most intimate moments.
Early 21st Century Music”

Boli Group is a new ensemble spearheaded by Copenhagen based composer and producer Asger Hartvig. Responsible for some of the most fearless and intriguing works to come from the city in recent years, Hartvig is as imposing as he is mysterious, and his debut release for Posh Isolation makes no concessions.

Hartvig is perhaps best known for his work with the group Synd Og Skam. And though less known, Brynje 1&2 is just as exceptional. Taking both technology and classicism as allegories, each group charts routes in and out of pop music, somehow arriving at an observer's distance to the distinct stylistic choices in the process. The label Visage has published the best of this, and the logic has certainly been carried into 'Boli Group LP,' the latest offering from Hartvig and his distinguished ensemble of Nina Cristante, Holger Hartvig, Thea Thorborg, and Cæcilie Trier.

There is a nearly unendurable fragility to 'Boli Group LP.' It's as if Hartvig has let the complexities of his themes stand in mourning; his narrator taking a moment to themselves behind sunglasses, exhausted for the rose-tinted lens of the prepared script. The album is willingly dramatic, though it never plateaus into melancholia. Hartvig pirouettes at the edge with the sorrowful string arrangements and the pristine timbre of the piano, the immediacy of the acoustics always binding the listener tightly to the risk. Pastoral and meditative, the electronics don't tamper with the delicate fabric being woven. They always register as supportive and understated. The synthetic hum, occasionally yielding a doleful melody as it does, manages to imbue a naiveté to this contemporary and subtly idiosyncratic chamber music.

Though the track titles lead us on, in time the examination the album provokes is that of the tension in transparency. The album's secret, barely kept through the minimalism, is its distinct folk noir quality in holding it.

"boli group creating new chamber folklore embracing the playing of instruments, not the played, but that which is playing for the sake of future focus and edit into the very minerals of instrument, intuition, emotion, fragility underlying, the warning, always pulsating acts of drama, wet leaves, asphalt, pan to right, agriculture and electricity poles a container ship, lonely in horizon hoping for a clear thought, but everything existing as conspiracy the sound of a search, uncertain and always asking, for certainty is false, showing sceneries changing permanently and forever narrating, like a panorama of grey clouds, keeping humidity levels high, heating up before the release of water and lightning investigation for folk instruments. What are their songs and where will they go, over time, woven together like a piece of fabric created to stand against the lethal winds”

A1. Overture 04:36
A2. How To Play 03:12
A3. Monsanto Folk Song 02:46
A4. Toxica 03:15
A5. Moringa 03:15
A6. Garden Picture 02:28

B1. Tension In Three Stages (Drama) 06:28
B2. Tension In Three Stages (Country) 03:18
B3. Tension In Three Stages (Nautic) 05:39
B4. Summit 01:35

Posh Isolation 208

04 05 2018

Boli Group - Toxica

die Reihe is the moniker of NYC based composer and sound engineer Jack Callahan. Taken from the journal edited by Herbert Eimert and Karlheinz Stockhausen, die Reihe makes work that often examines and abstracts a single musical element, from the functioning of a vocoder to the harmony of house music. With this project he has toured the both the U.S. and Europe multiple times, been invited to numerous festivals and has released music with labels such as anòmia, Ascetic House, NNA Tapes, and Salon. In 2013 he founded Bánh Mì Verlag, an imprint dedicated to contemporary experimental music and culture. 
tour dates:

w/Jeff Witscher

Nov 2nd: Santa Cruz @ Wind River
Nov 3rd: SF @ Pro Arts Gallery
Nov 4th: LA @ Los Angeles Contemporary Archive
Nov 6th: Vancouver @ Deep Blue
Nov 7th: Seattle @ Gallery 1413 Nov 9th: Portland @ S1

Die Reihe 106 Kerri Chandler Chords (Outside The Club Mix) Excerpt-OUT NOVEMBER 1st

* Announcing CANVAS006 *

Olan Monk - Love/Dead (LP)

Format: Digital/Vinyl
Cat.No: CANVAS006
Release Date: 26th of June 2020

Olan Monk - New Life (LYRIC VIDEO):
https://youtu.be/b0O2Zi8zE38

Vinyl and Digital pre-order:
https://canvas-index.bandcamp.com/album/love-dead

‘
For the record:

You are tuning into something that has been playing on an endless loop. These recordings come from a time when the dystopia called but life stood still, imagining other horizons. Love and new life in a place once used to house the dead. This was all we had: a shared dream. Dragging the harmonium from the top bedroom and down to the court, playing it until the fabric tore and it would no longer breathe or sound. Gold echoes reflecting on the roof. A memory, entombed. The familiar sound of the ferry engine roaring and the cold salt water blasting out beneath us as we went out to Inis Oírr, the smallest of the islands, like we did most summers.

Love as a refusal to die, yet. This album survives as a vanitas—a reflection on the transience of life and certainty of death. A love letter to a dead city. Dripping paint over lost texts. Enticing the shadow self and embracing the anima, attempting divination. Live from an archive of past performances. All recordings are both dead and undead in that every time they are played back, they are re-lived. A mortuary of crystallised feelings, doubtful (self-imposed) exile and the long-gone sentiment of any romance in isolation.

‘But there it is, either you love or you don’t.’
—Samuel Beckett, First Love
'

Recorded between Connemara, on the west coast of Ireland, and a coroner’s court and mortuary in south London.

Vocals on ‘Dead’ performed by Maria Somerville
Vocals on ‘Morticia’ written and performed by James K
Additional mixing on ‘Morticia’ by Xao
‘Tomb’ features the sound of an Aran Island Ferries engine

Mastered by Ali Najafi
Design by AALTAR with artwork by Olan Monk

@olanmonk

www.c-a-n-v-a-s.com

Love/Dead

Buy DL/LP

Olan Monk - New Life

The Invention of the Human

Dylan Henner - I Was Reading the News but I Felt so Sad I Had to Stop

AUDIO SCULPTRESS : AGF, your poetess, @poemproducer SUBSCRIBE exclusive: https://agf-poemproducer.bandcamp.com/subscribe NOW rec-on.org

(NO facebook - nor google related services)

booking & requests: poetess@poemproducer.com

http://www.poemproducer.com/
http://antyegreie.com/

Anybody remembers Laub ?
http://www.laubmusic.com/

Capita - Lis - Monster EX feat. Angela Dimitrakaki

AGF - Antye Greie

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