this is fanning the flames of discontent perfectly

Loving every single bit comming into my ears !

i need version tw2 of this beat that started nice..

✨°☁·.·.·⟡✨🔬ÿ͓̪͈̘̬̠̞̱̞̍͌͌̉͑̈́͛͘̚ͅơ̧̧̙̼̬̹̘͙̙͐̍̾̽͗͊̋̅͜͝u̬̩̝̥͙̠͕̗͓̗̿̌̒̃͋̈́̈͛͘͝ ͓̤̥͕̝̱̹̱̝̐̏̐͌́̽̓̆̒̕͜d̡̡̖̝͍̫̭͚̘̀̀̃̐̆̄͂̍̑͝ͅu̧͈̯̗̣͉̠̮̠̅́̄̀́̒̐̈́͜͝͠r̨̧͈̜͇͙͔̪͔̎͂̋͗̀̅̀̚͘͜͝g̨̻̙͔͓̰͈̙̹͎͊̄̒̋̈́̈́̓̏͌͋🌌✨⟡·.·.·☁°✨

✨̥͈̃̓♏̣̲̜̥̀̅͘͝ἰ̜̬͆͂∩̡̡̓͘Ꜿ̱̪̭̱̿͋̄̌$̦̮̘̖͌̄͐̈́Ƭ̙͎̍̍Λ̜͈̀͒Ƭ̙͎̍̍⋲̳̦́͛²·º✨̥͈̃̓

3:12 + @wndwsdwn
4:19 + @cutspace
8:03 - 10:33 + @jay-rewind
10:33 + @benjustleft

CLIPS - [7] (+ cutspace, benjustleft, WNDWS, & jayrewind)

https://www.instagram.com/nu.voices/
https://open.spotify.com/artist/2uUDVhVkKynzUJknr80mpA?si=SrMqE_LeRueSY-FKEiqbdQ

birthday cry

birthday cry (free dl <3)

@cight
http://twitter.com/isuzv
http://twitter.com/housut

-

CASINO [AGILE X CIGHT]

honest

PROD. LOUD LORD x TDEEZY #SWISHERBOYZ
DECEMBER 2014

Loud Lord x TDeezy | Trap Goin Barry

Cover credits: Andrei Kipahti
http://andreikipahti.com
http://twitter.com/andreisixmille

FISSURE

anotha track but idk if to release elsewhere

yt will probably be up too

DON'T TAKE FOR GRANTED

STREAM ON SPOTIFY

coupé 🕸️💜

Premiere by THUMP. 

Misogi joins up with the enigmatic UK producer Voduz to form ‘Aureolin’, a dark collaboration between the two Hurt members. Dig into the stream of 20 y/o Welsh Voduz, you’ll find similar melancholy masterpieces like the synth-clad ‘Halcyon’. It becomes apparent that Voduz has been influencing a specific type of music for a while now, a scene that needs no genre tag. He’s always sure to consistently deliver a hypnotised state with every track, building a cohesive portfolio with much more in the works. 
This comes as one of recent releases for Misogi as he continues to build towards his next EP. The Dubai based producer seems to be everywhere at the moment, appearing in features & putting out independent anthems that prove his wide range of production ideas. 

Follow @MISOGI 
Follow @voduz

Artwork : http://chell.co



Download 

MISOGI & VODUZ - Aureolin

♬ Click for more ☞ https://bit.ly/3wYm8Rf

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2

Get @drparnassus' remix for @last-gentleman-on-playa on @itsgoodtobeatree here: 
➟ Bandcamp: https://bit.ly/3wYm8Rf

Last Gentleman On Playa drops a mystical organic house release on his record label, It’s Good To Be A Tree, and it also includes remixes by Dr Parnassus, MiRET, and Kermesse.

Known for his trippy style, which combines immersive atmosphere with tribal drums, Last Gentleman On Playa is heavily inspired by his experiences at Burning Man. Most of Last Gentleman On Playa's music has been released through his own record label, but he has also featured on other imprints including Cosmic Awakenings.

On remix duty, Kermesse and Dr Parnassus have both previously featured on It's Good To Be A Tree, but MiRET is featuring on the imprint for the first time.

Kermesse in an Argentinian artist known for his mix of psychedelic vocals, quirky rhythms and majestic melodies. He has released music through record labels such as Kamai Music, The Magic Movement, and Lump Records.

Dr Parnassus is a shamanic producer from Bali, whose tracks are a concoction of shimmering synths and Middle-Eastern melodies sequenced into melodic grooves. He has featured on record labels ranging from Sol Selectas to Underyourskin Records.

Based in Spain, MiRET is making his first appearance on It's Good To Be A Tree, following regular releases on his own imprint [MuMa]. He has also featured his chugging downtempo style on respected outlets such as Bar 25, 3000 Grad, and Sounds of Sirin.

"Khor Lo" is first of the original tracks, and it's a tense instrumental track with swelling pads and intricate melodies, creating spine-tingling suspense.

"Upaya" is a downtempo track with a low-slung bassline, which underpins the call-and-response of muffled guitar chords and fluttering acid synths, while sparkling percussion adds to the enchanting vibe.

Dr Parnassus' remix of "Upaya" removes the acid melody, drawing focus to deep pads that create a more melodic version, which is both majestic and uplifting.

"Juzu" is the third of the originals, and it layers live percussion with an array of trippy samples to create a compelling groove that unfolds with the help of plucked guitar chords.

Kermesse also remixes "Juzu," and add one of their characteristic funky basslines, while warping the sound of the guitar to create a distinctly unique version.

MiRET's remix of "Juzu" makes good use of the original's guitar, but strips back the percussion to create an atmospheric groove with pulsating pads and plodding bass chords.

🎧 More Music in our Playlists on Spotify ⤵
💃 It's Time to Dance: https://spoti.fi/2FjcR9k
⚡ Melodic & Deep House: https://spoti.fi/2JVCgJH
🌃 Mosaic: https://spoti.fi/2qMavuY
🍍 Organic House & Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Yoga Electronica: https://spoti.fi/2qJt0A9
💥 White Ocean (Burning Man): https://spoti.fi/2vrVN0W
🌌 AfrikaBurn: https://spoti.fi/2qMRUOy

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Click for more ♬

Last Gentleman On Playa - Upaya (Dr Parnassus Remix) [it's good to be a tree]

FOREVER 150bpm

was supposed to be for celestial mix a long ass time ago but that shit never came out 

@otter-enclave
@consul
@seppukusquadxxx

aqueduct

A story about a journey into space.

DECISION - 00:00
THE LAUNCH - 01:13
ENCOUNTER - 03:06
THEY HURT - 05:54
I SURVIVED - 07:39
BACK IN THE JUNGLE - 09:06
DID - 10:06
THE ALL - 11:23

Graphics by AGILE
Guitar samples by Buckethead & AGILE

Download

VOYAGE

tempest

SPACEBUGS

♚✯♚✯♚✯♚✯♚✯♚✯♚✯♚✯
♚ D̶I̶G̶I̶T̶A̶L̶ ̶D̶U̶R̶G̶ ☯≈∞≈☮✯♚
♚ 君はダーグ湖☁   ☁  ☁✯✯✯♚     
♚ ♚✯♚✯♚✯♚✯♚✯♚✯♚✯                            

Helsinki

contact:
agile@null.net

@swarmandfrolic

VOYAGE

AGILE

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