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Kao gimnazijalci u jednoj smo zagrebačkoj gimnaziji imali profesora koji nam je pričao koje knjige svakako moramo pročitati. Bilo je tu mnogih klasika i svakako, popis je bio sjajan. No, s prijezirom je rekao kako ne bi smjeli čitati Mariju Jurić Zagorku ili Janka Matka. Zagorka je danas priznata književnica ali nekako nam se čini da je Janko Matko, inače starijim zagrebačkim generacijama poznat i kao urar i draguljar, ostao u zapećku. Nikada ga kritika nije prihvatila niti su mu dali ili mu daju književnu vrijednost. Istovremeno je Matko prodavao i po pola milijuna primjeraka knjiga.


Postom ili licno ako je kupac iz Novog Sada ili blize okoline. Troskove postarine snosi kupac. Svaki predmet koji vidite na mojoj aukciji je u savrsenom stanju,ukoliko nije navedeno drugacije. Primer: knjige su odlicno ocuvane,kao na slici,svaka slika je original proizvoda,knjige nisu isarane,bez stranica,ili pocepane.Isto vazi i za ostale predmete prodaje. Ne saljem u inostranstvo.
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 Purchase Hide Folder Ext Once you purchase the license, we will send you a license key (registration code) to activate the product. Please make sure that you have the latest version of Hide Folder Ext if the license key wouldn't work for you.


Administer Secret Server Folders. View, edit, create, move, and delete folders. Users still need the relevant view, edit, and owner permissions on the folders to perform these tasks. delinea.vault/secretserver/administration/folders/administer


Advanced Import. Import Secrets from an XML file. Users with the this permission can import groups, folders, site connectors, sites, and secret templates, without having to create a secret. Users must have the Secret Server permissions needed for the objects listed in the XML. delinea.vault/secretserver/administration/import/advancedimport/allow


Browse Secret Server Reports. Access reports restricted by permissions. Permissions are configurable at the category and report levels and share a similar inheritance model to secrets and folders. You can define users or groups with view or edit permissions for each category or report. delinea.vault/secretserver/administration/reports/browse


The most common scheme in use is the one originally implemented in Google Authenticator, which has become a de facto standard, of sorts. This involves a otpauth:// URI scheme that is commonly shared via a QR Code. These embed the secret directly into the URI as plaintext, and therefore both the URI and the QR Code encoding of it are usable forever - unless the shared secret is reset on the validator end. In this scheme, the QR code cannot "expire".





Okta Verify with Push does registration via QR code, but the QR code does not encode an otpauth:// URI and is not compatible with Google Authenticator. Instead, it encodes a proprietary token that the app then uses to retrieve the actual shared secret from the validator's servers (and register itself for push notifications/authentication in the process). This QR code is 
not
 reusable, and can also expire on the server end before it is registered.


FortiToken Mobile also does registration via QR code, but again the QR code does not encode an otpauth:// URI and is not compatible with Google Authenticator. This is yet another proprietary token that the app uses to retrieve the actual shared secret from the validator's servers, much like Okta Verify with Push. The QR code that is shared with FortiToken has an expiry set at 72 hours and is not usable after that time, nor is it usable more than once


All of Steam Guard, Okta, and FortiToken use the RFC 6238 TOTP algorithm, with a secret that would work perfectly well in other applications implementing the same algorithm if you were able to extract/register it. Two of them use QR codes. But the shared secret is never encoded in the QR code, and the proprietary token that is in the QR code only lasts as long as the server is willing to exchange it for the actual shared secret.


As Mentioned by Joe, From personal experience and research, the TOTP codes or the codes that you would get sent to you via a text message or generated by an authenticator

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Descriptions : 
Complement your mobile screen with Pixel and Android Pie icons with flat material colors. Each icon is a true masterpiece that provides a perfect pixel-flat look. Pixel Pie Icon Pack is designed to enhance your mobile experience.
 
Features :

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Bots have spawned fine for me everytime I've ever used them, until today. I was going to practice on tr_walkway, but only 2 bots were spawned. After trying to fix it with tr_walkway's in-game bot spawn system (which didn't work), I decided to try other maps. Once again, only 2 bots. Please help!


Okay, I know it is a pretty common problem for people to not have bots spawn on tr_walkway, tr_rocket_shooting2, etc, and they will just get the reply "Type sv_allow_point_servercommand always" But you see, I've tried that one hundred times now, and every single thing I know about tf2 along with it. I think there may be something more than just sv_allow_point_servercommand always wrong with my game. The bots do not spawn on those maps I listed earlier. On walkway, If I add them manually to blu, they just act weird and dont walk in a straight line, on rocket shooting, THey just strafe really fast (I actually like that, because I can practice my scout) and they don't stay in the same place or jump.


Whenever I go on to tr_walkway only one bot is spawning. I have put on "sv_allow_point_server always" and "sv_cheats 1" but only one bot is walking along the walkway Do anyone know why this happens? Help would be appreciated!


I don't have any scripts or graphics configs on my laptop. On my desktop, I use Chris' dx9frames. I had bot spawning issues on both of those.
Even with the console command though, the bots often stop spawning after a while. They're still in server, but they stop spawning to the walkway. Kicking and/or killing the bots doesn't work either.





so i was trying to practice on tr_aim and the bots werent spawning i tried it on tr_walkway and same thing ive typed sv_allow_point_servercommand always into the console but still nothing any idea why?



Walkway
 is a community-made training map. It features AI bots that spawn and walk along the long walkway that runs down the whole map. There are various different options, toggled by shooting in-game buttons, that can customize the playfield to the player's taste. It is useful for headshot training, practicing jumps, and general practice.Other than just offering training help, it is an outstanding choice of map for testing out custom items and their functions, due to the versatile settings of bots.


The control room, adjacent to where the player spawns, is the nerve center of tr_walkway. It has many controls that will affect the behavior of the bots running along the walkway. These buttons affect everything a bot can do from jumping to strafing, whether or not to fire and more. These buttons can be activated by hitting them with any available weapon.


The walkway is a long strip with hills and a few overhanging catwalks which lead to a pit at the end. The bots on this map will run along this strip (all at the same speed) behaving according to whichever buttons the player has activated in the control room.Alongside the buttons in the control room, there are various controls in the walkway itself.


The most common problem here is a lack of navmeshes; bots only work on maps that have navmeshes. You can check to see if a map has a navmesh with sv_cheats 1 nav_edit 1; if you see a bunch of rectangles appear on the floor that's a navmesh. (Turn the display back off with nav_edit 0.) If the map lacks a navmesh, you can create a automatic one with nav_generate (also a cheats command).


On certain maps, bots can work, but on others they can't - like Payload race, CTF Doomsday, MVM and Arena. They will stand still in the spawn location for the reason that they don't have instructions on where to go.


To fix this, join any map (like ctf_2fort, for example). Type sv_cheats 1 in the console, then type nav_generate. As soon as you type this in, your game will lag for a bit, so you'll have to wait. This will make the bots w

How To Fix Tr Walkway Bots Not Spawning

Cissy Strut Midil

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1969's self-titled debut is largely a response to the success of Booker T. & The M.G.'s. The most famous instrumental group at the time, "The Meters" trades Booker T's knack for changes in texture (see: "Chinese Checkers," "Jellybread" and "Hip-Hug-Her") for sophisticated rhythms underpinning more melodic songs. Led by their Ivanhoe opener "Cissy Strut," the second-line sound of New Orleans propels nearly every song including the jump funk of "Live Wire," the chromatic runs of the searing "Ease Back (#20 R&B.)" and the slow grind of the pre-album single "Sophisticated Cissy (#7 R&B in 1968.)" Even the covers they choose are redesigned to fit the style of the Meters and their hometown ("Stormy" and "Sing A Simple Song".) It goes without saying that "Cissy Strut" was a massive hit, selling 200,000 copies in its first two weeks and vaulting into the R&B Top 5. A mere six months later, The Meters fired off their second salvo "Look-A-Py-Py." The serpentine winding of the title cut (#11 R&B) unveiled the blueprint for their future. Unhurried but head-bobbing funk driven by the consistent drums and insistent guitar lines. In the middle of the melange of sound, the bass changes from rhythm (there for most of kick drum hits) to melody with alarming ease. On top of it all, Art Neville's organ squealing like a guitar, often playing the melody line and punctuating it with horn-like flurries. Working in Atlanta, The Meters under the watchful eye of Allen Toussaint and Marshall Sehorn gelled into the mighty Jam/Funk they are viewed as today. "Pungee" is punchy yet laid-back, while "This Is My Last Affair" is a ballad that you can dance to. The driving Sly & The Family Stone-style "Oh! Calcutta" and the Fatback march of "Dry Spell" (#39 R&B) prove how elegant their group compositions are becoming at matching the styles of the day. However, it is the album cut "Yeah, You're Right" that illustrates the band's future direction with its locomotive version of the Blues translated into Funk and winding/unwinding of the main melody with Jazz-like fervor. With so many singles in so little time, 1970 brought the Meters the honor of being named both Billboard and Cashbox magazine's R&B Instrumental Group of the Year. Despite two albums, it was back to work in New Orleans and time for Art Neville to return to singing with the group. "Struttin'" features three vocal cuts including a heartfelt cover of "Wichita Lineman" and a fortified revisit of Lee Dorsey's "Ride Your Pony" (whose 1965 version features the future Meters as the house band at Sansu for its composer Allen Toussaint, writing as Naomi Neville.) "Struttin'" adds to the Meters' palette the galloping "Go For Yourself," the simple-but-striated funk of "Joog," and its most famous export the dormant single "Hand Clapping Song (#26 R&B.)" sampled, covered and used in commercials in the 21st Century. "Struttin'" is mostly the band reaching for that elusive hit. Rearming their innate ability to "Strut," it opens with the classic "Chicken Strut (#11 R&B)" which surprisingly failed to crossover. Moreover, some compositions like "Britches" and "Hey! Last Minute" sound limited and hurried - like a band that needs a change. Contract-bound and beholden to Toussaint, the band was ready to join the blossoming world of Funk in the Seventies. Art was temporarily asked to leave the group as they continued the pursuit of the hit that would bring them success outside of their hometown. Nocentelli's singles ("A Message From The Meters (#21 R&B)" in 1970 and "Stretch Your Rubber Band (#42 R&B) in 1971") were more R&B based but not working. In 1972, the Meters were released from their contract and snapped up by Warner/Reprise. Reunited with Art and using Toussaint solely as their producer, the band calmed down the high-energy ethic of their sound to compete with the plethora of Funk bands charting in the early Seventies. The major-label debut "Cabbage

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The term release to manufacturing (RTM), also known as "going gold", is a term used when a software product is ready to be delivered. This build may be digitally signed, allowing the end user to verify the integrity and authenticity of the software purchase. A copy of the RTM build known as the "gold master" or GM[14] is sent for mass duplication or disc replication if applicable. The terminology is taken from the audio record-making industry, specifically the process of mastering. RTM precedes general availability (GA) when the product is released to the public. A golden master build (GM) is typically the final build of a piece of software in the beta stages for developers. Typically, for iOS, it is the final build before a major release, however, there have been a few exceptions.


Pretty much the title, as a budget Hearthstone player I disenchant all the extra gold cards I get, it would be nice if decks didn't become unplayable if you remove a golden card when you have the non-golden version.


TBH I don't think Minecraft ever lost it's golden age, all that happened was we grew up and became nostalgic over the good ol' days when everyone our age played. But if I had to pick between these versions I'd choose the most recent.


The fact that I have never updated past 1.6 is pretty telling; if you ignore later versions I'd still call it the best version due to having features that older versions did not, such as blocks of coal (prior to this I only mined what I needed; coal currently makes up 2/3 of all ores I mine so this was quite a big change in terms of resource collection rates) and other blocks and items, mobs (baby zombies and horses), and bug fixes (e.g. 1.6 fixed a bug where decaying lava would often never go away. 1.6 is also the least-affected by various changes to the launcher/online assets, e.g. you can't get sound anymore in 1.5 and earlier but can still get it in 1.6 if you use the old launcher to download the assets properly. Any version before 1.7.10 no longer has custom skins but you can just use a resource pack to get around that, as I did long before as a measure against the servers going down).

1.6 does have some downsides though; namely, regional difficulty, which makes little sense for somebody with my playstyle as I'm always moving around so it would never get very high, and it would be even worse for somebody who like to travel far distances since I don't move very quickly (in 1.5. it was as if it is always at 100%; in TMCW I made it so it is only based on total playtime, which makes a lot more sense. 1.8 made things even worse by requiring that it reaches at least 2 (which is never reached on Easy) before any effects begin, instead of ramping up from 0 on the first day). A lot of people complained about the nerfs to regen/health potions and golden apples but I don't care about those changes since aside from curing a couple zombie villagers I don't use them. Also, I almost forgot - server lag from zombies unable to pathfind to their target, which I've all but forgotten about since I had patched it long ago (partly based on a fix from Forge, plus my own changes to ensure they can't load chunks outside of the player's loaded chunk area, a major source of lag).

Also, since mods were mentioned, my opinion is that when a mod makes significant changes to the game it no longer really matters what version it is based on; you can hardly say that my own mod is anything like 1.6 (or 1.7+, despite having content from/similar to them) and if I ever did update it to newer version I would not adapt it to that version, but simply replace it (e.g. I assume that mods like BoP changed their world generation to accommodate the changes in 1.7 while a 1.7+ version of TMCW would look exactly the same, aside from the changes I make with each major update; a world created with TMCWv5 is as different from TM

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When msvcrt.dll became a first-class citizen (i.e. a system DLL) some time during the lifetime of XP, some changes were also made to it. Incompatible changes, I should add. Example: if you built a program against the VS CRT in former times (e.g. using the WDK/DDK) you could rely on the fact that it works starting with the least common denominator of existing msvcrt.dll versions. However, at some point MS decided that programs built to target, say, XP could rely on the new functionality that was snuck into newer versions of msvcrt.dll. Hence the observed incompatibility.


Should I redistribute msvcrt.dll with my application and use the private dll if some of the application's libs dynamically depend on msvcrt.dll? I.e. are any incompatibility issues possible with the system's msvcrt.dll (dll hell)? Application is targeted for Windows Server systems.


You 
must
 redistribute the Microsoft Visual C Runtime with your application, because Windows does not ship with any Microsoft Visual C Runtime. There might happen to be a DLL called msvcrt.dll (which is not guaranteed), it is not the MSVCRT.


The other is the msvcrt.dll (with no numbers in the file name) in System32 folder, which is intended to be used ONLY by the OS itself since some time ago. And applications should never replace/reinstall it. However, some applications do link to it, for some reasons like to remove the extra dependencies to install. But be aware that it is not guaranteed to be available in future Windows version.


msvcrt.dll has become a defacto part of the OS distribution. On windows 98 and 95 and possibly NT4 it was possible to get OS installs without it if one went to care to strip apps like WordPad out of the installation.



What causes the vulnerability?
 
The vulnerability is caused when msvcrt.dll miscalculates the size of a buffer, allowing data to be copied into memory that has not been properly allocated.



What is
 
msvcrt.dll?
 
Msvcrt.dll is a multithreaded, C run-time dynamic link library that is used by system-level components. For more information regarding msvcrt.dll, please see the MSDN article, C Run-Time Libraries.



Are third-party applications affected by this vulnerability?
 
Yes, any application that uses msvcrt.dll could be affected by this vulnerability. Microsoft recommends applying this security update to help remediate this vulnerability on affected releases of Microsoft Windows. For more information regarding this issue, please see the section, Known issues with this security update, in Microsoft Knowledge Base Article 2654428.


Manage the software and security updates you need to deploy to the servers, desktop, and mobile systems in your organization. For more information see the TechNet Update Management Center. The Microsoft TechNet Security website provides additional information about security in Microsoft products.


We recommend that you check the build version of the Microsoft VC Runtime DLLs that are installed on servers that have, or will have, SQL Server 2016 installed. You should install KB3138367 if the build version of %SystemRoot%\system32\msvcr120.dll is not 12.0.40649.5 or later. To check the file version, open Windows Explorer, locate and then right-click the %SystemRoot%\system32\msvcr120.dll file, click Properties
, and then click the Details
 tab.

For more information about the update to the VC Runtime DLLs, including instructions to manually install the update, see the following Microsoft Knowledge Base article:






SQL Server 2016 Setup has a mechanism that checks for important online updates during the installation process, assuming that it has Internet access to Microsoft servers. During this process, if you have not installed KB3138367, you have the opti

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Norton, the oldest commercially grown native American grape, is a red variety with a unique flavor, a dramatic history and a cult-like following. The grape produces some of the best dry red wines in the Midwest. However, even in Missouri, where Norton is the state grape, many locals have never heard of it. Despite being an unsung hero, the number of wineries producing quality Nortons has grown in recent years and the grape continues to inspire wine enthusiasts like no other native variety.



Looks down perchance upon our mournful sphere,
With the deep pity of seraphic eyes,
Fancy unveils the future, and I see
Millions on millions, as year follows year,
Gather around our warrior's place of rest
In the green shadows of Virginian hills;
Not with the glow of martial blazonry,
With trump and muffled drum,
Those pilgrim millions come,
But with bowed heads, and measured footsteps slow,
As those who near the presence of a shrine,
And feel an air divine,
All round about them blandly, sweetly blow,
While like dream-music the faint fall of rills,
Lapsing front steep to steep,
The wood-dove 'plaining in her covert deep,
And the long whisperings of the ghostly pine
(Like ocean-breathings borne from tides of sleep),
With every varied melody expressed
In Nature's score of solemn harmonies,
Blends with a feeling in the reverent breast
Which cannot find a voice in mortal speech,
So deep, so deep it lies beyond the reach
Of stammering words,--the pilgrims only know
That slumbering, O! so calmly there, below
The dewy grass, the melancholy trees,
Moulders the dust of him,
By whose crystalline fame, earth's scarlet pomps grow dim,
The crownèd heir
Of two majestic immortalities,
That which is earthly, and yet scarce of earth,
Whose fruitful seeds
Were his own grand, self-sacrificing deeds,
And that whose awful birth
Flowered into instant perfectness sublime,
When done with toil and time,
He shook front off the raiments of his soul,
The weary conflict's desecrating dust,
For stern reveillés, heard the angels sing,
For battle turmoils found eternal calm,
Laid down his sinless sword to clasp the palm,
And where vast heavenly organ-notes outroll
Melodious thunders, 'mid the rush of wing,
And flash of plume celestial, paused in peace,
A rapture of ineffable release
To know the long fruition of the just!
SONNETS.
I.ON THE CHIVALRY OF THE PRESENTTIME.
AH! foolish souls and false! Who loudly cried
"True chivalry no longer breathes in time."
Look round us now; how wondrous, how sublime
The heroic lives we witness; far and wide,
Stern vows by sterner deeds are justified;
Self abnegation, calmness, courage, power,
Sway with a rule august, our stormy hour,
Wherein the loftiest hearts have wrought and died--
Wrought grandly, and died smiling. Thus, oh God,
From tears, and blood, and anguish, thou hast brought
The ennobling act, the faith-sustaining thought--
'Till in the marvellous present, one may see Page 85
A mighty stage, by knight and patriots trod,
Who had not shunned earth's haughtiest chivalry.
II.ELLIOTT IN FORT SUMTER.
AND high amongst these chiefs of iron grain,
Large-statured natures, souls of Spartan mien,
Superbly brave, inflexibly serene,
Man of the, stalwart hope, the sleepless brain,
Well dost thou guard our fortress by the main!
And what, though inch by inch old Sumter falls,
There's not a stone that forms those sacred walls,
But holds a tongue, which shall not speak in vain!
A tongue that tells of such heroic mood,
Such nerved endurance, such immaculate will,
That after times shall hearken and grow still,
With breathless admiration, and on thee
(Whose stern resolve ou

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Existing Apple suppliers are also hoping to produce components for the Apple Car. Foxconn has an EV manufacturing arm and is working on a software platform for carmakers, while Luxshare is working with Chinese automaker Chery to build EVs. Apple isn't likely to work with either company directly on a car, but they could have key roles in the company's Apple Car supply chain.


There were two things that came to my mind as to how apple can combat wage inflation.
1. Automation: How much will Apple invest in automation and work with their suppliers to reduce dependency on labor, especially eliminating the low to medium skill jobs. However, this is not easy and will take time.
2. Diversification of supplier base: Given the need to expand the manufacturing footprint and move to cheaper locations, India is a potential destination for apple with one of the solutions being to manufacture the older iPhones in Bangalore [1]. Yet, developing new suppliers and maintaining quality and scale in India is a whole new challenge.


From a competitiveness standpoint, the quality, such as 
feature size
, of semiconductor technology is as important as manufacturing capacity. Feature size refers to the size of the individual components or transistors on a microchip. As feature size decreases, the number of transistors that can be placed on a chip increases, leading to more processing power and improved efficiency. This has had a significant impact on competitiveness in the technology industry as smaller feature sizes have enabled faster and more advanced electronics to be developed. Additionally, the ability to pack more transistors into a smaller area also leads to smaller and lighter devices, making them more appealing to consumers. Overall, reduction in feature size has played a key role in driving innovation and competitiveness in the semiconductor and technology industries.


Historically, SSDs cost more than conventional hard drives. But due to improvements in manufacturing technology and expanded chip capacity, SSD prices had been dropping, enabling consumers and enterprise customers to view SSDs as a viable alternative to conventional storage. However, prices are increasing due to chip shortages and a general volatile market -- more recently in 2020 and 2021, due to COVID-19-related supply chain issues. Fluctuating demand for flash chips has kept pricing for SSDs variable, but the price for an SSD remains higher than an HDD.


The moving parts of HDDs increase the chance of failures. To compensate, HDD manufacturers have added shock sensors to protect drives and other components inside PCs. This type of sensor detects if the machine is about to fall and takes steps to shut down the HDD and related critical hardware.





The IBM 2314 direct access storage facility is introduced. It was an improvement over the 2311 disk storage drive and provided higher data storage density. Eight drives (plus a spare) with removable 29 MB disk packs shared one control unit. The extra drive was a spare for the user or could be worked on by a field engineer while the other eight were in use by the customer. Attached to a System/360 computer, it supported applications like online banking, ATMs, and just-in-time manufacturing.


While this research is more for testing at the moment, the talks could also relate to future manufacturing efforts, including making smaller components that could shrink down the overall collection of sensors to a more manageable size, possibly to one that could be more easily integrated into the "Apple Car's" design.
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Yuvan is a youth who hangs out with his four friends: Shah Rukh Khan, a man living thirty years in the past; Vijay, a basketball player; Amitabh Rajkamal; and Anand, a moneylender. He falls in love with a girl named Anjana and has a grudge against her brother Arjun Prabhakar, a police officer. Arjun warns Yuvan not to fall in love with Anjana, but he does so anyway. As a mark of revenge, Arjun gets involved in a scam involving an MLM company and puts the blame on Yuvan. How Yuvan comes out of this problem and reunites with Anjana forms the rest of the story.


I've checked multiple websites, and I can only find it with Hindi/Tamil/Malayalam audio and English subtitles or Telugu without any subtitles. It'd be nice to watch the movie in its original language - especially since I am Telugu. It's weird that Baahubali 1 is easily available in Telugu while that doesn't seem to be the case for the 2nd movie.


The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. 
Carol Borden
, 
Angela Englert
, 
Sachin Hingoo
, 
Alex MacFadyen
, and 
Beth Watkins
 probe 
science fiction
, draw out the best in 
comics,
 stare deeply into the 
screen
, sink their fangs into 
horror
, dally with 
romance
, speedrun their brains on 
videogames
 and explore so much more. Our Guest Stars shine 
here
. Thanks to Gutter aesthetic director 
Brian Kirby
 for all his swank art. Thanks to 
EJ Lee
 for providing the fantastic art we used in 
the Cultural Gutter book
. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of 
MPZ Cosmetics
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Twitter
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 Post as @culturalgutter
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